180 research outputs found
Letter containing inquiry regarding the ethnic identity of the descendents of Georg Moritz Oppenheim.
No full textLetter from Wilhelm Gehlig to Rabbi Dr. Freudenthal in Nuremberg with a genealogical question regarding Georg Moritz Oppenheim. Of particular interest to the author is to determine whether Oppenheim's descendents are "rein jüdischen Blutes (=of pure Jewish blood)."Robert Singermandigitize
Présentation d'un article de Georg Rusche
No full textDer Artikel, den Georg Rusche fur die Frankfurter Zeitung schrieb, bildet nach Auffassung der Autoren die kostbarste Quelle zum Studium der Originalitat des kriminologischen Denkens Rusches. Aus Respekt vor einem Autor, dessen Hauptwerk immer noch verschollen ist, wurde die franzôsische Ausgabe dieses Aufsatzes mit umfangreichen Anmerkungen versehen. Sie sollen dem Leser einen Einblick in Umstände und Genese dieser frühen Arbeit Rusches gestatten. Unserer Ausgabe ist ein wertvolles Dokument vorangestellt, das wir erst neulich im «Max Horkheimer- Archiv» entdeckt haben. Dieses Dokument macht sichtbar, in welchem Umfang Kirchheimer in das urspriingliche Manuskript Rusches eingriff, bevor es zu der Veröffentlichung von « Punishment and Social Structure » kam.The article that Georg Rusche published in the Frankfurter Zeitung constitues, in our opinion, even to this day the most valuable source for understanding the originality of his criminological thinking. With regard to the memory of an author whose main work is still missing we furnished the french edition of this article with comprehensive annotations. These annotations facilitate the modern reader the access to the origins of Ruschian criminology. In the introduction of our edition we publish a rather important document we found recently in the «Max Horkheimer Archives». Thanks to this document the reader may appreciate to what extent Kirchheimer interfered with the original manuscript of Rusche before publishing « Punishment and Social Structure ».Aux yeux des auteurs, l'article de la Frankfurter Zeitung constitue toujours la source la plus précieuse pour saisir l'originalité de la pensée cri- minologique de Georg Rusche. Par respect à la pensée d'un auteur dont l'oeuvre principale reste disparue, l'édition française de cet article restitue, grâce à son appareil critique, le contexte historique de la genèse de cette pensée criminologique. Elle est précédée de la publication d'un document précieux, récemment découvert aux «Archives Max Horkheimer». Ce document nous met au courant des remaniements profonds que le manuscrit original de « Punishment and Social Structure » avait subi de la main de Kirchheimer.Volgens de auteurs is het artikel in de Frankfurter Zeitung nog altijd de meest kostbare bron om inzicht te krijgen in de oorspronkelijkheid van het criminologisch denken van Georg Rusche. Uit eerbied voor het denken van de auteur, wiens voornaamste werk onvindbaar blijft, levert de franse uitgave van dit artikel, samen met de kritische bemerkingen, de historische context van de wording van dat criminologisch denken. Zij wordt vooraf- gegeaan door de publicatie van een kostbaar dokument, dat onlangs werd ontdenkt in de «Archieven Max Horkheimer». Dit dokument brengt ons op de hoogte van de diepgaande wijzigingen die Kirchheimer aan het oors- pronkelijk handschrift van « Punishment and Social Structure » heeft aangebracht.Levy René, Zander H. Présentation d'un article de Georg Rusche. In: Déviance et société. 1984 - Vol. 8 - N°2. pp. 145-149
"Arbeiterverräter", "Sozialchauvinisten", "Lakaien der Bourgeoisie" Der sozialdemokratische Reformismus in Kaiserreich und Weimarerer Republik als Desiderat einer postideologischen Forschung
No full textThe author traces the legacy of the reformist network of the SPD (Social Democratic Party of Germany) from World War I to the Weimar Republic. It focuese on the communication structures and the political interests of its members. Wolfgang Heine, Max Quarck, Otto Landsberg, Eduard David, Albert Südekum, Georg Gradnauer and others are portrayed as representatives of a generation of middle-class social democrats that suffered from being either ignored in labour movement research or from being associated with "opportunism" and "workers\u27 treachery" by the \u27official\u27 social democratic history
An approach for improving SHM systems with GUW detection and embedded sensors by a planar gradient acoustic impedance matching
No full textThis is an open access article under the terms of the Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/).Vo
Etnografía de urgencia: el hospital de Xoco. Antropología. Boletín Oficial del Instituto Nacional de Antropología e Historia: Espacios de la Ciudad de México. Num. 75-76 Nueva Época (2004) julio-diciembre
No full textChoza, Vicente; Antropología filosófica, Madrid, Rialp, 1993.Foucault, Michel; Microfísica del poder, Barcelona, La Piqueta, 1980.———; Vigilar y castigar, México, Siglo XXI, 2003.Merton, Robert; Teoría y estructura sociales, México, FCE, 2002.Simmel, Georg; “La metrópolis y la vida mental”, en Mario Bassols et al. (comps.), Antología de Sociología Urbana, México, UNAM, 1988, pp. 47-61.Weber, Max; Economía y sociedad, México, FCE, 1964.Wright, Georg H. Von; Explicación y comprensión, Madrid, Alianza, 1979.Yepes Stork, Ricardo; Fundamentos de Antropología, Pamplona, EUNSA, 1996
Portrait of Georg Hermann.
No full textHead of a man in profile. Signed, titled and numbered IV-3 along bottom.The internationally renowned author of numerous novels, essays, and articles, Georg Hermann, was born as Georg Borchardt in Berlin-Friedenau on October 7, 1871, the youngest of six children in a well-established Jewish family. Later in life he used his father’s first name Hermann as his surname when writing. Contrary to the expectations for a young man from a reputable family, Hermann did not pursue the Abitur exam in a Gymnasium (secondary school), but instead received a one-year certificate in 1890, leaving school to become an apprentice salesman at a tie company. From 1896 until 1899 he worked in the Statistical Office of Berlin, at the same time attending literature and art history lectures at the University of Berlin. Afterwards he worked as a freelance writer and art critic.His first book, 'Spielkinder', was published in 1896, but he did not become well-known until 1906, with the publication of 'Jettchen Gebert', followed by its sequel, 'Henriette Jacoby'. These novels told the story of the life of a young woman living in Jewish Berlin during the Biedermeier period of the 1820s and 1830s. Politically active, Georg Hermann was also a member of the Central-Verein deutscher Staatsbürger jüdischen Glaubens.Having become known for his pacifist tendencies through his writing, and because of his Jewish heritage, Georg Hermann and his family fled to Holland shortly after the burning of the Reichstag in 1933. Although the rest of his family was saved from the Nazis after their occupation of Holland in 1943, Georg Hermann was sent to the Dutch concentration camp of Westerbork. On November 16, 1943 he was transported to Auschwitz and either died during transport or shortly after his arrival.Hermann Struck was born Chaim Aaron ben David in 1876 in Germany. He is best known as a master etcher, lithographer and early Zionist. He studied for five years at the Berlin Academy and in 1908 wrote Die Kunst des Radierens (The Art of Etching), while mentoring artists such as Marc Chagall, Max Liebermann and Lesser Ury. His art was included in an exhibition at the Fifth Zionist Congress and he helped establish the religious Zionist movement called Mizrachi. Struck was an Orthodox Jew but believed that culture and religion could thrive cooperatively in Israel. He immigrated to Haifa where he created an artists' community and participated in the development of the Tel Aviv Museum and the Bezalel art school in Jerusalem. He died in 1944.digitizedDigital imag
The coevolution of renewable resources and institutions - implications for policy design
No full text This PhD thesis studies how natural renewable resources and institutions governing those resources mutually influence each other. Theoretical models are developed in which members of a small community have joint access to a common pool resource. We analyze under which circumstances social norms of cooperation evolve that effectively regulate resource exploitation, but also when those social norms break down, identifying obstacles for community governance. Furthermore, in the light of biological and social complexity this thesis analyzes how governmental policy should be designed if self-governance is not sufficient to protect the resource stock. The insights obtained are applied to the case of Arcto-Norwegian cod. An optimal management plan is developed that can be adapted to several policy objectives concerning the utilization of the fleet. In addition, management advice is given for the case that harvesting may trigger an evolutionary response of the fish stock. </p
Musikstädte as real and imaginary soundscapes: urban musical images as literary motifs in twentieth-century German modernism
No full textPhDThis study examines German literary images of musical life as part of the wider sound identity of the modern German city at the turn of the twentieth century. Focussing on a forty-year period from 1890 to 1930, synonymous with the emergence of the modern German metropolis as an aesthetic object, the project assesses, compares and contrasts how musical life in the Musikstädte was perceived and portrayed by writers in an increasingly noisy urban environment. How does urban musical life influence and condition city writings? What are the differences and similarities between the writings on various musical cities? Can an urban textual sound identity be derived from these differences and similarities? The approach employed to answer these questions is a new, cross-disciplinary one to urban sound in literature, moving beyond reading the key sounds of the urban soundscape using urban musicology, sensorial anthropology and cultural poetics towards a literary contextualisation of the urban aural experience.
The literary motifs of the symphony, the gramophone and urban noise are put under the spotlight through the analysis of a wide range of modernist works by authors who have a special relationship with music. At the centre of this analysis are the Kaffeehausliteratur authors Hermann Bahr, Alfred Polgar and Peter Altenberg, the then Munich-based author Thomas Mann and the lesser known René Schickele. The analysis of these particular works is framed in the music-geographical context of the Musikstadt and literary underpinnings of this topos, ranging from Ingeborg Bachmann to Hans Mayer and, once again, Thomas Mann. In analysing these texts, the methodological approach devised by Strohm, who identifies the blending of a range of urban sounds as a definition of urban space and identity, is applied. His ideas combine historical literary
analysis, musical history and urban sociology. They are rarely used in the analysis of the auditory environment.Arts and Humanities Research Council
Westfield TrustWestfield Trust Studentship
Arts and Humanities Reseach Council (AHRC
87. Ausstellung der Vereinigung Bildender Künstler Österreichs, Secession Wien (87. / 1926)
No full text87. AUSSTELLUNG DER VEREINIGUNG BILDENDER KÜNSTLER ÖSTERREICHS, SECESSION WIEN
Ausstellung der Vereinigung Bildender Künstler Österreichs, Secession Wien (-)
87. Ausstellung der Vereinigung Bildender Künstler Österreichs, Secession Wien (87. / 1926) ( - )
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Heinrich August, Hess Peter, Hofer Karl, Kalckreuth Leopold Graf von, ( - )
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Kersting Fr. G., Klinger Max, Kobell Ferdinand, Kobell Franz, ( - )
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Olivier Friedrich, Overbeck Friedrich, Preller Friedrich, ( - )
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Schnorr von Carolsfeld Julius, Schwind Moritz, Slevogt Max, ( - )
Spitzweg Karl, Thoma Hans, Trübner Wilhelm, ( - )
Uhde Fritz von, Wasmann Friedrich, ( - )
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