124 research outputs found

    Die Köstliche Perle eines Geistlichen Kauffmans/ Das ist: Die Rechtfertigung eines armen Sünders vor Gott : In einer Gast-Predigt/ Bey der weitberühmten Handelstadt Leipzig in der Thomas-Kirchen A. 1692. d. 25. Aug. aus vorgeschriebenem Texte Rom. IV. 7. 8. ... abgeleget

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    und nun ... in den Druck befördert von M. Albrecht Christian Rotthen/ nunmehr Prediger an der Thomas-Kirchen zu LeipzigVermutl. bei Friedrich Lanckisch Erben, Leipzig, erschienen (vgl. VD17 39:153991D

    Alcune osservazioni su Joachim Camerarius biografo (e traduttore) di Albrecht Dürer

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    In this essay the author reconsiders Joachim Camerarius’s long preface to the Latin edition of Albrecht Dürer’s Human Proportion (De symmetria partium in rectis formis humanorum corporum) translated by Camerarius himself and published in 1532 in Nuremberg «at the expense of Dürer’s widow». This edition is analyzed here in comparison with the Latin translations of Albrecht Dürer’s Instruction on Measurement (Institutiones geometricae) and Instructions on Fortification (De urbibus, arcibus castellisque condendis ac muniendis) published in Paris by Christian Wechel between 1532 and 1535, without the widow’s permission. Thanks to this analysis, with new evidence, the author investigates how Camerarius himself helps to defend Dürer’s legacy, as a creative artist and as a theorist on art.– In this essay the author reconsiders Joachim Camerarius’s long preface to the Latin edition of Albrecht Dürer’s Human Proportion (De symmetria partium in rectis formis humanorum corporum) translated by Camerarius himself and published in 1532 in Nuremberg «at the expense of Dürer’s widow». This edition is analyzed here in comparison with the Latin translations of Albrecht Dürer’s Instruction on Measurement (Institutiones geometricae) and Instructions on Fortification (De urbibus, arcibus castellisque condendis ac muniendis) published in Paris by Christian Wechel between 1532 and 1535, without the widow’s per-mission. Thanks to this analysis, with new evidence, the author investigates how Camerarius himself helps to defend Dürer’s legacy, as a creative artist and as a theorist on art

    Albrecht Durer and the Lutheran Reformation

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    This dissertation is a study of Albrecht Dürer\u27s life and work with a theologioa1 interest. This is in no way a complete discussion of the artist\u27s life and works. The selection of works treated in chapter four is not a good cross section of his drawings, woodcuts. copper engravings, etchings, and paintings. They are a careful selection of his works of art showing how he gradually employed true Christian or Biblical teaching in his religious subjects. The author endeavors to show in this paper that Albrecht Dürer made a contribution to the work of Martin Luther and his associates as a preparatory figure to the reform movement and how later the work of Martin Luther influenced the great German artist
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