351,665 research outputs found
Henricus Balthasar Roth/ D. P. P. Collegii Iuridici p. t. Decanus. L. S. D. P.
No full textHENRICUS BALTHASAR ROTH/ D. P. P. COLLEGII IURIDICI P. T. DECANUS. L. S. D. P.
Henricus Balthasar Roth/ D. P. P. Collegii Iuridici p. t. Decanus. L. S. D. P. ([1])
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Henricus Balthasar Roth/ I. U. D. Pandectar. Prof. Publ. & Collegii Iuridici h. t. Decanus. L. S. D. P.
No full textHENRICUS BALTHASAR ROTH/ I. U. D. PANDECTAR. PROF. PUBL. & COLLEGII IURIDICI H. T. DECANUS. L. S. D. P.
Henricus Balthasar Roth/ I. U. D. Pandectar. Prof. Publ. & Collegii Iuridici h. t. Decanus. L. S. D. P. ([1]
Henricus Balthasar Roth/ D. P. P. Collegii Iuridici In Illustr. Salana P. T. Decanus Civilis Sapientiae Stud. S. P .D.
No full textHENRICUS BALTHASAR ROTH/ D. P. P. COLLEGII IURIDICI IN ILLUSTR. SALANA P. T. DECANUS CIVILIS SAPIENTIAE STUD. S. P .D.
Henricus Balthasar Roth/ D. P. P. Collegii Iuridici In Illustr. Salana P. T. Decanus Civilis Sapientiae Stud. S. P .D. ([1]
Visual representation in the work of Joseph Roth, 1923-1932
No full textThrough an examination of Joseph Roth’s reportage and fiction published between 1923 and 1932, this thesis seeks to provide a systematic analysis of a particular aspect of the author’s literary style, namely his use of sharply focused visual representations, which are termed Heuristic Visuals. Close textual analysis, supplemented by insights from reader-response theory, psychology, psycholinguistics and sociology illuminate the function of these visual representations. The thesis also seeks to discover whether there are significant differences and correspondences in the use of visual representations between the reportage and fiction genres. Roth believed that writers should be engagiert, and that the truth could only be arrived at through close observation of reality, not subordinated to theory. The research analyses the techniques by which Roth challenges his readers and encourages them to discover the truth for themselves. Three basic variants of Heuristic Visuals are identified, and their use in different contexts, including that of dialectical presentations, is explored. There is evidence of the use of different variants of Heuristic Visuals according to the respective rhetorical demands of particular thematic issues. It has also been possible to establish synchronic correspondences between the different genres, and diachronic correspondences within genres. Although there are examples within the reportage where the entire article is based on an Heuristic Visual, the use of Heuristic Visuals cannot be seen as a key organizing principle in Roth’s work as a whole. As his mastery of the technique reaches its highest point in the early 1930s, Heuristic Visuals are often incorporated into the reconstruction of a complete sensory experience. Analysis of Roth’s heuristic use of visual representations has led to important insights, including a reinterpretation of the endings of Roth’s two most famous novels: Hiob and Radetzkymarsch
Vespericola ohlone Roth, sp. nov.
No full textVespericola ohlone Roth, sp. nov. (Figures 13) Mesodon (Aplodon) armigerus [Ancey], Cooper, 1887: 367, 368, 370, 374; non Vespericola armiger (Ancey, 1881). Vespericola columbiana pilosa (Henderson), Pilsbry, 1940: 896 898, in part (record from San Pablo, Contra Costa County). Vespericola, new species "o" Roth & Sadeghian, 2003: 37. Type material (all, formerly contained in lot SBMNH 03357): Holotype, SBMNH 348128, CALIFORNIA: Alameda County: “Patterson’s Willows” (probably now part of Coyote Hills Regional Park, approximately 37.55 ° N, 122.09 ° W), J. G. Cooper coll. 1 Mar 1875. Paratypes (37), SBMNH 348129, from same location as holotype. Additional paratypes deposited in ANSP (2), CAS (2), USNM (2). Referred material: CALIFORNIA: Contra Costa County: ANSP 1889 (3), San Pablo, A. D. Brown (?) coll. The collection date for this lot is unknown, but it was catalogued at ANSP between 1915 and 1919 (P. Callomon, personal communication, January 2003). Alameda County: SBMNH 0 3696 (11), collector unknown; USNM 30484 (4), Oakland, A. W. Crawford coll.; USNM 30485 (3), Oakland, A. W. Crawford coll. The latter two lots are undated, but A. W. Crawford was a resident of Oakland and active as a mollusk collector around the 1870 's (Pilsbry 1939: 63; Hanna and Smith 1954; Pressley 1983). Distribution: Alameda and Contra Costa counties, central California, U.S.A. Diagnosis: A mediumsized, thinshelled, setose Vespericola with base of shell produced and somewhat excavated around umbilicus, inner quadrant of base with small shelf set off by spiral sulcus behind basal lip, inner part of basal lip angled forward, and dilation of inner end of lip weakly impinging on umbilicus. Description: Shell diameter 11.715.4 mm; height 7.810.3 mm; heightdiameter ratio 0.570.74. Shell thin. Periphery broadest at or just above middle of whorl; tightly rounded (sometimes with a trace of angulation, especially on early body whorl near aperture), convexly sloping toward base. Whorls 5.56.2. Coiling tightness 2.052.42. Spire conical; apical angle approximately 130 °; whorls of spire flattened; suture moderately impressed to strongly impressed. Embryonic whorls 1.51.75; smooth for first 0.2 whorl, thereafter with crowded, irregular, papillose, radiating rugae. Early postembryonic sculpture of retractive collabral striae and minute, overall granulation; granules axially elongated, closeset, parallel to growth striae, giving way after about third whorl to irregular collabral wrinkling. Spiral sculpture absent. Surface of periostracum radially wrinkled, pebbly to scaly on first four whorls, smoother on whorls 56. Periostracal setae present; borne in distinct rows, oblique to coiling direction; rows of setae descending at approximately 4045 ° with respect to whorl trajectory; density of setae 1220 per mm ². Setae on spire and shoulder of body whorl 0.20.4 mm long; curving away from direction of coiling to mostly askew, and readily lost by abrasion; bases of setae not conspicuously broadened or forked at base. Finlike, abapertural basal extensions of setae absent. Tips of setae not recurved. Setae on base about as long as those on spire; setation extending into umbilicus. Base of shell produced and somewhat excavated around umbilicus; inner quadrant of base with small shelf set off by spiral sulcus behind basal lip. Inner quadrant of base not spirally corrugated behind basal lip. Umbilicus of moderate width; contained 1320 times in diameter. Body whorl behind aperture not deflected downward prior to preapertural constriction. Last quarterturn (approximately) of body whorl not compressed apicobasally. Aperture broadly earshaped. Peristome in lateral view shallowly concave; at angle of approximately 30 degrees to shell axis. Lip turned outward and expanded above periphery, reflected below periphery; face of expanded lip concave; basal lip not markedly more thickened than rest of peristome; inner part of basal lip angled forward; inner end of lip scarcely dilated; dilation of inner end of lip covering from less than 10 % to 50 % of umbilicus. Parietal callus extending only slightly to left of columella in basal view; with shallow sinus below upper limb of peristome. Parietal lamella absent. Color of fresh shell not known, museum specimens yellowish brown; lip whitish. Dimensions of holotype: Diameter 14.5 mm; height 9.7 mm; 6.1 whorls Etymology: Ohlone, a culture of Native American people who inhabited the San Francisco Bay area prior to the arrival of Europeans (cf. Margolin 1978). Remarks: Vespericola ohlone, sp. nov., differs from Vespericola pilosus (Henderson, 1928) in having its base produced and somewhat excavated around the umbilicus rather than tumid and solidlooking. The inner quadrant of the base has a small shelf set off by a spiral sulcus behind the basal lip, not found in V. p i l o s u s. The inner part of the basal lip is angled forward toward the front of the umbilicus, whereas that of V. p i l o s u s is straight or gently curved forward (see Roth & Miller, 1993: 136, figs. 13). The new species differs from Vespericola marinensis Roth & Miller, 1993, in having its base produced and somewhat excavated around the umbilicus rather than tumid and solidlooking. The inner quadrant of the base has a small shelf set off by a spiral sulcus behind the basal lip, not found in V. marinensis. The inner part of the basal lip of V. m a r i n ensis is gently curved forward, rather than angled as in V. o h l o n e (see Roth & Miller, 1993: 140, figs. 1416). Vespericola armiger (Ancey, 1881), to which Cooper (1887) referred this species, differs in that its umbilicus is a minute, oblique perforation, nearly or completely covered by dilation of the inner lip; the inner end of the basal lip is briefly angled forward then angled backward over the umbilicus (see Pilsbry, 1940: 910, fig. 521 a). A parietal lamella is present in V. armiger but is absent in V. ohlone.Published as part of Roth, Barry, 2003, Polygyrid land snails, Vespericola (Gastropoda: Pulmonata), 4. A new and possibly extinct species from central California, U. S. A., pp. 1-6 in Zootaxa 215 on pages 3-5, DOI: 10.5281/zenodo.15681
Roth, William V. — Senator from Delaware (1971)(JSK_BB8_F59)
No full textCorrespondence with Senator Roth from Delawar
Necas, P., B. Levitan & S. Roth (2020): Kinyongia multituberculata (NIEDEN, 1913) introduced in Kenya (Reptilia: Chamaeleonidae). - Archaius. 1(4): 4-7.
No full textNecas, P., B. Levitan & S. Roth (2020): Kinyongia multituberculata (NIEDEN, 1913) introduced in Kenya (Reptilia: Chamaeleonidae). - Archaius. 1(4): 4-7
Michael S. Roth
No full textPhotograph of Michael S. Roth, President of Wesleyan University, with the Sigmund Freud statue on Clark University\u27s campus green. He was there as part of the Henry J. Leir Chair\u27s programming for the 2013-2014 season with a talk called “The Freudian and the Liberal Arts”.
Robert Tobin was the inaugural Henry J. Leir Chair in Language, Literature, and Culture from 2008 until his passing in 2022.https://commons.clarku.edu/funwithfreud/1033/thumbnail.jp
The Other In Henry Roth\u27s \u3ci\u3eCall It Sleep\u3c/i\u3e
No full textThis thesis project focuses on the notion of the Other in Henry Roth\u27s 1934 novel Call It Sleep. The novel follows David as his family moves to New York and struggles in poor areas. David\u27s inner world is rendered through a style which is reminiscent of a modernist stream of consciousness while retaining the realism of the 1930s proletarian novel. Call It Sleep is a rich text for the study of immigration and multi-culturalism and approaching the novel through the theme of the Other allows for multiple interpretations. The first chapter uses Jacques Lacan\u27s theories on Desire and analyzes David\u27s obsessive behavior toward objects representing purity. Lacanian Desire stems from lack and is transferred to objects that cannot bring satisfaction once attained. Lacan\u27s theories explain David\u27s quests and can be used to understand the \u27American Dream\u27 migrants followed as a spatial localization of this unattainable desire. The second chapter looks at Roth\u27s treatment of languages and identification of and with the Other. David is an Other for the two cultures he is in contact with and is either included or excluded by different languages. David\u27s identity as an Other fluctuates depending on which culture he is in contact with. Roth\u27s treatment of language and identities is still relevant as we struggle to find a balance between assimilation and multi-culturalism. The last chapter looks at Call It Sleep from a feminist point of view. In her essay \u27Women on the Market\u27, Luce Irigaray analyzes our society\u27s treatment of women as commodities and their exchanges. Irigaray\u27s theory allows for a unique perspective on the transition between a patriarchal society to a consumerist American society v where women are objectified. These different approaches allow for a comprehensive study of the Other in the text and inform on the different manifestations of the Other in our world, between the alienation of our desires, fragmentation of the self, the Otherness experienced in a multi-cultural society and the Othering of women. Analyzing Call It Sleep under these different lenses allow for a better understanding of the relation of the self and the Other for multi-cultural individuals
Tikkun and Teshuvah : continuity in the novels of Henry Roth
No full textThe purpose of this work is to offer a study of the novels of Jewish-American author Henry Roth, situating those novels within several contexts, namely: early twentieth century life and ethnography in New York City, immigrant-specifically Jewish-experience, Judaism, with special reference to Eastern European orthodoxy, Roth's autobiographical style, and Hebrew literature. Of particular note is the issue of continuity that Roth himself incessantly sought.The first chapter provides a biographical sketch of Henry Roth, weaving together a brief story of his life that includes commentary upon his boyhood years, his family and relationships, his novels, and the sixty-year-long writer's block that intervened between publication of his first novel, Call It Sleep, and the 1990s volumes of the Mercy of a Rude Stream series; four novels of that series are currently in print. Chapter Two offers a brief outline of Jewish history that not only helps place Roth among the Eastern European Diaspora Jews of early twentieth century New York City but that also introduces the concepts of sin, atonement, and covenant that pervade Roth's writings.Chapter Three is devoted to an examination of Call It Sleep. This third chapter introduces and credits previous Roth scholarship while discussing the novel as an immigrant story, as Hebraic literature in its use of Midrashic elements and themes, and as ethnography. Additionally, this section suggests that Call It Sleep is somewhat polemic in its emphasis upon the Judaic convenant, despite Roth's assimilationist.stance during the years in which he composed the novel.Sequent to a fourth chapter describing the years between 1934 and the 1990s, years in which Roth found himself unable to write another novel and published but sporadically in periodicals, a fifth chapter discusses Roth's Mercy of a Rude Stream series. Those novels, again valuable documents that accurately depict turn-of-thecentury New York as well as the tale of the immigrant, exhibit continuity both among themselves and with Roth's first novel in their covenant thematic and Midrashic structure. Concepts discussed include intertextuality, teshuvah, and kedushah. The conclusion provides summary and is followed by a brief glossary.Thesis (Ph.D.)Department of Englis
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