89 research outputs found
Brazilski Ustav — još nešto prvo za djecu
No full textBrazilski Ustav iz 1988. godine prvi je ustav u svijetu koji je priznao i uključio prava djece. Fulvia Rosemberg objašnjava što Ustav nudi djeci te procjenjuje što je od toga ostvareno
Le théâtre pour enfants
No full textGratiot-Alphandéry H., Rosemberg Fulvia, Chapuis E. Le théâtre pour enfants. In: Enfance. Numéro Spécial, 1973. Le théâtre pour enfants. pp. 1-126
Analyse de la compréhension d'un spectacle
No full textRosemberg Fulvia, Reinert Max, Chapuis E., Graven Marie-France, Pezé Anna. Analyse de la compréhension d'un spectacle. In: Enfance. Numéro Spécial, 1973. Le théâtre pour enfants. pp. 127-205
Music and emotion in religious performances in a migratory context: can rite coincide with right?
No full textThe act of musical performance reveals the musicians' emotions and aesthetic experience in the most intense moment of the music-making process. In polyphonic music practices, this occurs by coordinating individual ways of making music in a group. In the course of this process, social relations also take place. The book presents the research of ethnomusicologists from this perspective in the interdisciplinary discourse of the subject. Fulvia Caruso contribution discusses issues about migrants in resettlement situations enacting the music culture they have grown up with, especially in terms of its link with memory, affections, religious rites, and as a place to express the rights to perform their beliefs in their new environment in the town of Cremona, Italy. To articulate her reflections the author presents two of the several religious situations she is documenting and analysing: the pentecostal Church of Bethel and the catholic Chorale de Saint Michel Archange. Both composed mostly by Ivorians, their religous emotional and esthetic experiences diverge because of the space they are enabled to create. This is demonstrated throug the analysis of two celebrations of the two rites, in particular observing theobject of repetition
How do we go about singing a new song about migration? Some reflections from action research in the padana plain
No full textThe article describe the first results of the project "Music and migration" the author is working on since 2014. The project is investigating self-representation and expression through the music of economic migrant communities and refugees and asylum seekers in Cremona and its neighbouring provinces (Mantua, Modena and Piacenza). Through the documentation of the music performed and listened to in different contexts and the study of how music intervenes in the public and private spaces of immigration in contemporary Cremona and its surroundings, we are trying to understand migrants’ attitudes toward the host culture and their own culture, and the possibility of empowering these persons by giving a public space to their cultural musical expressions. The article offers the first reflection about the results of all the lines of research conducted: transcultural education; music and rite; asylum seekers
Experiencing and crossing borders through music
No full textThe chapter aims to give an overview of the workshops orgnized by the author and held by her students between 2015 and 2017 in two different Extraordinary reception centres. Through musical practice and participatory listening, and also music composition, the asylum seekers find a way to come across their horrible conditions
Un disegno agli Uffizi di Bernardo Buontalenti per il casino Mediceo di San Marco
No full textThis paper investigates the Uffizi folio 698 Orn., which contains a drawing of vases on the recto and a project for two windows on the verso. The material features of the support, the techniques of representation and the state of conservation are described. The subjects of the drawings, their attribution to Bernardo Buontalenti and dating are also discussed. The analysis focuses in particular on the verso, proposing for the first time its identification with a project by the architect for the first and ground floor windows of the central courtyard of the Casino Mediceo in Florence. Furthermore, the dating of the drawing is hypothesised in relation to its graphic style and the construction process of the building. The aim is to divulge this precious document, which testifies the work carried out by Buontalenti at San Marco both as an artistic advisor for the Grand Ducal art laboratories and as an architect. He is in fact the author of the final definition of the windows, real 'manifestos' of his architectural conception
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