2,249,127 research outputs found
After Sulla: study in the settlement and material culture of the Piraeus peninsula in the Roman and Late Roman period
Modem text-based and ancient historical accounts take the sack of Piraeus, the port of Athens in Greece, by the Romans under Sulla in 86 ВС as the terminal point of the history of the area in antiquity. Archaeological work on the town has tended so far to regard the post-Classical phases of the settlement as less interesting than those marking the 'heyday' of the port in the Classical period. This thesis explores the nature and scale of settlement in the area in the centuries spanning the town's destruction by the Romans in 86 ВС and the Late Roman period. The study is based on a re-assessment of archaeological data from old and recent rescue excavations in the modem town up to 1997. It also presents and discusses in detail the results of post-excavation work by the author on unpublished material from an extensive site excavated in the early 1980s, These results are compared to and synthesized with epigraphic and other testimonies to answer questions about the nature of settlement and the degree of social and cultural change in the area during the period in focus. The discussion focuses in particular on; 1) exploring continuity and change in the settlement patterns, demography and topography of the town, 2) the changing nature of domestic space and its organization, and 3) investigating patterns of pottery consumption and trade. These issues are examined in the context of the social, economic and cultural changes documented for the Roman imperial and Late Roman period by previous archaeological fieldwork and excavations in the region of southern Greece and the Aegean
Roman Bridge
general view, Roman bridge crossing a modern bridge, (which represents one of the dominant characters of Lebanon, a marriage of the past and present) , 198
Roman Forum
reconstruction, modern artist's view of the Roman Forum looking towards the Capitoline Hill; right foreground: Arch of Septimus Severus; center: the temples of Saturn, of Vespasian, and of Concord; at top: the Tabulariu
Vaison-la-Romaine [Roman site]
View of the remains of the peristyle and its basin; Vaison-la-Romaine (Latin: Vasio Vocontiorum) is a small town and former bishopric in Provence. After the Roman conquest (125-118 BCE) the Vocontii retained a certain degree of autonomy; they had two capitals, Luc-en-Diois (in modern Drôme département), apparently the religious center, and Vaison. Their continued authority in the gradual Romanization of the Celtic oppidum meant that the city plan incurred no disruptive re-founding along rigid Roman orthography. The city's modern archaeologist Christian Goudineau has suggested that early examples were set by Vocontian aristocrats who moved down from the oppidum and established villas along the river, around which the Gallo-Roman city accreted. In the Roman period it became one of the richest cities of Gallia Narbonensis, with numerous geometric mosaic pavements, a fine small theatre on a rocky hillslope, probably built during the reign of Tiberius, whose statue was found in a prominent place on its site. The Polyclitan Diadumenos now in the British Museum was discovered in the theatre in the nineteenth century. The barbarian invasions were presaged by a pillaging and burning in 276, from which Roman Vasio recovered, but in the fifth century the benches of the theatre began to be reused as Christian tombstones Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 7/17/2008
Vaison-la-Romaine [Roman site]
The back wall (north side), showing entry; Vaison-la-Romaine (Latin: Vasio Vocontiorum) is a small town and former bishopric in Provence. After the Roman conquest (125-118 BCE) the Vocontii retained a certain degree of autonomy; they had two capitals, Luc-en-Diois (in modern Drôme département), apparently the religious center, and Vaison. Their continued authority in the gradual Romanization of the Celtic oppidum meant that the city plan incurred no disruptive re-founding along rigid Roman orthography. The city's modern archaeologist Christian Goudineau has suggested that early examples were set by Vocontian aristocrats who moved down from the oppidum and established villas along the river, around which the Gallo-Roman city accreted. In the Roman period it became one of the richest cities of Gallia Narbonensis, with numerous geometric mosaic pavements, a fine small theatre on a rocky hillslope, probably built during the reign of Tiberius, whose statue was found in a prominent place on its site. The Polyclitan Diadumenos now in the British Museum was discovered in the theatre in the nineteenth century. The barbarian invasions were presaged by a pillaging and burning in 276, from which Roman Vasio recovered, but in the fifth century the benches of the theatre began to be reused as Christian tombstones Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 7/17/2008
Vaison-la-Romaine [Roman site]
View of the remains near the peristyle (far right); Vaison-la-Romaine (Latin: Vasio Vocontiorum) is a small town and former bishopric in Provence. After the Roman conquest (125-118 BCE) the Vocontii retained a certain degree of autonomy; they had two capitals, Luc-en-Diois (in modern Drôme département), apparently the religious center, and Vaison. Their continued authority in the gradual Romanization of the Celtic oppidum meant that the city plan incurred no disruptive re-founding along rigid Roman orthography. The city's modern archaeologist Christian Goudineau has suggested that early examples were set by Vocontian aristocrats who moved down from the oppidum and established villas along the river, around which the Gallo-Roman city accreted. In the Roman period it became one of the richest cities of Gallia Narbonensis, with numerous geometric mosaic pavements, a fine small theatre on a rocky hillslope, probably built during the reign of Tiberius, whose statue was found in a prominent place on its site. The Polyclitan Diadumenos now in the British Museum was discovered in the theatre in the nineteenth century. The barbarian invasions were presaged by a pillaging and burning in 276, from which Roman Vasio recovered, but in the fifth century the benches of the theatre began to be reused as Christian tombstones Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 7/17/2008
Vaison-la-Romaine [Roman site]
View of a niche with statue of Hadrian; Vaison-la-Romaine (Latin: Vasio Vocontiorum) is a small town and former bishopric in Provence. After the Roman conquest (125-118 BCE) the Vocontii retained a certain degree of autonomy; they had two capitals, Luc-en-Diois (in modern Drôme département), apparently the religious center, and Vaison. Their continued authority in the gradual Romanization of the Celtic oppidum meant that the city plan incurred no disruptive re-founding along rigid Roman orthography. The city's modern archaeologist Christian Goudineau has suggested that early examples were set by Vocontian aristocrats who moved down from the oppidum and established villas along the river, around which the Gallo-Roman city accreted. In the Roman period it became one of the richest cities of Gallia Narbonensis, with numerous geometric mosaic pavements, a fine small theatre on a rocky hillslope, probably built during the reign of Tiberius, whose statue was found in a prominent place on its site. The Polyclitan Diadumenos now in the British Museum was discovered in the theatre in the nineteenth century. The barbarian invasions were presaged by a pillaging and burning in 276, from which Roman Vasio recovered, but in the fifth century the benches of the theatre began to be reused as Christian tombstones Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 7/17/2008
Vaison-la-Romaine [Roman site]
Copy of bust of Apollo as found in this room; Vaison-la-Romaine (Latin: Vasio Vocontiorum) is a small town and former bishopric in Provence. After the Roman conquest (125-118 BCE) the Vocontii retained a certain degree of autonomy; they had two capitals, Luc-en-Diois (in modern Drôme département), apparently the religious center, and Vaison. Their continued authority in the gradual Romanization of the Celtic oppidum meant that the city plan incurred no disruptive re-founding along rigid Roman orthography. The city's modern archaeologist Christian Goudineau has suggested that early examples were set by Vocontian aristocrats who moved down from the oppidum and established villas along the river, around which the Gallo-Roman city accreted. In the Roman period it became one of the richest cities of Gallia Narbonensis, with numerous geometric mosaic pavements, a fine small theatre on a rocky hillslope, probably built during the reign of Tiberius, whose statue was found in a prominent place on its site. The Polyclitan Diadumenos now in the British Museum was discovered in the theatre in the nineteenth century. The barbarian invasions were presaged by a pillaging and burning in 276, from which Roman Vasio recovered, but in the fifth century the benches of the theatre began to be reused as Christian tombstones Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 7/17/2008
Vaison-la-Romaine [Roman site]
The top of the theater, showing inside of the entry; Vaison-la-Romaine (Latin: Vasio Vocontiorum) is a small town and former bishopric in Provence. After the Roman conquest (125-118 BCE) the Vocontii retained a certain degree of autonomy; they had two capitals, Luc-en-Diois (in modern Drôme département), apparently the religious center, and Vaison. Their continued authority in the gradual Romanization of the Celtic oppidum meant that the city plan incurred no disruptive re-founding along rigid Roman orthography. The city's modern archaeologist Christian Goudineau has suggested that early examples were set by Vocontian aristocrats who moved down from the oppidum and established villas along the river, around which the Gallo-Roman city accreted. In the Roman period it became one of the richest cities of Gallia Narbonensis, with numerous geometric mosaic pavements, a fine small theatre on a rocky hillslope, probably built during the reign of Tiberius, whose statue was found in a prominent place on its site. The Polyclitan Diadumenos now in the British Museum was discovered in the theatre in the nineteenth century. The barbarian invasions were presaged by a pillaging and burning in 276, from which Roman Vasio recovered, but in the fifth century the benches of the theatre began to be reused as Christian tombstones Source: Wikipedia; http://en.wikipedia.org/wiki/Main_Page (accessed 7/17/2008
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