1,722,161 research outputs found
Ivorey Cobb and Roger Smith, ca. 1960s
Left to right: Roger Smith (Army buddy) standing with Ivorey Cobb; ca. 1960s.https://scholars.unh.edu/cobb_photos/1113/thumbnail.jp
Roger Smith Hotel, Washington, D. C., circa 1931-1944
Roger Smith Hotel, Washington, D. C., circa 1931-1944. Postcard number: K713
Certificate of Appreciation award winner Roger Smith, Harney Awards ceremony
Two men at Harney Awards, September 8, 1992. A "Certificate of Appreciation" is being presented to Roger Smith. Behind them in the Harney Ranger Station building. In envelope: "Harney Awards (B).
Certificate of Appreciation award winner Roger Smith, Harney Awards ceremony
Two men at Harney Awards, September 8, 1992. A "Certificate of Appreciation" is being presented to Roger Smith. Behind them in the Harney Ranger Station building. In envelope: "Harney Awards (B).
A conversation with Roger Smith on the intersection of occupational therapy, occupational science, and technology
A conversation with Roger Smith on the intersection of occupational therapy, occupational science, and technolog
The life and travels of James Upjohn, John Leopold & Roger Smith eds.-2015
The life and travels of James Upjohn, Edited by John Leopold and Roger Smith - Souscription ouverte pour fin 2015 Upjohn book-subscriptio
Shirley Carrier v. Pro-Tech Restoration dba Stone Carpets, William Roger Smith, and Pleasant Grove City : Brief of Appellee
BRIEF OF APPELLEE WILLIAM ROGER SMITH
APPEAL FROM THE FOURTH JUDICIAL COURT, UTAH COUNTY, STATE OF UTAH
JUDGE RAY M. HARDIN
Retail Trade - Sunshine Climate Club Alan Hale Jr, Peter Brown, Roger Smith and Connie Stevens
The Tucson Retail Trade Bureau and the Sunshine Climate Club held a parade and luncheon in 1959 to honor nine movie and TV performers, including Alan Hale Jr., Peter Brown, Roger Smith and Connie Stevens. Smith grew up in Nogales and attended the University of Arizona. [Chapter 2 Page 29
Japanese Imperial Architecture: From Thomas Roger Smith to Itô Chûta
This paper forms part of my investigation of Japanese art within a transnational context pursued over more than 30 years. More recently I have consolidated this position by setting up the UAL Research Centre for Transnational Art, Identity and Nation (TrAIN) where 9 core members are researching issues in transnational art.
Hitherto most of the publications on transnational art concentrated on bilateral relationships. However, in this paper I am including India within the debate on the relationship between Japan and Britain. This innovative tripartite approach, here between Britain, India and Japan, was pioneered by the AHRC-funded major research project (2001-2005) investigating the issue of modernity and national identity in the art of India, Japan and Mexico where I was the principal investigator.
In this paper I am tracing the genealogy of the theory of imperial architecture from Thomas Roger Smith, the British architectural theorist and an expert on building in India, to Josiah Conder, his pupil and the ‘father’ of modern Japanese architecture, and to Itô Chûta, Conder’s pupil and the most prolific architect of the Japanese Empire. Within the scholarship of the theory of Japanese architecture, this is the first attempt to define ‘Japanese imperial architecture’ whether in English or Japanese. I am showing how certain ambivalent attitudes of Roger Smith were inherited by Conder, who in his turn taught Itô who had a more independent attitude towards British imperialism in architecture. Nevertheless, for all three architects, India played a key role in their architectural development both in theory and practice. Using contemporary documentation both in English and Japanese this paper is aimed to make a contribution to the burgeoning debate on the Japanese imperialism and the arts
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