7,832 research outputs found

    Roger D. Simon

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    Negative Dr. Roger D. Simo

    Roger D. Simon

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    Negative Dr. Roger D. Simo

    Roger D. Simon

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    Negative Dr. Roger D. Simo

    Simon Blocquel, imagier et éditeur lillois.

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    Collins Roger D. J. Simon Blocquel, imagier et éditeur lillois.. In: Journal de la Société des océanistes, n°81, tome 41, 1985. pp. 235-240

    Fig. 6. – Dalbergia obcordata N in Taxonomic studies on Malagasy Dalbergia (Fabaceae). I. Two new species from northern Madagascar, and an emended description for D. manongarivensis

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    Fig. 6. – Dalbergia obcordata N. Wilding, Phillipson & Crameri. Inflorescence and leaflets.Published as part of Wilding, Nicholas, Phillipson, Peter B., Crameri, Simon, Andriambololonera, Sylvie, Andriamiarisoa, Roger L., Andrianarivelo, Sandratra A. F., Bernard, Roger, Rakotonirina, Nivo, Rakotovao, Charles, Randrianaivo, Richard I., Razakamalala, Richard & Lowry Ii, Porter P., 2021, Taxonomic studies on Malagasy Dalbergia (Fabaceae). I. Two new species from northern Madagascar, and an emended description for D. manongarivensis, pp. 237-249 in Candollea 76 (2) on page 248, DOI: 10.15553/c2021v762a4, http://zenodo.org/record/718293

    Simon Kuznets and Kharkiv school of economics

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    The author attempts to put the facts of the Nobelist’s Simon (Semen) Kuznets (1901-1985) Kharkiv period biography in the general context of our information about the Kharkiv Higher School of Economics at the beginning of XX century. We analyze curriculum of the first two courses in the Kharkiv Institute of Commerce, that Simon Kuznets attended during 1918-1921 and to discuss the distinctive features of its leading professors scientific views. Special attention is paid to the academic experience gained by Simon Kuznets in the field of social and economic statistics and economic methodology.В статье приводится попытка поставить факты харьковского периода биографии известного экономиста Нобелевского лауреата Саймона (Семена) Кузнеца (1901-1985) в контекст сведений о харьковской высшей экономической школы нач. ХХ в. Анализируется учебный план первых двух курсов Коммерческого института, который окончил С. Кузнец, особенности научных взглядов ведущих профессоров и преподавателей, курсы которых имел посещать С. Кузнец. Особое внимание уделяется академическому опыту, полученному С. Кузнецом в области социальной и экономической статистики и экономической методологии.У статті надається спроба поставити факти харківського періоду біографії відомого економіста Нобелівського лауреата Саймона (Семена) Кузнеця (1901-1985) у контекст відомостей щодо харківської вищої економічної школи поч. ХХ ст. Аналізується навчальний план перших двох курсів Комерційного інституту, який закінчив С. Кузнець, особливості наукових поглядів провідних професорів і викладачів, курси яких мав відвідувати С. Кузнець. Особливу увагу звертається на академічний досвід, отриманий С. Кузнецом у галузях соціальної та економічної статистики й економічної методології

    Richardson, Barbauld, and the construction of an early modern fan club

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    MPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him. This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
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