67,261 research outputs found
Interview with Maria Elena Rodriguez
Born in San Francisco, California, Maria Elena Rodriguez is a Latin Mexican Filipino television writer. Exposed to sewing at a young age by her grandmother, Rodriguez was able to use this skill during the AIDS pandemic where she participated in sewing sections of the AIDS quilt. Her skill for sewing eventually helped her again later during the Coronavirus pandemic where she became a member of the Auntie Sewing Squad and sewed masks for underprivileged communities.https://digitalcommons.csumb.edu/auntiesewing_interviews/1049/thumbnail.jp
Oral History Interview with Maria Rodriguez, June 18, 2015
Interview with Maria Rodriguez, from Brownsville, Texas. In the interview, Rodriguez discusses her childhood, tenant farming, migrant labor, experiences with discrimination, and family life
Marriage record of Rodriguez, Rogelio and Rodriguez, Dulce Maria
Marriage license for Rogelio Rodriguez and Dulce Maria Rodriguez. F. Milian was the Notary Public
Perez Rodriguez, Maria
Centro Asturiano membership record of Maria Perez Rodriguez; Socio Number: 317.https://digitalcommons.usf.edu/asturiano_membership/4939/thumbnail.jp
Rodriguez Nieto, Maria
Centro Asturiano membership record of Maria Rodriguez Nieto; Socio Number: 200.https://digitalcommons.usf.edu/asturiano_membership/5435/thumbnail.jp
Maria Rodriguez Winter Interview
Maria Rodriguez-Winter joins Tom Walton, for a look back at her life. Maria Rodriguez-Winter has been one the voices advocating for the Hispanic community of Toledo and raising cultural awaeness. Originally, from Crystal City, Texas, she and her family followed the crops north, working in the fields. She remembers this journey to Ohio, when she was just a child. Her family settled in near Wauseon, Ohio. She studied nursing and later political science. She founded MECHA, an organization to encourage Hispanic students at the University of Toledo. Health care, city revitalization, and, artistic expressions of the Hispanic community, have been other causes she actively promotes. She takes great pride in her family and their accomplishments and she tells about parents, her 3 children, and her husband. Maria Rodriguez-Winter has been recieved numerous awards for her community service, including the Diamante Award in 1996 and the Allstate Hands in the Community Award in 2003
Cohalla de Rodriguez, Maria
Centro Asturiano membership record of Maria Cohalla de Rodriguez; Socio Number: 450.https://digitalcommons.usf.edu/asturiano_membership/1937/thumbnail.jp
Rodriguez de Perez, Maria
Centro Asturiano membership record of Maria Rodriguez de Perez; Socio Number: 369.https://digitalcommons.usf.edu/asturiano_membership/5202/thumbnail.jp
Marriage record of y Rodriguez, Manuel Arango and Vilasquez, Maria Rodriguez
Marriage license for Manuel Arango y Rodriguez and Maria Rodriguez Vilasquez. C.E. Harrison was the Judge
El vibracionismo de Rafael Barradas: genealogía de un concepto
Vibrationism was an art movement developed by the painter Rafael Barradas (1890-1929) between 1917 and 1920, and this period remains one of the most recognized and recognizable of his artistic legacy. The aim of this paper is to look further into the concept of vibrationism in an attempt to reveal which elements of Barradas' artistic vision he sought to highlight by choosing this particular word. The author begins by addressing the frequent use of the concept of vibration in European avant-garde circles and then focuses on its emergence in Barradas' works from 1917 onwards. Finally, the meaning given to vibrationism in a text published by Torres- García is analyzed and his artistic interpretation of the style in his own paintings is discussed.El vibracionismo fue el movimiento pictórico practicado por el pintor Rafael Barradas (1890-1929) entre 1917 y 1920, y constituye una de las etapas artísticas más reconocidas y reconocibles de su trayectoría. El objetivo del artículo es el de profundizar en el concepto mismo de “vibracionismo”, para descubrir qué elementos de su propuesta plástica pretendía Barradas poner de relieve al escoger esta palabra en particular. Partiremos del frecuente uso del concepto de vibración en los medios de la vanguardia europea, para centrarnos después en su aparición en relación a la obra barradiana a partir de 1917; finalmente se analiza su significado a partir de un texto publicado por Torres-García, y se estudia su concreción plástica en la obra pictórica del auto
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