2,512 research outputs found
James Roche Blacksmith Receipt
Receipt James Roche (blacksmith) to show payment for $130 in full payment of a car. It is dated August 8, 1941, and is sign by A.M. Strong
Dialogue and Collaboration in the Creation of New Works for Clarinet
This PhD thesis explores dialogue-based, “intimate” collaboration through the creation of new works for clarinet. It borrows from Grounded Theory in order to facilitate an analysis through which emergent themes within a dialogue-based
collaboration are discovered. The aim has not been to insist on one model of collaboration, but to discover methods for improving one’s collaborative skills and to identify ways in which one benefits from a focus on dialogue in
collaboration. Furthermore, it aims to suggest that through collaboration one can make discoveries about the instrument: original contributions to clarinet technique are made within this thesis. The literature from which the research draws inspiration to further collaborative “technique” is cross-disciplinary and wide-ranging: it draws from social theory, collaborative creative writing, dance, the visual arts and of course, music. Added to this is a select discussion of collaboration throughout the repertoire of the clarinet. Finally, this consists of practice-based research. Seven new pieces for clarinet accompany the text
The ineluctable rupture
for bass clarinet and electronics commissioned by Heather Roche premiered by the commissioner at CIRMTT duration: 14'.Four meditations on our metastable states happiness is so fragile, a kind of precarious and improbable balance: a multicolour soap bubble. How can one fully enjoy it despite the vertigo its transience induces? It seems that reflection on impermanence was, and forever will be, at the heart of self-conscience, both for the individual and society. This permanence should soothe me
asinglewordisnotenough4 (tausch/exchange/barter)
This fourth piece / iteration / instance is exploiting mutations of the three original movements and the three first variations, to unearth the roots / aims / origin of the piece / programme / idea. Recombinations / swaps / merges / blends / hybrids are seen as many perspectives of a single multidimensional object.Also known under the title nureinwortgenügtnicht4 and unseulmotnesuffitpas4, this is a 16-minute multichannel piece for clarinet, accordion and real-time interactive electronics, commissioned and premiered by Heather Roche and Eva Zöllner.<br/
at143:Messiaen + Linda Catlin Smith
Apartment House play Olivier Messiaen’s ‘Quatuor pour la findu temps’ and Linda Catlin Smith’s ‘Among the Tarnished Stars’. Linda Catlin Smith 'Among the Tarnished Stars' (1998) 28.13 Olivier Messiaen 'Quatuor pour la fin du temps' (1941) 48.38 Apartment House: Anton Lukoszevieze (piano), Mira Benjamin (violin), Heather Roche (clarinet) & Philip Thomas (piano).</p
The Times, They Are Changing
In 2015, Rutgers became only the second accredited law school in the United States to select the open-source ILS, Koha. The merger of two unique catalogs at Rutgers Law School has presented unique challenges with respect to migration mapping, data recall for large records, and relevancy ranking, all of which affect search results and usability of the OPAC. System migrations always result in some data being lost or incorrectly transferred. The hope is to minimize just how much data is compromised while fixing errors that might not have come to light but for the migration.Peer reviewe
Heather McHugh, 4th Annual ODU Literary Festival
The author of Dangers, published in 1978 in Houghton Mifflin\u27s New Poetry Series, and A World of Difference, also a Houghton Mifflin publication (1981), Heather McHugh is a rare poet, known for her formal elegance, her piercing wit, and her supple use of rhyme and rhythm. The Denver Quarterly remarked on her interest in seeing doubly and double-talking and praised her passionate intelligence and affection for the tongue\u27s intimate intricacies. McHugh\u27s Thursday evening reading will conclude the 1981 Literary Festival. McHugh grew up in Williamsburg and now teaches at the State University of New York at Binghamton. She is a member of the board of directors of the Associated Writing Programs
Ep. #121 - Heather Paxson
This recording and transcript form part of a collection of podcasts conducted by the Cultures of Energy at Rice University. Cultures of Energy brings writers, artists and scholars together to talk, think and feel their way into the Anthropocene. We cover serious issues like climate change, species extinction and energy transition. But we also try to confront seemingly huge and insurmountable problems with insight, creativity and laughter.Dominic and Cymene plug Cultures of Energy 7—this year’s energy humanities symposium at Rice which begins today, details at culturesofenergy.org—and then they turn to cheese, why it’s funny, how it can be applied to cats, “cheddaring,” and much more. Is there an anthropologist who knows more about cheese than anyone? Yes of course there is, it’s MIT’s Heather Paxson, author of the award-winning The Life of Cheese: Crafting Food and Value in America (U California Press, 2012). She joins us (14:59) to talk about her research on the microbiopolitics of food and naturally we begin with what’s in her fridge. Heather tells us about her investigation of artisanal cheesemaking and what it tells us about the shift from Pasteurian to Post-Pasteurian regimes of microbiopower. We hear about goat ladies as revolutionaries, the truth about vegan cheese, and debate whether artisanal foodmaking is an elite project. Heather discusses the search for moral meaning in everyday life as a throughline in her work and we turn to her latest research on food safety inspections, the porosity of food borders and the synecdochic reasoning of the state when it comes to managing food flows. We close by discussing the impact of feminist analytics of labor in her research. What is “beef candy China”? Listen on and you might just find out
HERStory Makers 2023: Heather Mcclelland
Heather Mcclelland is a chartered psychologist and researcher at the University of Glasgow studying mental health. She took part in HERStory Makers 2023.What is HERStory Makers?HERStory Makers is a social media competition for female-identifying early career researchers to share their research, their career journeys, and to inspire the next generation. Winners are selected by public vote. HERStory Makers is also part of EXPLORATHON, Scotland's contribution to European Researchers' Night.In 2022-23, EXPLORATHON was supported by the Engineering & Physical Sciences Research Council [grant number EP/X020762/1].Author contributions to contentHeather Mcclelland conceived, planned, and recorded the video content. Kirsty Ross edited the video content to insert HERStory Maker credits, add subtitles, and ensured the video length was below Twitter/X limit of 2 mins and 20 secs.</p
Creating and Scaling Innovative School Models Through Strategic Partnerships
· The Texas High School Project (THSP) was created in 2003 as a public-private alliance to support education reform across the state.
· This article focuses on the pivotal role of philanthropy within the THSP alliance to create early college high schools (ECHS).
· The model has been scaled at different levels to produce direct, affordable pathways for students to both attend college and attain skilled careers.
· The ECHS schools have higher test scores, greater credits earned, and reduced dropouts rates compared to traditional schools.
· Foundations with a track record for supporting successful work can increase the overall commitment to joint projects and attract additional members and support to an alliance.
· Lessons for successful partnerships include investing in time together, managing the partnership through one organization, and using data for decision-making
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