3,463 research outputs found
Carissa Bryce Christensen
No full textCarissa Bryce Christensen is an internationally known expert on the space industry and technology forecasting. She led the creation of widely used data tools now considered global metrics for the commercial space and satellite sectors, providing non-advocate, data-driven insights. She is a frequent speaker and author on space and satellite trends, serves as a strategic advisor to government and commercial clients, and has been an expert witness and testified before Congress on market dynamics. Ms. Christensen is the CEO of Bryce Space and Technology, LLC (formerly a division of The Tauri Group), an analytic consulting firm. She is also an active investor in technology-focused startups and advises several companies she has helped seed. She serves on the board of QxBranch, an early stage quantum computing firm.
Ms. Christensen holds a Master of Public Policy degree from Harvard University\u27s Kennedy School of Government, where she specialized in science and technology policy. She also completed the General Course in Government at the London School of Economics and was a Douglass Scholar at Rutgers University.
Ms. Christensen is an Associate Fellow of The American Institute of Aeronautics and Astronautics Association.https://commons.erau.edu/space-congress-bios-2018/1022/thumbnail.jp
Billy Hodson (Robin), Dick Christensen (Martin Larson, Robin\u27s father), and Alice Corleissen (Ruth Larson, Robin\u27s mother), scene from Jack Hochhauser\u27s "No Strings on Me" performed at Kingsbury Hall, University of Utah, November 19-20, 1954
No full textNegative of a photograph of Billy Hodson (Robin), Dick Christensen (Martin Larson, Robin\u27s father), and Alice Corleissen (Ruth Larson, Robin\u27s mother), in a scene from Jack Hochhauser\u27s "No Strings on Me," performed at Kingsbury Hall, University of Utah, November 19-20, 1954
Billy Hodson (Robin), Dick Christensen (Martin Larson, Robin\u27s father), and Alice Corleissen (Ruth Larson, Robin\u27s mother), scene from Jack Hochhauser\u27s "No Strings on Me" performed at Kingsbury Hall, University of Utah, November 19-20, 1954 [02]
No full textColor slide photograph of Billy Hodson as Robin, Dick Christensen as Martin Larson (Robin\u27s father), and Alice Corleissen as Ruth Larson (Robin\u27s mother), in a scene from Jack Hochhauser\u27s "No Strings on Me," performed at Kingsbury Hall, University of Utah. November 19-20, 1954
Billy Hodson (Robin), Dick Christensen (Martin Larson, Robin\u27s father), and Alice Corleissen (Ruth Larson, Robin\u27s mother), scene from Jack Hochhauser\u27s "No Strings on Me" performed at Kingsbury Hall, University of Utah, November 19-20, 1954 [01]
No full textColor slide photograph of Billy Hodson as Robin, Dick Christensen as Martin Larson (Robin\u27s father), and Alice Corleissen as Ruth Larson (Robin\u27s mother), in a scene from Jack Hochhauser\u27s "No Strings on Me," performed at Kingsbury Hall, University of Utah. November 19-20, 1954
Kate Christensen, 37th Annual ODU Literary Festival
No full textKATE CHRISTENSEN is the author of six novels, including The Epicure\u27s Lament, the PEN/Faulkner award-winning The Great Man, and The Astral. She describes herself as a cook of the improvisational, what\u27s-in-the-cupboard school, which is also, possibly not coincidentally, [her] strategy with writing, and as someone who was raised in Berkeley in the 1960s, long before the Bay Area became the American locavore/foodie mecca. She now lives in Portland, Maine, and the White Mountains of New Hampshire. Her food memoir is Blue Plate Special: An Autobiography of My Appetites (Doubleday, 2013). She is currently collaborating with Barbara Lynch, the Boston chef, on her memoir
Surrogate endpoints:A key concept in clinical epidemiology
No full textSurrogate endpoints are biomarkers or intermediate outcomes that are used as substitutes for clinical outcomes of interest, often to expedite research or decision-making. In contrast, patient-important (or patient-centered) outcomes are health outcomes that are of direct relevance and importance to patients themselves; clinical trials may have measured the impact of the intervention on other endpoints related to, but different from, those of primary importance to patients. This article aims to elaborate on the use and understanding of surrogate endpoints. There should be a well-understood and scientifically grounded relationship between the surrogate (replacement) and the patient-important (target) endpoint it is intended to represent. It should be biologically plausible that changes in the surrogate will consistently and predictably reflect changes in the patient-important endpoint. The surrogate endpoint should show a threshold effect, meaning that a specific change (or state) in the surrogate with an intervention (relative to the comparator) is associated with a predictable (change in the) patient-important outcome. This helps establish a meaningful cutoff or target for the treatment effect on the surrogate endpoint. While surrogate endpoints offer advantages in certain situations, it is important to remember that their use requires careful validation to ensure they reliably predict the true clinical outcome. The validity of “surrogate endpoints” should be supported by robust scientific evidence and rigorous evaluation before these can be considered and labeled as surrogate endpoints
Alice Corleissen (Ruth Larson, Robin\u27s mother), Norma Turner (Imogene, puppeteer\u27s wife), Dick Christensen (Martin Larson, Robin\u27s father), and Ronald Bouck (Bim, a puppeteer), scene from Jack Hochhauser\u27s "No Strings on Me" performed at Kingsbury Hall, University of Utah, November 19-20, 1954
No full textNegative of a photograph of Alice Corleissen (Ruth Larson, Robin\u27s mother), Norma Turner (Imogene, puppeteer\u27s wife), Dick Christensen (Martin Larson, Robin\u27s father), and Ronald Bouck (Bim, a puppeteer), in a scene from Jack Hochhauser\u27s "No Strings on Me," performed at Kingsbury Hall, University of Utah, November 19-20, 1954
Alice Corleissen (Ruth Larson, Robin\u27s mother), Dick Christensen (Martin Larson, Robin\u27s father), Norma Turner (Imogene, puppeteer\u27s wife), and Ronald Bouck (Bim, a puppeteer), scenes from Jack Hochhauser\u27s "No Strings on Me" performed at Kingsbury Hall, University of Utah, November 19-20, 1954
No full textNegatives of photographs of Alice Corleissen (Ruth Larson, Robin\u27s mother), Dick Christensen (Martin Larson, Robin\u27s father), Norma Turner (Imogene, puppeteer\u27s wife), and Ronald Bouck (Bim, a puppeteer), in two scenes from Jack Hochhauser\u27s "No Strings on Me," performed at Kingsbury Hall, University of Utah, November 19-20, 1954
Alice Corleissen (Ruth Larson, Robin\u27s mother), Norma Turner (Imogene, puppeteer\u27s wife), Dick Christensen (Martin Larson, Robin\u27s father), and Ronald Bouck (Bim, a puppeteer), scenes from Jack Hochhauser\u27s "No Strings on Me" performed at Kingsbury Hall, University of Utah, November 19-20, 1954
No full textColor slide photograph of Alice Corleissen as Ruth Larson (Robin\u27s mother), Norma Turner as Imogene (puppeteer\u27s wife), Dick Christensen as Martin Larson (Robin\u27s father), and Ronald Bouck as Bim (a puppeteer), in a scenes from Jack Hochhauser\u27s "No Strings on Me," performed at Kingsbury Hall, University of Utah. November 19-20, 1954
Alice Corleissen (Ruth Larson, Robin\u27s mother), Dick Christensen (Martin Larson, Robin\u27s father), Norma Turner (Imogene, puppeteer\u27s wife), and Ronald Bouck (Bim, a puppeteer), scenes from Jack Hochhauser\u27s "No Strings on Me" performed at Kingsbury Hall, University of Utah, November 19-20, 1954
No full textColor slide photograph of Alice Corleissen as Ruth Larson (Robin\u27s mother), Dick Christensen as Martin Larson (Robin\u27s father), Norma Turner as Imogene (puppeteer\u27s wife), and Ronald Bouck as Bim (a puppeteer), in a scene from Jack Hochhauser\u27s "No Strings on Me," performed at Kingsbury Hall, University of Utah. November 19-20, 1954
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