7,240 research outputs found
Prefazione a Leo Spizer, Vita in forma di letteratura nella "Dorotea" di Lope de Vega
No full textSi pubblica per la prima volta in italiano un saggio cruciale del '32 di Leo Spitzer, Vita in forma di letteratura nella "Dorotea" di Lope de Vega, traduzione di Maria Borriello (che ha discusso una tesi sull'argomento con il sottoscritto), prefazione e note complementari in appendice di R. Gigliucci. Si tratta di un'opera di grande rilievo per l'interpretazione del teatro lopiano e del barocco in generale.This is the first italian translation of a paramount essay by Spitzer on Lope's last pièce and on the concept of Baroque in general. R. Gigliucci wrote the preface and the final annotations
Faculty recital series: John Muratore and Roberto Cassan, October 1, 2009
No full textThis is the concert program of the faculty recital of John Muratore and Roberto Cassan on Thursday, October 1, 2009 at 7:30 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Trois Morceaux Espagnols by Emilio Pujol; Capricho Arabe and Estudio Brillante by Francisco Tarrega; El Decameron Negro, The Harp of the Warrior, Flight of the Lovers in the Valley of Echoes, and Ballad of the Maiden in Love by Leo Brouwer; Choros no. 1 by Heitor Villa-Lobos; Cafe 1930 and Nightclub 1960 by Astor Piazzolla; Un Dia de Noviembre by Leo Brouwer; Domenie by Roberto Cassan; Viaggio by Richard Galliano; and Revirado by Astor Piazzolla. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund
Letter from Simeon Leo to his father
No full textLetter from Simeon Leo, Esq. to his father on paper torn from a notebook. Written in broken English.Digital imag
Faculty recital: John Muratore, guitar with Roberto Cassan, accordion, November 3, 2005
No full textThis is the concert program of the Faculty Recital: John Muratore, guitar with Roberto Cassan, accordion performance on Thursday, November 3, 2005 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were "Trois Morceaux Espagnols" by Emilio Pujol, "Shadow Box" by Scott Wheeler, "Histoire du Tango" by Astor Piazzolla, "El Decameron Negro" by Leo Brouwer, "Usher Waltz," Op. 29 (after E. A. Poe) by Nikita Koshkin, and "Trilogy" by Frederic Hand. Digitization for Boston University Concert Programs was supported by the Boston University Center for the Humanities Library Endowed Fund
Portrait of Hans Sahl
No full textThree quarter profile portrait of the German writer Hans Sahl.Digital imageEstate of the artist.The German Jewish author and poet Hans Sahl was born in 1902 in Dresden. He fled Nazi Germany for France and then immigrated to the United States, where he gained success as a translator of American authors. Sahl returned to Tübingen in 1990, where he died in 1993.Leo Glueckselig was born in Vienna in 1914. He studied architecture and worked as an interior designer. He left Austria with his family in 1938 and immigrated to New York, where he worked as a graphic designer and illustrator. He was part of the Oskar-Maria-Graf Stammitsch. Since 1999 his artwork has been exhibited in Vienna, Salzburg, New York, Washington, and Graz. Leo Glueckselig died in New York in 2003. His brother was the poet Friedrich Bergammer (Fritz Glueckselig)
Ktētōr and Synthesis: Epigrams, Miniatures, and Authorship in the Leo Bible
No full textThesis (Master's)--University of Washington, 2014The Leo Bible (Rome, Vat. Reg. Gr. 1) is an illuminated Old Testament produced in Byzantium during the mid-tenth century. Presented as a gift to a monastery of St. Nicholas by Leo Sakellarios, a court eunuch and palace treasurer, the Bible is the only surviving manuscript of its kind from Byzantium. Known for its luxurious epigrams and miniatures, the Leo Bible's classicizing miniatures are frequently cited as exemplars of tenth-century Byzantine art, although the manuscript is rarely considered as whole. This study takes a new approach to the Leo Bible, focusing on the manuscript as a work of visual and poetic exegesis, in which word and image work together to frame the Old Testament in a Christian context. Beyond its exegetical nature, the Leo Bible also demonstrates a marked interest in the theme of authorship. By considering Byzantine notions of authorship in conjunction with the Bible's visual and epigrammatic program, this study offers new insights into the concept of patronage in Byzantium and the means by which patrons constructed their image and legacy through their commissions. In the case of the Leo Bible, this study will address how Leo Sakellarios is understood to be the author of the manuscript and its exegetical commentary, and how this act of authorship is reflected in the Bible's visual and poetic programs
Solvability of the cohomological equation for regular vector fields on the plane
No full textWe consider planar vector field without zeroes X and study the image of the associated Lie derivative operator LX acting on the space of smooth functions. We show that the cokernel of LX is infinite-dimensional as soon as X is not topologically conjugate to a constant vector field and that, if the topology of the integral trajectories of X is ``simple enough'' (e.g. if X is polynomial) then X is transversal to a Hamiltonian foliation. We use this fact to find a large explicit subalgebra of the image of LX and to build an embedding of R^2 into R^4 which rectifies X. Finally we use this embedding to characterize the functions in the image of L
Roberto togni, Gaetano Forni, et Francesca Pisani, Guida ai musei etnografici italiani, Firenze, Leo S. Olschki, 1997
No full textBeutler Corinne. Roberto togni, Gaetano Forni, et Francesca Pisani, Guida ai musei etnografici italiani, Firenze, Leo S. Olschki, 1997. In: Histoire & Sociétés Rurales, n°9, 1er semestre 1998. pp. 276-278
Roberto Masi, Il movimento assoluto e la posizione assoluta secondo il Suarez. La particulare teoria suaresiana del movimento e della presenza nel luogo
No full textVan Breda Herman Leo. Roberto Masi, Il movimento assoluto e la posizione assoluta secondo il Suarez. La particulare teoria suaresiana del movimento e della presenza nel luogo. In: Revue Philosophique de Louvain. Troisième série, tome 50, n°28, 1952. pp. 639-640
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