29,719 research outputs found
Riqualificazione di Villa Rivaldi a Roma : un museo per Valentino
No full textLAUREA MAGISTRALEIl Palazzo Silvestri-Rivaldi sorge su quello che resta della Velia, l’altura che separava l’area dei Fori dalla valle del Colosseo (saldandosi a ovest con il Palatino e a est con l’Esquilino), e che è stata in gran parte sbancata negli anni Trenta del XX secolo per la realizzazione di via dei Fori imperiali. Questa via prende il nome appunto dalla presenza dei Fori Imperiali, ossia quelli di Cesare, di Augusto, di Nerva e di Traiano. Oggi, il Palazzo romano, per quanto si trovi in una posizione centralissima e molto nota, resta quasi sconosciuto e versa in stato di abbandono, dopo i travagliati passaggi di proprietà e demolizione che ha subito. Nel 2006 la Sovraintendenza ai Beni Culturali del Comune di Roma ha avuto l’incarico di redigere un piano di fattibilità per il recupero di Palazzo Silvestri-Rivaldi, in vista di un accordo con l’attuale proprietario, l’Istituto S. Maria in Aquiro (ISMA), per il suo utilizzo a fini museali. A tutt’ora però, non è ancora stato definito un progetto definitivo, ma sono stati avviati i lavori di restauro dell’edificio; perciò l'obiettivo della tesi è stato ipotizzare un possibile museo per Villa Rivaldi sulla base delle informazioni che ho potuto raccogliere in loco, nei cantieri di restauro. Studiando la storia del Palazzo e del sito e andando ad analizzare in particolare i nuovi legami che recentemente si stanno creando tra case di moda e pregevoli edifici abbandonati e bisognosi di restauro in città, come Fondazione Fendi la quale recentemente ha realizzato un museo in un edificio abbandonato di Roma, Palazzo Rhino, la mia attenzione si è fermata sulla casa di moda di Valentino Garavani, da molti anni una personalità di spicco all’interno della sua città, Roma. Come da lui dichiarato nel 2017 infatti, la Maison che negli anni si è impegnata a devolvere fondi anche per i monumenti della sua città, come il Tempio di Venere e Roma per il cui restauro nel 2007 donò 200.000 euro, sta cercando un luogo dove poter allocare il proprio museo, dedicato alla storia del Brand e dei suoi creatori e collaboratori. A questo scopo, Palazzo Rivaldi può essere un candidato ideale al museo di Valentino, non solo per la sua centralissima posizione, ma anche per la sua metratura e il pregio delle sue pitture cinquecentesche, che ne fanno un ideale scenario per qualunque allestimento; oltre al fatto che il Palazzo si trova esattamente di fronte rispetto ad una delle architetture che lo stilista già si era impegnato a salvaguardare, il Tempio di Venere e Roma.The Palazzo Silvestri-Rivaldi stands on what remains of the Velia, the hill that separated the Fori area from the Colosseum valley (welding to the west with the Palatine and to the east with the Esquiline), and which was largely excavated in the thirties of the twentieth century for the construction of Via dei Fori Imperiali. This street takes its name precisely from the presence of the Imperial Forums, namely those of Caesar, Augustus, Nerva and Trajan. Today, the Roman Palace, although it is located in a very central and well-known position, remains almost unknown and it is in a state of neglect, after the troubled changes of properties and demolition it has undergone. In 2006 the Superintendency of Cultural Heritage of the Municipality of Rome was charged with drawing up a feasibility plan for the recovery of Palazzo Silvestri-Rivaldi, in view of an agreement with the current owner, the Istituto S. Maria in Aquiro (ISMA), for its use for museum purposes. Anyway, today, a definitive project has not yet been defined, but restoration work has begun on the building; so my goal was to hypothesize a possible museum for Villa Rivaldi based on the information I could gather on the site. Studying the history of the Palace and the site and analyzing in particular the new relationships that are recently being created between fashion houses and valuable abandoned buildings in need of restoration in the city, such as the Fendi Foundation which recently built a museum in a building abandoned in Rome, Palazzo Rhino, my attention stopped at Valentino Garavani's fashion house, a leading figure in his city, Rome, for many years. As he declared in 2017 in fact, the Maison that over the years has committed itself to devolve funds also for the monuments of its city, such as the Temple of Venus and Rome for whose restoration in 2007 donated 200,000 euros, is looking for a place where it can allocate its museum, dedicated to the history of the Brand and its creators and collaborators. To this end, Palazzo Rivaldi can be an ideal candidate for the Valentino museum, not only for its central position, but also for the mesures of the spaces in the Villa and the value of its sixteenth-century paintings, which make it an ideal setting for any setting; in addition to the fact that the Palace is located exactly in front of one of the architectures that the designer had already undertaken to safeguard, the Temple of Venus and Rome
Analisis Pengalokasian Dana Pajak (Earmarking Tax) Dari Penerimaan Pajak Rokok Terhadap Upaya Pelayanan Kesehatan Masyarakat Di Kota Malang (Studi Pada Dinas Kesehatan Kota Malang)
No full textRINGKASAN
Rivaldi, 2021, Analisis Pengalokasian Dana Pajak (Earmarking Tax) Dari
Penerimaan Pajak Rokok Terhadap Upaya Pelayanan Kesehatan
Masyarakat Di Kota Malang (Studi Pada Dinas Kesehatan Kota Malang),
Damas Dwi Anggoro, SAB., MA. 146 Hal + xiv
Pajak rokok merupakan salah satu jenis pajak daerah provinsi yang
disalurkan ke pemerintah daerah sebagai bentuk desentralisasi fiskal dengan
penggunaan yang spesifik yakni untuk mendanai pelayanan kesehatan masyarakat
dan penegakan hukum oleh aparat yang berwenang. Hal ini bertujuan untuk
mendorong optimalisasi pelayanan pemerintah daerah dalam menyediakan
pelayanan kesehatan bagi masyarakat. Pelaksanaan earmarking atas pajak rokok
untuk pelayanan kesehatan berlandaskan pada Peraturan Menteri Kesehatan
Republik Indonesia Nomor 53 Tahun 2017 Tentang Perubahan atas Peraturan
Menteri Kesehatan Nomor 40 Tahun 2016 Tentang Petunjuk Teknis Penggunaan
Pajak Rokok Untuk Pendanaan Pelayanan Kesehatan Masyarakat. Untuk
mengetahui bagaimana earmarking atas pajak rokok untuk pelayanan kesehatan
ini diperlukan analisis bagaimana implementasi earmarking tax di Kota Malang.
Tujuan dari penelitian ini adalah: (1) Menjelaskan implementasi
pengalokasian dana pajak (Earmarking Tax) dari penerimaan pajak rokok
terhadap pelayanan kesehatan di Kota Malang dan (2) Menjelaskan faktor
pendorong dan penghambat implementasi pengalokasian dana pajak terhadap
upaya pelayanan kesehatan di Kota Malang. Jenis penelitian yang digunakan
adalah penelitian deskriptif dengan pendekatan kualitatif dan teknis analisis data
menggunakan Model Interaktif Milles and Huberman.
Hasil penelitian ini menunjukkan bahwa penerimaan Dana Bagi Hasil
(DBH) pajak rokok di Kota Malang berjalan secara rutin dan cenderung
meningkat setiap tahunnya. Dinas Kesehatan melaksanakan kegiatan pelayanan
kesehatan serta program Jaminan Kesehatan Nasional sesuai dengan ketentuan
dari Kementerian Kesehatan. Namun earmarking atas pajak rokok untuk
pelayanan kesehatan cenderung kurang maksimal dan menurun diakibatkan
pandemi. Kesimpulan yang diperoleh dalam penelitian ini adalah implementasi
earmarking atas pajak rokok untuk pelayanan kesehatan sudah dilakukan sesuai
peraturan yang berlaku meski kurang maksimal dalam serapanny
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Exploring Emptiness: An Investigation of MA and MU in My Sonic Composition Practice
No full textThe commentary investigates Japanese aesthetics of space, silence and emptiness - ma and mu - that informed my compositional practice during the research period 2012 - 2015. The portfolio comprises text compositions and sound installations in which forms of micro events and sustained events are employed. Throughout, the emphasis is on my personal engagement with, and manifestation of emptiness that concerns a particular model of listening and perception.
Chapter 1 discusses six primary research areas: ma and mu, material, text, form, listening and perception. Firstly, I introduce ma and mu by examining noh culture and Zeami's teaching of senu hima (where there is no-action) in the context of my personal approaches to music. The following subjects are then used to contextualise my PhD practice by means of examples from various composers and visual artists. Here, these particular and enigmatic concepts are explored through Japanese art as well as Western contemporary works by Alvin Lucier, Eliane Radigue and those of the Wandelweiser collective.
Part 2 provides contextual commentaries on selected compositions from the portfolio that mostly articulate my aesthetics in relation to the topics covered in Chapter 1. koso koso addresses my methodologies to investigate the essence of senu hima, followed by treow that discusses my approach to materials and the importance of space. I move on to grade two and grade two extended in order to examine text scores, and then, look into Espèces d'espaces 03 and 04 as examples of musical forms that I employ.
Finally, listening and perception are investigated through the compositions gnome and con.de.structuring. Throughout, I describe how my works explore emptiness as a result of my particular emphasis on listening over composing
The construction of Karen Karnak: The multi-author-function
No full textThis thesis is situated within the comparatively recent developments of Web 2.0 and the emergence of interactive WikiMedia, and explores the mode of authorship within a Read/Write culture compared to that of a Read/Only tradition. The hypothesis of this study is that the role of the audience has become merged with the author, and as such, represents new functions and attributes, distinct from a more conventional concept of authorship, in which the roles of audience and author are more separate. Read/Write and participatory culture, as defined by this study, is focused on collaboration, and includes the influences of D.I.Y. culture, Open-Source practices and the production of text by multiple authors. Multi-authorship presents a re-thinking of several concepts which support the notion of the individual author, since the focus of multi-authorship is not on attribution and ownership of a finished text, but on the continued malleability of a text. Modes of multi-authorship, demonstrated in the use of the pseudonyms Alan Smithee and Karen Eliot, represent declarative authors whose names signify multiple origins, whilst concurrently indicating a distinct body of work. The function of these names form an important context to this study, since primary research involves the construction of an experimental mode of multi-authorship utilising WikiMedia technology and the interaction of thirty nine participants, who are invited to create a body of work under the collective pseudonym Karen Karnak. The data generated by this experiment is analysed using aspects of Michel Foucault's author-function to identify and determine power structures inherent in the WikiMedia context. The interplay of power structures, including concepts such as identity, ownership and the body of work, affect the resulting mode of authorship and contribute to the construction of Karen Karnak, suggesting further areas of research into the emerging multi-author
A note on Kim-Ma characterization of the Hilbert ball
No full textThis is an open access article under the CC BY license.[No abstract available]Kortney Rose Foundation, KRF, (2002-070-C00005); National Research Foundation of Korea, NRF* Corresponding author. E-mail addresses: [email protected] (K.-T. Kim), [email protected] (D. Ma). 1 Research supported in part by the grant KRF 2002-070-C00005 from The Korea Research Foundation
Localized physical vapor deposition via focused laser spike dewetting of gold thin films for nanoscale patterning
No full textFocused laser spike (FLaSk) excitation has been demonstrated as a reliable technique for the patterning of micro-to-nanoscale features locally by thermocapillary shear of thin films. Recent work on polymer thin films has revealed that overlapping laser scans can leverage coupled thermal and fluid effects to create subwavelength patterns. Compared to polymeric films, metallic thin films possess both a lower melt viscosity and higher surface tension. Here we investigate overlapping effects in the dewetting of ~15 nm gold thin films on borosilicate and quartz glass substrates with a 532 nm continuous wave laser. During this process, FLaSk initiates capillary and thermocapillary dewetting simultaneously. Further, the low oxidation potential and high vapor pressure of gold lead to non-equilibrium vaporization during heating. Since the parameters of overlapping scans control the amount of material that is heated and to what temperature it is heated, selection of laser power, scanning distance, writing speed, and numerical aperture results in particles with different sizes and spacing deposited on the writing substrates or a positioned superstrate through a laser-induced localized physical vapor deposition (LILPVD) process. If the laser parameters are selected within a specific working range, uniform or periodic particle distributions can be repeatably deposited in this fashion, which can then be used as seeds for nanomaterial growth. In addition, if the substrate melts during FLaSk, the viscous forces of the liquid-on-liquid dewetting broadens the range of patterning conditions by resisting the motion of the gold leading to more uniform particles over a large range of parameters.Peer reviewe
Ma Huan (original author), Wan Ming (ed.) Ming chaoben " Yingya shenglan " jiaozh
No full textPtak Roderich. Ma Huan (original author), Wan Ming (ed.) Ming chaoben " Yingya shenglan " jiaozh. In: Archipel, volume 71, 2006. Autour de la peinture à Java. Volume II. pp. 240-244
Geochemistry and U-Pb Geochronology of the 1450-1425 Ma Large Igneous Province of Eastern Laurentia and 2480-780 Ma Large Igneous Provinces of Western Laurentia
No full textMesoproterozoic magmatism that is exposed on the eastern and western margins of Laurentia (North America) are interpreted to be parts of large igneous provinces (LIP). The western margin between Kimberley (British Columbia) and Yellowstone National Park (Wyoming), and the eastern margin between Labrador City and coastal Labrador are herein referred to as western Laurentia (WL) and eastern Laurentia (EL), respectively. WL intraplate magmatism was previously divided into two LIPs the: 1) ca. 1460 Ma Moyie-Purcell LIP (MPL) which consists of the i) Purcell lavas in the USA, ii) Moyie sills of the Belt-Purcell basin iii) dykes of the Tobacco Root Mountains and 2) the ca. 780 Ma Gunbarrel LIP. The MPL is composed of tholeiitic basalts, and associated with the world class Sullivan Pb-Zn deposit. EL consists of basalts of the non-mineralized Michael-Shabogamo Gabbros (MSG).This research demonstrated that at least 17 geochemical groups are present in WL of which some belong to additional previously unrecognized events. Seven geochemical groups belong to the ca. 1460 Ma MPL; 1 with the ca. 780 Ma Gunbarrel LIP, 2 with a 1590-1550 Ma Mammoth-Western Channel LIP (MWCL); 2 with ages of 2480, and 1420 Ma; and 5 undated mafic pulses. The MWCL is similar to contemporaneous volcanic rocks within the South Australia craton, which was adjacent to NW Laurentia ca. 1590 Ma. This study proposes a shared 1590 Ma plume and LIP magmatism between Laurentia, and South Australia cratons.The MSG of EL are subalkaline basalts enriched in P2O5 and K2O and are shown to represent a single event with 2 pulses based on new U-Pb ages. Each pulse is defined by a distinct [P2O5*1000]/Zr (P/Zr) ratio: 1) a high P/Zr group at ca. 1425-1435 Ma; and 2) a low P/Zr group at ca. 1435-1450 Ma. Enrichment of P2O5 and K2O is due to melting of a metasomatized subcontinental lithospheric mantle with melting facilitated by a slab window
Validation of FGSI Scores in Predicting Fournier Gangrene in Tertiary Hospital
No full textBambang Sasongko Noegroho, Safendra Siregar, Akhmad Mustafa, Muhammad Aldito Rivaldi Urology Department, Hasan Sadikin Academic Medical Center, Universitas Padjajaran Bandung, Barat, IndonesiaCorrespondence: Bambang Sasongko NoegrohoUrology Department, Hasan Sadikin Academic Medical Center, Universitas Padjajaran Bandung, Jl. Pasteur No. 38 Bandung Jawa, Barat, 40161, IndonesiaTel +022 2034953/55Fax +022 2032216Email [email protected] and Aim: Fournier gangrene (FG) is a necrotizing fasciitis of perineal and/or genital regions that may progressively spread; necrotic tissue may cause morbidity and mortality related to sepsis and multi-organ dysfunction. Surgical intervention required for patients with Fournier gangrene may vary according to the severity of the infection. A Fournier Gangrene Severity Index (FGSI) has been devised to assess the risk of mortality in patients with Fournier gangrene. The aim of this study was to validate the implementation of the FGSI in predicting mortality of FG patients in our hospital.Methods: A retrospective study was performed on all patients with Fournier gangrene admitted and treated in Hasan Sadikin General Hospital during 2015– 2019. Data were collected from the medical records of the emergency room and outpatient clinics. Sociodemographic variables, preexisting comorbidities, outcome, management, and FGSI score were included as variables.Results: In this study, 83 patients were included from the period 2015– 2019, divided into two groups. From the Charlson Comorbidity Index, we found the first group average score was 2.5 (0– 9), and the second group this was 2 (1– 8). From the FGSI, in the first group, we found the average score was 5.5 (2– 15), and the average was 14 (10– 19) in the second group, which is significantly higher than the first group (p = 0.001).Conclusion: We find that the FGSI score system is a good tool for predicting severity of the disease and mortality risk of the patients, which is consistent with findings in other studies.Keywords: FGSI scores, Fournier gangrene, prognosi
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