4,086 research outputs found
Recommended from our members
Doctoral thesis recital (violin) chamber
No full textString quartet no. 5 / Philip Glass (Sara Sasaki, Sean Riley, violins ; Sean Flynn, viola ; Akshaya Tucker, cello) -- Piano trio no. 1 in D minor, op. 49 / Felix Mendelssohn (Sean Riley, violin ; Daniel Kopp, cello ; Farshad Tahvildar-Zadeh, piano).Musi
Radopholus nativus (Nematoda : Pratylenchidae), a potential economic pest of wheat in Western Australia
No full textIan T. Riley, Sean J. Kell
Sean Rubin: Cook Prize 2025, Silver Medal Acceptance Speech
No full textAuthor and illustrator Sean Rubin gives an acceptance speech for The Iguanodon’s Horn (Clarion/HarperCollins)https://educate.bankstreet.edu/cook/1015/thumbnail.jp
Appropriations of Irish drama by modern Korean nationalist theatre : a focus on the influence of Sean O’Casey in a colonial context
No full textMy thesis explores how a translated author on the periphery of the host culture’s
translated repertoire can be at once subversive and innovative on the colonial scene,
using as an example the case of Sean O’Casey in colonial Korea. It explores the
importation of Irish drama in modern Korean theatre during the colonial period and
examines the appropriations of O’Casey’s plays by a central Korean playwright, Yu
Chi-jin, in creating his own plays. Under Japanese colonial rule in the early twentieth
century, intellectuals perceived the supreme task for the Korean people to be the
recovery of national sovereignty and independence. The modern Korean theatre
movement which rose among Korean intellectuals and dramatists during the colonial
period was to play a major part in this task. The ultimate goal of this movement was
to establish a modern national theatre promoting Korean culture and educating the
people, thereby recovering national independence. As their modernised dramatic
polysystem was still "young", Korean intellectuals and dramatists who were
involved in the theatre movement had to borrow dramatic models from other
countries. One of the models they chose was Irish playwrights, especially those who
were involved in the Irish dramatic movement. They published or staged the works
of W.B. Yeats, Lord Dunsany [Edward John Moreton Drax Plunkett], Augusta
Gregory, J.M. Synge, St. J. Ervine, T.C. Murray and Sean O'Casey. Although
O'Casey was considered an important dramatist in the Irish dramatic movement, he
was a playwright on the periphery in the list of translated Irish dramatists in Korea
due to the colonisers’ censorship. However, he remained as a subversive and
innovative playwright on the colonial scene by virtue of being appropriated by Yu
Chi-jin who used O’Casey’s plays as models when creating his own works. In
discussing the subject matter of my thesis, I use Even Zohar’s polysystems theory as
a starting point in looking at ideological issues surrounding translation and extend
the discussion to offer a postcolonial perspective. While most translation in a
colonial context was considered as "an expression of the cultural power of the
colonisers," my thesis shifts the focus to translation as an expression of the cultural
power of the colonised. I explore how the colonised uses another colonised culture to
subvert the colonisers’ power
Authoring Culture Video, Chapter 11: Logos
No full textA student video offering insight and explanation of the material in Authoring Culture, Chapter 11, Logos. The author is Sean Munoz with collaborators Alina Yastrebova and Sofia Duron. The piece was produced in the Foundation of Twenty-First Century Writing class during the Spring semester, 2025, taught by Dr. Brendan Riley. Length: 03:48.https://digitalcommons.colum.edu/authoring_culture/1024/thumbnail.jp
Interview with Canadian teacher and author Dr. Sean Steel
No full textRozhovor Dr. Zuzany Svobodové s kanadským učitelem a publicistou Dr. Seanem Steelem.Interview with Canadian teacher and author Dr. Sean Steel
SPECIAL ISSUE | Crowd (Mis)Representation: Aerial Photography at Donald Trump's Inauguration and the 2017 Women's March
No full textAuthor: Riley Nisbet Wayne State University Download PDF version In a press conference given on the day following Donald Trump’s inauguration, the administration’s first press secretary, Sean Spicer, circulated the lie that the crowd at his presidential inauguration was the largest ever.[1] This was an early instance of the administration’s use of “alternative facts,” an alarming concept endorsed by its spokespeople to counter claims that the administration was untruthful. Contrary to t..
Sunrise on the Coast
No full textRiley Lee, shakuhachi ; Queensland Symphony Orchestra / Sean O'Boyle, conductor.ABC Classics 476 287-0ABC Classic FMOff-air broadcast recording. Copied under Part VA of the Copyright Ac
Cobalt-doped cadmium selenide colloidal nanowires
No full textCo²⁺-doped CdSe colloidal nanowires with tunable size and dopant concentration have been prepared by a solution–liquid–solid (SLS) approach for the first time. These doped nanowires exhibit anomalous photoluminescence temperature dependence in comparison with undoped nanowires.Zhen Li, Ai Jun Du, Qiao Sun, Muhsen Aljada, Li Na Cheng, Mark J. Riley, Zhong Hua Zhu, Zhen Xiang Cheng, Xiao Lin Wang, Jeremy Hall, Elmars Krausz, Shi Zhang Qiao, Sean C. Smith and Gao Qing (Max) L
Recall this Book 60: Sean Hill on Bodies in Space and Time
No full textElizabeth is joined by Elizabeth Bradfield, poet, naturalist and professor of poetry at Brandeis, in a conversation with the poet Sean Hill, author of Blood Ties and Brown Liquor (2008) and Dangerous Goods (2014). Sean read his Musica Universalis in Fairbanks, (it appeared in the Alaska Quarterly Review) and then, like someone seated in an archive turning over the pages of aged and delicate documents, unfolded his ideas about birds, borders, houses and who was here before me
- …
