5,319 research outputs found
The Fitzgerald Symposium: an Introduction
This article introduces the collection of six papers that commemorate the twentieth anniversary of the tabling of the Report of the Commission of Inquiry into Possible Illegal Activities and Associated Police Misconduct (?the Fitzgerald Report'). The report exposed the entrenched corruption among Queensland's political and police leaders, deeply ingrained abuses of process and power, and an inept public administration. It led to the prosecution and imprisonment of key politicians and police. The Fitzgerald Report was notable not just for these direct outcomes, but also for its prescriptions for widespread and enduring reform, which came from Fitzgerald's analysis of the underlying causes of police corruption in Queensland. This article places the Fitzgerald Inquiry in its historical context, and provides a brief outline of the key provisions of the Fitzgerald Report. It concludes with a brief introduction to each of the six articles in this collection. These articles critically examine the aftermath of the Fitzgerald Report and the reforms that Fitzgerald recommended. They ask whether Fitzgerald's blueprint for accountable and ethical government was achieved - or indeed capable of being achieved - and whether it has stood the test of time.Arts, Education & Law Group, School of Criminology and Criminal JusticeFull Tex
Run?
Richard Fitzgerald (2002): How Fast Could Tyrannosaurus rex Run? Physics Today 55: 18-19, DOI: 10.1063/1.148076
Mind the Gap
This article is a commentary by Richard Fitzgerald and Mark R. Johnson, written for the Philosophy and Gambling: Reflections from Macao special issue of Critical Gambling Studies. </jats:p
“The Three Kings: Hemingway, Faulkner, and Fitzgerald”
In this chapter, the author reflects on how he came to read William Faulkner, Ernest Hemingway, and F. Scott Fitzgerald—whom he describes as the three kings. The author begins by recalling a few years ago reading in Exile's Return, Malcolm Cowley's book on the 1920s, the teenage correspondence between Cowley and Kenneth Burke. He admits that reading was his very problem in Mississippi. He also remembers the first time he read Fitzgerald's story “Absolution” and how he came to know who Faulkner was. According to the author, 1962 was the year he would first read Faulkner, Fitzgerald, and Hemingway. He read The Sun Also Rises, Absalom, Absalom!, and The Great Gatsby. He argues that Faulkner was the best of all three, and the very best of any American writing fiction this century. He concludes by discussing what he and his generation might have learned from the three writers.</p
A Relational Theory of Authorship
Over the years we have heard the debate as to whether authorship emanates solely from the individual or from the cultural context in which they inhabit. Writers such as Professors Woodmansee, Jaszi and Cohen have asserted a cultural theory of authorship. On one hand, there is the liberal philosophy of autonomous creativity evidenced in the notion of a "romantic author" (after the period known as romanticism). On the other hand we have more of a communitarian notion – that the author acts in a cultural context and authorship to some extent must be linked back to the social existence within which the author is situated.\ud
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This article argues that for too long we have privileged the notion of the romantic author so much so that it is hard to argue for any other approach to copyright than one that focuses primarily on the author and their assignees such as publishers or associated commercialising agents such as recording companies. Furthermore it suggests that this approach fits awkwardly with the burgeoning networked society fuelled by the Internet to the point where it threatens innovation and the potential for productivity. To this end the article argues that we should more explicitly acknowledge the contribution of culture to authorship and more so the role of each and every individual in assisting and nurturing that authorship, as well as the contribution of users to creativity through consumptive, productive and transformative use of copyright works
Media, policy and interaction
Situated within the field of discourse-oriented approaches to policy and media, this collection explores the interface between government, media and the public, highlighting the increasing importance placed on media channelled 'public opinion' as part of a democratic process. It will appeal to a broad audience in social and public policy, political communication, journalism and politics
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