4,400 research outputs found
Love Your Library: Laurence King Publishing: Dean Rhys Morgan
No full textKing for a Day: Laurence King Publishing Day at FIT. Lectures, book signings, draping demosDean Rhys Morgan speaks about 1980's fashion illustrator, Tony Viramonte
Narrative based on the diaries of John Morgan
No full textScan of a typed narrative based on the diaries of John Hamilton Morgan. Includes text of numerous writings by Morgan. Author of this narrative not stated, but may have been his son, Nicholas G. Morga
XIII. John Morgan Williams et Eurys I. Rowlands, éd. Gwaith Rhys Brydydd a Rhisiart ap Rhys. Presses universitaires de Galles, Cardiff, 1976
No full textBachellery Édouard. XIII. John Morgan Williams et Eurys I. Rowlands, éd. Gwaith Rhys Brydydd a Rhisiart ap Rhys. Presses universitaires de Galles, Cardiff, 1976. In: Etudes Celtiques, vol. 20, fascicule 1, 1983. p. 349
Notes for corrections of John Morgan\u27s journal
No full textScan of corrections notes for a narrative based on the journal entries of John Hamilton Morgan from 1875 through 1892, covering his major missionary journeys in the Southern United States and his work in settling some of the Southern converts in the San Luis Valley of Colorado. Author of this narrative unidentified, but may have been Morgan\u27s son, Nicholas G. Morga
Building in Fragments: A Non-Representational Approach to the Neolithic Architecture of Orkney
No full textThis thesis comprises an analysis of the architecture of Neolithic Orkney via the implementation of a non-representational methodology. This methodology was devised in order to combat the epistemological problems that have affected our view of this architecture from at least the early twentieth century. Principally, although not exclusively, these problems relate to an epistemological position that has been defined in this thesis as ‘representationalism’, where the architecture in question is assumed to be, at its most fundamental level, an abstract representation as opposed to comprising physical archaeological entities. In countering this notion, the methodology underpinning this thesis attempts to consider the material constitution of this architecture first, before building up to an abstract representation or hypothesis. In this way, a heavily contextualised description of Neolithic architecture emerges from the ground up. In order to achieve this, the architecture of Neolithic Orkney is fragmented into its constituent parts, and each part is analysed in its own right, without assuming that it formed part of a representational whole from the very beginning. These constituent parts include: hearths, entrances, dressers and recesses. Moreover, a prime degree of focus is placed on how these constituent parts evolved over time. Overall, it is argued that the coming together of domestic and mortuary traditions propelled the development of architecture throughout Neolithic Orkney. In particular, the role of the midfourth Millennium BC stalled tomb is emphasised, as the architectural repertoire of these tombs provided a template for future architectural construction. Ultimately, these findings are only made possible through the implementation of non-representationalism and fragmentation
A study of the impacts of expression and genetic variation of matrix metalloproteinases on atherosclerosis
No full textEThOS - Electronic Theses Online ServiceGBUnited Kingdo
Typed version of John Morgan\u27s journal told in the third person (1875-1892): Part [26]
No full textScan of part of a typescript narrative based on the journal entries of John Hamilton Morgan from 1875 through 1892, covering his major missionary journeys in the Southern United States and his work in settling some of the Southern converts in the San Luis Valley of Colorado. Author of this narrative unidentified, but may have been Morgan\u27s son, Nicholas G. Morga
Divided Self in Jean Rhys’ Voyage in the Dark
No full textThis paper discusses the problems of identity, time and place in Jean Rhys’ 1934 novel, Voyage in the Dark. It analyses Rhys’ aesthetics concerns in the creation of a subjective construction of the imperial metropole and the colonial space. In doing, this paper suggests how Rhys builds a bridge between contemporary modernist narrative techniques and a preceding Post-colonial perspective. The constant juxtaposition of time and place makes of Rhys’ protagonist, Anna Morgan, an elusive self. By means of this fragmented self, the author aims to reformulate colonial power relations and raise crucial questions about discourses of gender and national identity. As a result, this paper engages in a Post-colonial thought, arguing how issues about gender and race issues are articulated in Rhys’ novel. Rhys creates the subjectivity of a marginalized woman showing the effects of colonization and creating a metropolitan female identity based on fragmented and juxtaposed memories
Role žen v dílech Jean Rhys
No full textNázev: Role žen v díle Jean Rhys Autor: Bc. Petra Schnebergerová Katedra: Katedra anglického jazyka a literatury Vedoucí práce: PhDr. Tereza Topolovská Abstrakt Záměrem této práce je provést analýzu tří hlavních hrdinek románů Jean Rhys a role, kterou hrají v jejím díle jako celku. Jmenovitě Anny Morgan z románu Voyage in the Dark, Marye Zelli z románu Quartet a Antoinette Mason z románu Wide Sargasso Sea (Širé Sargasové moře). Práce je zaměřena na tři témata spojená s ženskými hrdinkami Jean Rhys, která se opakovaně objevují ve všech rozebíraných románech: ženskou pasivitu, objektifikaci žen, jejich eskapismus a sebedestruktivní tendence. Provedená analýza dokazuje, že všechny hlavní ženské postavy nesou významné autobiografické rysy, což se projevuje jednotností jejich vyobrazení. Bylo zjištěno, že právě tato uniformita vyobrazení umožnila Rhys zapojit autoterapeutickou rovinu psaní a velmi instiktivně tak čtenáři přiblížit otázky rasy a utrpení žen. Přesto, že tato práce zdůrazňuje především styčné body tvorby Jean Rhys, sleduje také vývoj jejího postoje k jmenovaným tématům v průběhu jejího života. Negativnost, se kterou Rhys konstruuje své postavy, je připsána její celoživotní oddanosti maximálně pravdivému vyobrazení reality. Klíčová slova Jean Rhys, autobiograficita, eskapismus, ženské postavy,...Title: The Role of Women in the works of Jean Rhys Author: Bc. Petra Schnebergerová Department: Department of English Language and Literature Supervisor: PhDr. Tereza Topolovská Abstract The purpose of this thesis is to analyze three female protagonists of Jean Rhys's novels and the role they play in the entirety of Rhys's work - Anna Morgan of Voyage in the Dark, Marya Zelli of Quartet and Antoinette Mason of Wide Sargasso Sea. The thesis focuses on three topics connected with Rhys's heroines that recur in all the discussed novels: female passivity, objectification of women, and female escapism and self-destructive behaviour. The analysis proves that there is a significant autobiographical input in all Rhys's main female characters which is manifested through the conformity of their depiction. It is found out that through the coherence of their portrayal, Rhys employed the autotherapeutic role of fiction and instinctively brought questions of race and female suffering in view. Although this thesis highlights the common features of Rhys's writing, it also observes the development of Rhys's approach to her topics throughout her life. The negativity with which Rhys constructs her female characters is ascribed to her lifelong dedication to maximal truthfulness of the representation of reality. Keywords Jean...Katedra anglického jazyka a literaturyPedagogická fakultaFaculty of Educatio
John Hamilton Morgan
No full textScan of a typescript with title, John Hamilton Morgan, ending at page 43, where John Morgan is en route to Salt Lake City. Author not given but probably his son, Nicholas G. Morga
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