2,384 research outputs found
COLLECTION 0152: Papers of Wilbert Shenk
No full textWilbert Shenk (1935 - ), noted missiologist and author, joined the School of Intercultural Studies faculty at Fuller Theological Seminary in 1995. As of 2019, Dr. Shenk taught as Senior Professor of Mission History and Contemporary Culture. Shenk’s areas of expertise include mission history, missiology, mission to contemporary culture. The Papers of Wilbert Shenk collection has a date range of 1967-2008. Materials include his doctoral thesis, meeting minutes, drafts of book chapters, lectures, conference presentations, and correspondence. The organizations and projects where he had an administrative role and is highlighted in the collection are American Society of Missiology, North Atlantic Missiology Project, Gospel and Our Culture Program, and Missiology of Western Culture Program
Walter P Fuller & Wells Art Studio
No full textWalter P. Fuller & Wells Art Studio. Walter P. Fuller is standing on the steps of the house where he was born. Walter P. Fuller was the author of St. Petersburg and its people [1972] It was the Wells Art Studio (1322 4th Avenue West) in January 1972
COLLECTION 0025: Robert Boyd Munger Papers, 1954-1995
No full textAuthor of the bestselling booklet, “My Heart, Christ\u27s Home,” (1954, 2005) with over eleven million copies in print, Robert Boyd Munger (1910-2001) served as pastor at South Hollywood Presbyterian Church in Los Angeles (1936-1945), First Presbyterian Church of Berkeley, California (1945-1962), and University Presbyterian Church in Seattle (1962-1969).
This collection consists of 15 linear feet of sermon preparation materials and finished sermons, correspondence, materials collected for writing and speaking, and course materials
“Margaret Fuller on the Stage”
No full text"Margaret Fuller on the Stage" considera la presenza di Fuller come personaggio del dramma di Susan Sontag, "Alice in Bed" (1993), in cui la protagonista Alice James si intrattiene -- nella scena della propria mente -- con importanti donne di lettere come Emily Dickinson e la Fuller oltre a due personaggi di fantasia, al fine di ricavarne consigli e insegnamenti. Di Fuller il saggio mette in rilievo la personalità incline al "role-playing" e all'auto-drammatizzazione conducendo così a un giro di vite sul problema dell'identità dell'autrice di "Woman in the Nineenth-century" pesantemente manipolata, alla sua morte, dai grandi Maestri del trascendentalismo, come Emerson e Hawthorne, oltre a eminenti scrittori come Higginson, Poe e James che ne fornirono all'unisono un ritratto poco rispondente al carattere di donna trasgressiva che condivide parzialmente con le altre figure invocate nella scena del dramma di Sontag. Citazioni dai sei volumi di lettere della scrittrice raccolte da Robert Hudspeth e analogie tra la situazione "nonsensical" della scena con l'assurda situazione in cui viene a trovarsi il personaggio Alice creato da Lewis Carroll quando attraversa la soglia tra veglia e sonno sono messe a confronto con il dramma pirandelliano "Come tu mi vuoi", perchè il lettore possa valutare appieno il ruolo della "maschera" -- una ricerca condotta a suo tempo da Pirandello e riproposta da Sontag -- nell'auto-costruzione del sè. In pieno possesso del suo personaggio, Sontag crea, con Fuller, la propria complice e il proprio doppio, facendo di lei, come fu fatto a suo tempo di Sontag stessa da Norman Mailer, una "Dark Lady". Il ricco apparato di note ha il merito di ricongiungere la puntuale ricerca delle femministe Sandra Gilbert e Susan Gubar che data al 1979 con l'aggiornata interpretazione teatrale delle tre principali scrittrici da parte dell'intellettuale Sontag."Margaret Fuller on the Stage” focuses on the presence of Fuller as a character in Susan Sontag’s play "Alice in Bed" (1993), where Alice, the protagonist, entertains – in the scene of her own mind – important women of letters, such as Emily Dickinson and Fuller besides two fictional characters, with the aim of obtaining advice and counseling. The essay is devoted to Fuller’s persona – mostly, her inkling towards role-playing and self-dramatization –- and leads to a turning point that revolves around the problem of identity of the author of Woman in the Nineenth-Century. It also focuses on the question of the manipulation of Margaret Fuller on the part of the great Transcendentalist Masters such as Emerson and Hawthorne, besides eminent writers like Higginson, Poe and Henry James, who portrayed her as a different woman from the transgressive figure who shares the features of the other women of letters evoked in Sontag’s drama. Quotations from the six volumes of the writer’s letters, gathered by Robert Hudspeth, and analogies between the "nonsensical" situation of the scene with the absurd situation where Lewis Carroll’s Alice falls into when she crosses the threshold between wake and sleep, are compared with Pirandello’s play, 'As You Desire Me', in order for the reader to evaluate the role of the “mask ". That is a research concerning the construction of the self that was undertaken also by Pirandello and was then re-proposed by Sontag. Well in possession of her main character in Scene 5 of the play, Sontag sees in Fuller her own accomplice and turns her – as Norman Mailer did with Sontag herself – into a "Dark Lady". The rich and extensive reference apparatus links up the work of feminist critics Sandra Gilbert and Susan Gubar (dating to 1979) with intellectual Sontag’s updated theatrical interpretation of the three main characters
COLLECTION 0168: Manuel J. Gaxiola Collection
No full textDr. Manuel Gaxiola (1927-2014) was an author and preliminary leader of the Iglesia Apostolica de la Fe en Cristo Jesús in Mexico. He served as president and presiding bishop of Mexico’s Iglesia Apostolica de la Fe en Cristo Jesús for two terms (1970-1974, and 1978-1982). Dr. Gaxiola also served as the first non-US president of the Society for Pentecostal Studies, and director of CERLAM (The Center for the Study of Religion in Latin America).
The Manuel J. Gaxiola Collection includes biographical material, correspondence, administrative records, and ministerial training and publications. Materials relate to the charismatic church movement in Latin America, particularily the Iglesia Apostolica de la Fe en Cristo Jesús.
Dates range from 1930-2005. Content is written in the English and Spanish languages
Hoyt William Fuller Collection
No full textThe Hoyt William Fuller Collection documents his career from 1943-1981. Mr. Fuller's association with Johnson Publishing Company from the 1950's until 1976 is represented during his years as the associate editor of Ebony and as editor of Negro Digest/Black World, 1961-1976. In his capacity as editor of the leading Black literary publication in the nation, Mr. Fuller was mentor, critic, consultant and publisher to many of today's writers. He was a founder of the Organization of Black American Culture (O.B.A.C.). The famous Wall of Respect in Chicago, created by the artist workshop of O.B.A.C. in May of 1976, gave impetus to the wall mural movement of the 1960's. The papers and the correspondence, photographs and posters that document his travels in Africa, Europe and the Americas leave a collection of great clarity and great beauty. This collection will prove to be a vital link in the history of African Americans and a most important part of the development of responsible journalism in the United States.
At the AUC Robert W. Woodruff Library we are always striving to improve our digital collections. We welcome additional information about people, places, or events depicted in any of the works in this collection. To submit information, please contact us at [email protected]
Perception or Reality: The Relationship Between Stereotypes, Discrimination, and the Academic Outcomes of African American Male College Athletes
No full text The current study examined the degree to which stereotypes and racial discrimination affected the academic outcomes of African American male college athletes. Furthermore, the ability of athletic identity and racial identity to moderate this relationship was examined. Participants ( N = 168) were recruited from 13 predominately White institutions across the United States. Results indicated a “tipping point” by which negative stereotypes and discrimination moved from having a positive effect to a negative effect on the academic achievement. In addition, certain dimensions of athletic and racial discrimination were found to moderate the relationship between stereotypes and discrimination and academic outcomes. Findings are discussed in relation to theoretical and practical significance. </jats:p
Becoming Bucky Fuller
No full textConcerned with the origins and development of the Dymaxion House project as well as Fuller's public persona, the author uses Buckminster Fuller's archives, particularly the multivolume "Chronofile" to construct a history parallel to the accepted sequence of events
Writing the Everyday: Women's textual communities in Atlantic Canada
No full textIn Writing the Everyday Danielle Fuller analyses writing by Atlantic Canadian women from diverse backgrounds. Drawing extensively on original interviews with writers, editors, and publishers, Fuller investigates how and why communities form around texts that record women's everyday realities, histories, and traditions, showing that prose writing and poetry performances combine oral story-telling, family history, and other aspects of local cultures with popular literary genres to address issues of racism, sexism, and poverty.Prose works examined include Bernice Morgan's best-selling novel Random Passage, short stories by Helen Porter and Governor General's award-winner Joan Clark, as well as poetry by Mi'kmaq Elder Rita Joe and "People's Poet" Maxine Tynes, and the adult work of well-known children's author Sheree Fitch. Fuller demonstrates how these writers overturn regional stereotypes to present a complex and intriguing portrait of women's lives in Canada's most eastern provinces. - See more at: http://www.mqup.ca/writing-the-everyday-products-9780773528062.php#sthash.7UEwrifc.dpu
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