6,846 research outputs found
Fascist and Pillarised Polders. A comparison between wetland reclamations in Italy and the Netherlands (1920s to 1940s)
No full textDe terugkeer van het landschap
No full textVan ecologennatuur naar het midden van de samenleving. Zo omschrijft Hans Renes de koers die Natuurmonumenten heeft ingeslagen met de nieuwe visie. Zijn vraag is wel hoeveel ruimte de beheerder durft te geven aan bewonersparticipatie
Istanbul : de ruimtelijke structuur van een wereldstad : stadsvernieuwing in Istanbul (1)
No full textIstanbul is een wereldstad met ongeveer evenveel
inwoners als Nederland. Het is een steeds belangrijker
toeristische bestemming en was in 2010 een
van de Culturele Hoofdsteden van Europa. In deze
Geografi e starten we een korte serie over de stadsvernieuwing
in Istanbul. Hans Renes schrijft over
de metamorfoses die de stad door de eeuwen heen
meemaakte. Daarna meer over de gentrifi catieprocessen
sinds de jaren 70
De terugkeer van het landschap
No full textVan ecologennatuur naar het midden van de samenleving. Zo omschrijft Hans Renes de koers die Natuurmonumenten heeft ingeslagen met de nieuwe visie. Zijn vraag is wel hoeveel ruimte de beheerder durft te geven aan bewonersparticipatie
Landschapsbiografie van de Drentsche Aa & Landschapsvisie 2.0 Drentsche Aa
No full textBoekbespreking van een boek geschreven door Theo Spek, Hans Elerie, Jan P. Bakker en Ineke Noordhoff
Polders and politics; new agricultural landscapes in Italian and Dutch wetlands, 1920s to 1950s
No full textAnalisi comparativa dei paesaggi di bonifica italiani e olandesi tra anni '20 e '50 del Novecento, con specifico riferimento alla dimensione politica degli interventi. In entrambi i casi le opere si ricollegavano al tentativo di risolvere problemi socio-economici e a ideali nazionalistici e di modernizzazione; le differenze consistevano nel riflettere le due diverse società del tempo, ovvero quella fascista italiana, con i suoi 'miti' e il suo sistema dittatoriale, e quella olandese, frammentata in diversi gruppi religiosi e sociali che si tentava di armonizzare anche tramite le bonifiche
Hans David Blum Collection.
No full textThe Hans David Blum Collection documents his research of the history of his family and consists of correspondence, documents, photographs, manuscripts and notes, genealogical tables and trees, and clippings. Additionally there is a small amount of personal materials.Elaine Wolff, August 2005; David Hans Blum, August 2006Hans David Blum was born in 1919 in Breisach am Rhein, Germany. He is the author of a number of books, including Juden in Breisach.Finding aid available onlineRheineck. Müllheimdigitize
[Burgundische Historie]
No full text[Hans Erhart Tüsch]Impressum: Ort und Datum in der Vorlage genannt, Drucker nach ISTCFor the identity of the author (also known as Hans Düsch) and the political slant and the date of the text, see K. Ohly, Gb Jb 1956, p.131Woodcut
Prof. Th. W. Adorno and the author Hans Erich Nossack.
No full textProf. Th. W. Adorno and the author Hans Erich Nossack at a reception of Insel Verlag, Buchmesse Frankfurt 1966LB
Hans Habes Roman Christoph und sein Vater - Zwischen persönlicher Verarbeitung und den westdeutschen Schuld- und Aufarbeitsdiskursen der Nachkriegszeit
No full textThis Master thesis is an investigation of the Book “Christoph und sein Vater” by Hans Habe. The author was one of the most important publicists in West Germany after World War II. During his life he wrote more than twenty books, some of them translated into English, and around ten thousand newspaper articles, but today he is unknown and unnoticed by literary scholars. The beginning of this thesis (chapter 2) summarizes the investigated book and highlights biographical information about Hans Habe. The main topic of the book is the relationship between Veit Harlan, the director of the anti-Semitic film “Jud Suess” during the Nazi period, and his son Thomas Harlan. The literary interpretation reveals not only a relationship between the main characters and the German postwar period (chapter 3), but also a strong connection to the book “Ritualmord in Ungarn” by Arnold Zweig and explores the question of Jewishness in a Christian society (chapter 4), Habe’s depiction of the Harlan family (chapter 5) and how the author discusses several problems of the 1960s German society (chapter 6). The interpretation concludes with a short summary (chapter 7).
In this thesis I argue that Hans Habe uses the conflict between Veit and Thomas Harlan to, on the one hand, cast his own criticism on the German postwar society, and on the other hand, to come to terms with the suicide of his father.Item withdrawn by Mark Zulauf ([email protected]) on 2011-07-16T14:33:50Z
Item was in collections:
University of Illinois Theses & Dissertations (ID: 1)
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