1,720,968 research outputs found
Worksheets and Solutions to Matthäus Gugl's "Fundamentals of Thoroughbass" (1719)
No full textTwo appendices (worksheets and solutions) to the publication: Derek Remes, ed., “Matthäus Gugl’s Fundamentals of Thoroughbass: Edition, Translation, and Commentary. Theoria, 2025. Forthcoming
Johann Christoph Kellner's "Basics of Thoroughbass" (1783)
No full textThis is a modern pedagogical edition and translation of J. C. Kellner's 1783 treatise, Basics of Thoroughbass (German: Grundriss des Generalbasses). See the commentary in Volume 1 for an overview of the contents of the edition. All files are given in PDF, Sibelius, and musicxml formats
Nadia Boulanger's "Course in Harmony"
No full textBilingual French-English edition of Nadia Boulanger's unpublished music treatise, "Course in Harmony" (Cours d'harmonie), edited by Derek Remes. Based on the editions of Narcis Bonet (French), Malcolm Singer (English), and Mirjana Živković (Serbian)
Klassische und populäre Satzmodelle
No full textKlassische und populäre Satzmodelle für den Harmonielehre-, Gehörbildungs- und Liedbegleitungsunterricht an der TU Dortmund
F. J. Fétis "Solfèges progressifs" (1834): A Digital Edition
No full textSibelius, musicxml, and mp3 files of Fétis "Solfèges progressifs" (1834). The mp3 files pan between accompaniment and solo voice so the listener can practice with or without the solo voice
Giacomo Insanguine's 16 Easier Partimenti: Worksheets and Solutions
No full textThese files offer worksheets and chordal solutions to Giacomo Insanguine's 16 easier partimento from his Regole. Files are given in PDF, Sibelius, and musicxml formats
Harmonic Dictation
No full textThis collection of four-part harmonic dictations is divided into three levels of increasing difficulty. All dictations are in C major or A minor and begin with the tonic triad in root position. Level 1 is completely diatonic and always ends with an authentic cadence (V-I) or deceptive cadence (V-VI). Level 2 introduces the Neapolitan chord (bII6) and applied dominants to closely related keys (i.e., maximum one accidental away from the main key). In Level 2, each exercise ends with an authentic, deceptive, or half cadence. Level 3 contains 42 harmonic progressions, each of which is given in all three starting positions (i.e., octave, third, or fifth position, referring to the starting interval of the outer voices), making 126 exercises in total. In Level 3, Italian, French, and German augmented 6th chords and augmented triads (I+ and V+) are introduced, and the exercises go from 9 chords each in Levels 1 and 2 to 13 chords in Level 3. Audio files are provided in mp3 format with stereo pan between the upper voices and the bass in Levels 2 and 3, which allows the listener to make the bass louder. The solutions are provided in PDF, Sibelius, and musicxml formats
Emanuel Aloys Förster's "Practical Examples" (1818)
No full textThis modern edition of Emanuel Aloys Förster's "Practical Examples" (1818) is intended for students of thoroughbass. It is given in various formats:
Volume 1.1: Original Exercises
Volume 1.2: Editorial Solutions
Volume 2.1: Exercises in Easier Keys
Volume 3.2: Editorial Solutions
Volume 3.1: Exercises without Soprano
All files are given in PDF, Sibelius, and musicxml formats
W. A. Mozart's 24 Thoroughbass Exercises for his Pupil, Thomas Attwood: A Pedagogical Edition
No full textThis is a pedagogical edition of W. A. Mozart's 24 thoroughbass exercises for his pupil, Thomas Attwood. Editorial text appears in square brackets. The files are given in PDF, Sibelius, and musicxml formats
G. F. Handel's Thoroughbass Exercises
No full textThis pedagogical edition of Handel's thoroughbass exercises is offered in portrait and landscape formats. The solutions are offered in simple, chordal style, as well as in a more complex, contrapuntal style. All files are given in PDF, Sibelius, and musicxml formats
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