310 research outputs found

    Gwen John

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    A fully illustrated guide to the life and career of Gwen John an influential British artist. This volume denies Gwen John's reputation as a recluse, and discusses the key relationship between her position as a female artist and her fascination with the portrayal of women. The author also discusses the key relationship between Gwen John's position as a woman artist and her life-long fascination with the portrayal of the female sitter

    Utjecaj grčke tragedije na Drum Song: An Indian Trilogy Gwen Pharis Ringwood

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    Gwen Pharis Ringwood (1910–1984) is one of the most eminent Canadian playwrights of the 20th century. In her drama Drum Song: An Indian Trilogy which consists of three parts: Maya (Lament for Harmonica, 1959), The Stranger (1971) and The Furies (1981) the author implements her knowledge of First Nations’ traditions and customs. Moreover, it is “in the lives of the Indian tribes [that] Gwen Ringwood had found an elemental struggle for survival that has produced conflicts comparable with those of Greek tragedy” (Perkyns 330). Such conflicts and elements characteristic of Greek tragedy find their place in this trilogy as well. Therefore, the aim of the paper is to analyse those elements, examine their function, the way and form in which they are presented in the trilogy. Keywords: Canada, drama, First Nations, Gwen Ringwood, tradition, tragedy, trilog

    Postpartum emergencies in cows

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    OpenAIRE FP7 Post-Grant Open Access Pilot: datasets and reporting

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    <p>This dataset contains all data related to the publications funded within the OpenAIRE FP7 Post-Grant Open Access Pilot in the two first years of its run, from May 2015 until April 30, 2017. The Pilot has received an extension of 10 months. This dataset will receive an update after the Pilot has come to a definitive end (February 2018).The Pilot website can be found at : https://postgrantoapilot.openaire.euTo be eligible, a publication needed to comply with the following conditions: Part of FP7 project that has ended, but no longer than two years ago at the moment of acceptance of publication Published in an Open Access Journal - we do not accept publications in so-called hybrid journals, which are journals that make individual articles Open Access but remain subscription based as a whole Maximum 3 publications per projectFunding cap is € 2000 for articles and € 6000 for monographs. Some author fees exceed this cap slightly due to currency conversion<br> Any anomalies in this dataset are to be ascribed to human error. Some adjustments might have been made on accounting level that are not reflected in this dataset. <br> This dataset is available under  CC0 (https://creativecommons.org/publicdomain/zero/1.0/), which means that it is dedicated to the public domain. You are free to  copy, modify and distribute this dataset, even for commercial purposes, all without asking permission. Although it is not obliged, a credit to the OpenAIRE project is appreciated. At the OpenAIRE project, we are very interested in hearing how you have used this dataset. Feel free to ping us when you make use of it. <br> author: Gwen Franck  [email protected] on Twitter @[email protected]</p>This dataset is related to OpenAIRE WP5 D5.4 (doi:10.5281/zenodo.998709

    Thirteen Fables of Aesop

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    This is the kind of booklet for which this collection was made! 4 x 6½. The thirteen verse fables first appeared in the Merthyr Express in Wales. The morals tend to berate modern machines and moneyed interests. The turns of phrase are sometimes colloquial and specific to the context, as in these lines from The Old Lady and her Maids: /Said parlour-maid to tweenie:/She thinks she's Mussolini;/Those who mock/Get a shock;/Let's go out and kill the cock!/I would guess that not many copies of this lovely little pamphlet were made. The same author wrote Thirteen Sonnets and Thirteen Epigrams.Done into Verse, with original Morals, by Ivor Gwen

    Gwen Farrar

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    Gwen Raverat : Friends, Family and Affections

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    Published in hardback by the Harvill Press in both England and America and in paperback in 2003 by Pimlico. Widely reviewed in the national press, including The Observer (‘this sympathetic, fastidious and beautiful produced biography’, Robert McCrum), The Times (‘Frances Spalding is attempting what might be called genetic biography, in which a certain species, ie. The Darwins, is tracked through its evolutionary progress’, Peter Ackroyd), The Independent (‘meticulous and evocative biography’, Patricia Craig), The Guardian (‘authoritative’, Alfred Hickling), The Spectator, The New Statesman, TLS, London Review of Books, Print Quarterly and others. While following the life and work of Gwen Raverat (nee Darwin) and of her husband the painter Jacques Raverat, it uncovered new material about the networks operative in late Victorian and Edwardian Cambridge and told for the first time the story of Jacques Raverat’s decline owing to multiple sclerosis, bringing to the study a careful analysis of the historical understanding of that illness. Extensively furnished from primary sources within the massive Darwin Archive, housed in Cambridge University Library, it mounted the first full biographical account of the Raverats and of their circle. Designed and printed at the Libanus Press, author, publisher and printer agreed on a layout that banished captions to a list at the back of the book. Though this format offended some, the book was widely praised for its high standard of design and presentation and led to invitations to lecture to the Friends of Cambridge University Library, at the Ways with Words Festival at Dartington and elsewhere
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