5 research outputs found
The European experience of the Judicial Council as governing body of the Judicial Power
No full textEste artículo expone la naturaleza jurídica y el establecimiento de varios Consejos de la Magistratura en Europa, Así como sus atribuciones y funciones más relevantes y características propias en varios ordenamientos nacionales, mostrando su ubicación orgánica constitucional, composición y organización administrativa.This text presents the legal nature and the creation of several Judicial Councils in Europe, as well as their most important powers and functions, and distinctive characteristics in several national legislations by portraying their constitutional position, structure and administrative organization
The European experience of the Judicial Council as governing body of the Judicial Power
No full textEste artículo expone la naturaleza jurídica y el establecimiento de varios Consejos de la Magistratura en Europa, Así como sus atribuciones y funciones más relevantes y características propias en varios ordenamientos nacionales, mostrando su ubicación orgánica constitucional, composición y organización administrativa.This text presents the legal nature and the creation of several Judicial Councils in Europe, as well as their most important powers and functions, and distinctive characteristics in several national legislations by portraying their constitutional position, structure and administrative organization
La experiencia europea del Consejo de la Magistratura como órgano de gobierno del Poder Judicial
No full textEste artículo expone la naturaleza jurídica y el establecimiento de varios Consejos de la Magistratura en Europa, Así como sus atribuciones y funciones más relevantes y características propias en varios ordenamientos nacionales, mostrando su ubicación orgánica constitucional, composición y organización administrativ
Hood-Ass Weirdo : Poetic Writings Exploring The Queer, Latinx Body’s Relationships with/to Sexual Liberation, Temporal Urban Spaces, and Immigrant Familial Relationships
No full textxii, 31 p.The author discusses the many relationships between her Chicago neighborhood, gender identity, literary theories and influences. She writes, “To balance out the theoretical frameworks used in my thesis, I incorporated lyrics from Mexican folk songs, rap and juke songs, and informal Spanish phrases or words. These are scattered throughout many poems and work to have some sort of frame of reference for those not familiar with my neighborhood to visualize it, and for those that do know it to feel like they are a part of this collection…. It was not until my poems were organized in a way that satisfied me and the effect I was going for, which was supposed to be fluid but still juxtaposed, that I began seeing my collection as a full fleshed project. I though a bit deeper as to how this was my capstone, a project that is a symbol of my four years at K. That was, and still is a big question. A layered one. This SIP is a poetic expression with anthropology and sociology married into it. This project was difficult and emotionally draining, but necessary in reconciling many sentiments I had not before and feel the need to do so in order to actually move on into the post Kalamazoo College world. My racialized, working class, trans body has been what has shaped my life, both at home and at Kalamazoo College. I did not find it within myself to have another concept other than my body and its relationships to be the focus of this collection. I can safely say that I created a capstone that does not solely encompass my life at K, but also my being and growth in the past four years. If there is anything I have learned here, is that it is not self-indulgent to write about yourself, particularly as a marginalized person. It is self-exploration. What would my education be if I did not have any sentiments towards it? No theory to conceptualize not just my craft, but my being and its’ feelings?
Martinez, for Chamber Formats with Clarinets2
No full textEl presente trabajo tiene como fin realizar el montaje y ejecución de cinco de las más representativas obras del compositor momposino Agustín El Conde , adaptadas a formatos variados con clarinetes que incluyen clarinete soprano solo, dúo, trío, cuarteto y quinteto. Así mismo, se busca hacer un reconocimiento a la vida y obra de este músico Bolivarense, aportando datos biográficos y experiencias facilitados por el autor, como elemento dinamizador del contexto musical de sus composiciones. De igual manera, es necesario resaltar que el desarrollo de este proyecto, hará su aporte al incremento de repertorio para diferentes grupos de cámara, lo que lo convierte en una buena opción para docentes, estudiantes y músicos que encontrarán una alternativa y la posibilidad de enriquecer sus propios repertorios. Colateralmente, y como aspecto importante, el hecho de socializar este tipo de trabajos, implica hacer un reconocimiento a los músicos de la región Caribe, que tanto le han aportado a la cultura musical de nuestro país y de paso sirve como elemento dinamizador para motivar y sensibilizar a futuros licenciados en música de la Universidad Industrial de Santander, para que se conviertan en líderes impulsores de la preservación de la cultura musical y hagan posible que muchos de estos compositores que han dejado un legado, tengan el reconocimiento que les permita mantener viva la historia de nuestros pueblos. 1PregradoLicenciado en MúsicaThe purpose of this project is to perform the assembly and execution of 5 of the most representative musical works of the composer Agustin "El Conde" Martinez, adapted to various formats with clarinets including solo soprano clarinet, duet, trio, quartet and quintet. Likewise, we seek to recognize the life and work of this Bolivarense musician, providing biographical data and experiences given by the author, as a dynamic element of the musical context of his compositions. Also, it is necessary to emphasize that the development of this project will contribute to the increase of the repertoire of different chamber groups, which makes it a good option for teachers, students and musicians who will find an alternative and the possibility of enriching their own repertoires. Collaterally, and as an important aspect, the fact of socializing this type of work, implies making a recognition to the musicians of the Caribbean region, who have contributed so much to the musical culture of our country and incidentally serves as a dynamic element to motivate and sensitize future music graduates of the Industrial University of Santander, to become leaders in the preservation of musical culture, and make it possible that many of these composers who have left a legacy, have the recognition that allows them to keep alive the history of our people.
