7 research outputs found
Vgolini Verini poetae Florentini De illustratione vrbis Florentiae libri tres.
Includes index and errata.Signatures: +⁶ A-G⁸.Printer's device on t.p. Head- and tail-pieces of printer's ornaments, woodcut initials.First published Paris (Mamert Patisson), 1583, edited by Germain Audebert.In verse.Mode of access: Internet.Inscribed at foot of title: Leopoldi Andreae Guadagni JC. Flor.ini. (perhaps Leopoldo Andrea Guadagni, 1705-1785, writer on Roman law). Occasional marginal annotations.Binding: limp vellum, author written on spine, edges red
An annotated edition of the <em>Refutation of the Errors of the Latins</em> by Matthaios Blastares
The present thesis is an annotated edition of the Refutation of the errors of the Latins by the Byzantine scholar, canonist and theologian Matthaios Blastares († c.1350). The thesis comprises an Introduction and an edition of the text. The Introduction is divided into two Parts (I-II). Part I gives biographical information on the author and his work in the wider context of the dialogue between the Byzantine and Latin theologians in this period. This is followed by an examination of the evidence concerning the circumstances of the composition of the treatise, an analysis of its structure and content together with a commentary on the arguments put forward by Blastares to refute the most important points of divergence between the two sides, concerning doctrinal and ecclesiastical issues as well as liturgical practices, and finally an evaluation of the treatise. Part II is devoted to the manuscript tradition. The treatise is transmitted in twenty-four manuscripts (MSS) dated between the fourteenth and seventeenth century. Our edition is based on eleven of the earlier MSS containing the entire treatise. These codices, together with the partial editions of chapter [38.66-60] by Dositheos Patriarch of Jerusalem, Τόμος Καταλλαγῆς (Jassi, 1694), pp. 441-456, and chapter [49] by Leo Allatius, In Roberti Creyghtoni apparatum, versionem & notas ad historiam concilii Florentini scriptam a Silvestro Syropulo de unione inter Graecos & Latinos, exercitationes, pars prima (Rome, 1665), pp. 331-332, are described and studied from the codicological and palaeographical point of view, before their relation is established and a reconstruction of the stemma codicum is proposed. The edition of the text of the complete treatise is accompanied by an apparatus fontium et locorum parallelorum, and an apparatus criticus, preceded by a brief note on the conventions adopted in the present edition and a list of abbreviations and signs used in the apparatus criticus. The thesis closes with full bibliography, an Appendix and facsimiles of selected folios of the MSS used in our edition.</p
The hermetic logos : reading the "Corpus Hermeticum" as a reflection of Graeco-Egyptian mentality
This study analyses Hermetic literature and focuses on the seventeen treatises of the so-called Corpus Hermeticum. It takes as its starting point the assumption that what are nowadays known as the Philosophical Hermetica emerged as a product of a Graeco-Egyptian process of self-perception. As will be demonstrated, Hermetic literature helps our understanding of how reformulations of symbolic universes led to a specific Graeco-Egyptian mentality. The Hermetica will be treated as the result of cross-cultural exchange between Greek and Egyptian symbolic universes. Hermetic literature will therefore be analysed according to its historical context, i.e. as part of a Greek-Egyptian dialogue
A Florentine family in crisis: the Strozzi in the fifteenth century.
PhDIn 1434 the Strozzi lineage had held a leading position in
Florentine society and government for at least one hundred and fifty
years, and was one of the largest and wealthiest of the city's
patrician lineages. The records of the catasto of 1427 and of the
scrutiny of 1433 are used to give a profile of the dominant social,
economic and political position of the Strozzi before the advent of
Medicean dominance. Their record of electoral success, and the
political and cultural leadership of influential and respected men
such as Palla di Nofri and Matteo di Simone, with other factors, put
the Strozzi amongst the greatest enemies of the victorious Medicean
regime of late 1434. The effects of political opposition and exile
on the lineage are examined both directly, through records of office-holding,
and indirectly through such indicators as marriage alliances
and household wealth. The two most prominent lines of the Strozzi
were exiled after 1434. Palla di Nofri's life and preoccupations in
his Paduan exile are examined, together with the lives of his sons;
none of these Strozzi ever returned to Florence, pursued as they were
by the enmity of the Medicean regime. The very different careers of
Filippo di Matteo and his brother Lorenzo are also examined: how they
succeeded in founding a lucrative bank in Naples, and in returning to
Florence to 'rebuild' (rifare) the position of the Strozzi lineage
there. The final decades of the century saw the Strozzi in an
economically more secure position, due substantially to the efforts
of Filippo. Except for a very small number of its members admitted
into the regime, most of the lineage is here shown to have remained
excluded from significant political office until after the fall of
the Medici regime in 1494
The liturgical vision of Augustus Welby Northmore Pugin
The aim of this thesis is to argue that Augustus Welby Northmore Pugin (1812-1852) was a liturgist who had a liturgical vision. He is commonly regarded as an architect and designer per se, but many believe he had eccentric ideas, was a fanatic for the Gothic style of architecture and that while he was religious, he had little impact on the religious controversy and events of his time. The thesis will bring forward a different picture of him. The reasons put forward to support the claim that he was a liturgist are that he had a particularly definition of liturgy; he studied liturgy for three years; he employed a particular method of writing, which was commonly used by past liturgists; many of his authorities were liturgists and historians, as well as architects and designers, and his sources related to liturgy. Pugin went from attacking Protestants, to defending his views against Roman Catholics. To argue for his views, Pugin employed a particular methodology, which included a vast number of authorities and sources. He offered to England an alternative setting of the Roman rite. The new converts who had seceded from the Church of England to the Church of Rome, including John Henry Newman and his circle, did not support him and this led to a major conflict. Their different views of liturgy became a matter of judgement for the Roman Catholic Church. Pugin was influenced by Continental, particularly French, Roman Catholic scholars and liturgists. The influence of the leader of the liberal Catholics in France, Charles-Forbes-Rene, Count de Montalembert, is also brought to light. The thesis will argue that Pugin sought to implement his views on liturgy in England and had a vision of a future England that could act as an example to the rest of Catholic Christendom, including the Church of Rome. He initially had a measure of success, but finally failed and bowed to the judgement of the Roman Catholic Church
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Word Order, Focus, and Clause Linking in Greek Tragic Poetry
The thesis comprises an investigation of three aspects of sentence structure in Classical Greek (henceforth CG) dramatic poetry: order of the main sentence elements (subject, verb, and object) within the clause, the emphatic position at the start of the clause, and the structure of inter-clausal linking. It is argued that these three features, usually considered separately, are interdependent, and that intra-clausal word order is directly related to the structure of compound and complex sentences. The discussion undertakes a systematic survey of subject, verb, and object order in a corpus of texts, proposes an explanation for the observed order, and develops a model which explains how prominence within the clause is exploited in clause linking to produce the complement structures observed in Homeric and tragic complementation
Print, manuscript and godly cultures in the north of England, c. 1600-1650
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