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A Thousand Eyes : Media Technology, Law and Aesthetics
No full textSince the early twentieth century, contemporary art and art theory have creatively challenged the status of representation. During that time, the court of law has come to rely on a variety of new representational modes and technologies. The law is increasingly staged on a screen and the photographs, video documents, audio recordings used as evidence are not entirely distinct from their correlates in contemporary art, cinema and mass media. What questions of representation, judgment and justice cross borders between art and the law? Through the contribution of internationally renowned artists and scholars, this anthology explores how the aesthetics of new media technology and its spatial implementations affect the judicial system in relation to fundamental concepts such as truth and representation. - p [4] of cove
Rehearsal Negative 25A
No full textEntrance to the exhibition area at the Contemporary Art Gallery. Still from Rehearsal by Judy Radul
Rehearsal Negative 31A
No full textJust Radul interacts with participants. Still from Rehearsal by Judy Radul
Rehearsal Negative 18A
No full textParticipants gather in the Contemporary Art Gallery. Still from Rehearsal by Judy Radul
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No full textRehearsal wall text at the Contemporary Art Gallery. Still from Rehearsal by Judy Radul
Rehearsal Negative 23A
No full textJudy Radul with an audience participant. Still from Rehearsal by Judy Radul
Rehearsal Negative 38
No full textParticipants at the Contemporary Art Gallery. Still from Rehearsal by Judy Radul
Rehearsal Negative 28A
No full textJudy Radul in the exhibition space at the Contemporary Art Gallery. Still from Rehearsal by Judy Radul
Rehearsal Negative 41
No full textJudy Radul interacts with two participants at the Contemporary Art Gallery. Still from Rehearsal by Judy Radul
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