245 research outputs found

    Down but Not Out: Reforming Social Assistance Rules that Punish the Poor for Saving

    No full text
    Reform is required for social program rules that prevent the poor from saving in Registered Retirement Savings Plans (RRSPs) and Tax Free Savings Accounts (TFSAs), according to this study. The author says that encouraging asset accumulation, even in small amounts, is crucial in helping to lift people out of poverty. Yet most Canadian welfare, disability and social service programs deny or cancel benefits if applicants or recipients place a modest level of savings in an RRSP or TFSA. Barring a province-led effort at reform, says Stapleton, the federal government should take the lead by calling on provinces and territories to exempt meaningful RRSP and TFSA amounts from their welfare asset rules, leaving individual jurisdictions to decide the appropriate levels.Social Policy, Registered Retirement Savings Plan (RRSP), Tax Free Savings Account (TFSA), social assistance

    Thomas Stapleton

    No full text
    In 1620, twenty-two years after his death, Thomas Stapleton received the tribute hoped for, I suppose, by many, if not all professors. Four of his friends collected together his works and published them. His Opera Omnia fill four folio volumes: translation, controversy, the fruit of his years of lecturing worked over and set out in lengthy, ordered dissertations, history, biography, moral instruction, panegyric, speeches made on academic occasions, commentaries on the Sunday, feast-day and Lenten gospels. The whole was prefaced by a life of the author written in Latin verse by Henry Holland. The best preserved and best cared-for copy is to be found in Lambeth Palace library.</jats:p

    sj-pdf-1-nho-10.1177_19418744221077552 – Supplemental Material for Racial and Social Determinants of Civilian Gunshot Wounds to the Head

    No full text
    Supplemental Material, sj-pdf-1-nho-10.1177_19418744221077552 for Racial and Social Determinants of Civilian Gunshot Wounds to the Head by Myron L. Rolle, Rachel M. McLellan, Pranav Nanda, Aman B. Patel, Chana A. Sacks, Peter T. Masiakos and Christopher J. Stapleton in The Neurohospitalist</p

    Remember the Monarchs: Rachel Carson\u27s Last Summer at Southport

    No full text
    Tells of Rachel Carson\u27s love of science, nature and her summer home at Southport, Maine. She spent summers in Maine while writing her exposes of the environmental and health risks of using pesticides. Tells of her friendships and family as well

    Marlowe\u27s Ovid: The \u22Elegies\u22 in the Marlowe Canon

    No full text
    The first book of its kind, Marlowe’s Ovid explores and analyzes in depth the relationship between the Elegies-Marlowe’s translation of Ovid’s Amores-and Marlowe’s own dramatic and poetic works. Stapleton carefully considers Marlowe’s Elegies in the context of his seven known dramatic works and his epyllion, Hero and Leander, and offers a different way to read Marlowe. Stapleton employs Marlowe’s rendition of the Amores as a way to read his seven dramatic productions and his narrative poetry while engaging with previous scholarship devoted to the accuracy of the translation and to bibliographical issues. The author focuses on four main principles: the intertextual relationship of the Elegies to the rest of the author’s canon; its reflection of the influence of Erasmian humanist pedagogy, imitatio and aemulatio; its status as the standard English Amores until the Glorious Revolution, part of the larger phenomenon of pan-European Renaissance Ovidianism; its participation in the genre of the sonnet sequence. He explores how translating the Amores into the Elegies profited Marlowe as a writer, a kind of literary archaeology that explains why he may have commenced such an undertaking. Marlowe’s Ovid adds to the body of scholarly work in a number of subfields, including classical influences in English literature, translation, sexuality in literature, early modern poetry and drama, and Marlowe and his milieu

    Kristin Stapleton, Fact in Fiction : 1920s China and Ba Jin’s Family

    No full text
    There are few resources amongst contemporary Chinese literary criticism that manage to weave such insightful literary readings and incisive historical research as Kristin Stapleton’s Fact in Fiction: 1920s China and Ba Jin’s Family. The book accomplishes three feats, as set out by Stapleton in her introductory chapter, simultaneously incorporating a history of twentieth-century Chengdu (and its relevance to the developments in China during this period, more broadly) alongside the author’s biography of Ba Jin’s formative years in the city and the historiographical context of his novel Family. Such an undertaking by a less skilled author would have, perhaps, produced a work which simplifies the rich historical underpinnings of Ba Jin’s Family to supplementary readings of the novel, coupled with incidental evidence of the political and social machinations of the city in which its author grew up. Not so under Stapleton’s careful guidance. By reading the social and economic development of early twentiethcentury Chengdu as much as its fictional counterpart in Ba Jin’s Turbulent Stream trilogy, Stapleton provides a perceptive reading of Family which invites the reader to consider how fiction can enrich and enliven our understanding of history

    Christianity, Patriotism and Nationhood: The England of G.K. Chesterton

    No full text
    This book links the concepts of patriotism, Christianity, and nationhood in the journalistic writings of G.K. Chesterton and emphasizes their roots within the English attachments that were central to his political and spiritual persona. It further connects Chesterton to the vibrant debate about English national identity in the early years of the twentieth century, which was instrumental in shaping not only his political convictions, but also his religious convictions. Christianity, Patriotism and Nationhood explores his changing conception of the English people from an early, menacing account of their revolutionary potential in the face of plutocracy to the more complex portraits he drew of their character on recognizing their political passivity after the First World War. As Chesterton was above all a journalist, the study considers some of the varied outlets in which he expressed his ideas as a distinctly Edwardian man of letters of a strongly patriotic persuasion. His connection with The Illustrated London News over more than three decades proved pivotal in strengthening his patriotism and discourse of nationhood vilified elsewhere, not least in advanced Liberal organs such asThe Nation. Julia Stapleton shows that he was increasingly distanced by fellow Liberals before 1918, on account of the priority he gave nationhood over the state, and patriotism over citizenship. But she argues that his English loyalties were the last echo of an aspect of Victorian Liberalism that had been progressively eroded by loss of confidence among elites in the democratic aptitude of the English people. Christianity, Patriotism and Nationhood emphasizes that Chesterton upheld a cultural rather than racial conception of national homogeneity, in keeping with the Victorian sources of his thought and the popular patriotism of Edwardian England. It argues that his anti-semitism was ancillary, rather than integral to his understanding of England, and that it was matched by a similar conception of the antithesis between Islam and the patriotic ideal. Stapleton relates his abiding concern for national 'authenticity' to global imperialism, enhanced international co-ordination of states and civil society after 1918, and the increasing role of the British state in defining the nation. This book will be valuable to intellectual and political historians of early-twentieth-century England, as well as to scholars and students of English national identity in the twenty-first century. The author gratefully acknowledges the permission of A.P. Watt Ltd on behalf of the Royal Literary Fund to quote unpublished material in the Chesterton Papers, British Library

    Self-consciousness and the image of self in the poetry of Stephen Spender, 1928 to 1934

    No full text
    The purpose of this thesis is twofold. First, to demonstrate the value and significance of Spender's early poetry in terms of its vision and technique. Through a series of close readings the thesis traces the ways in which Spender's early poetry not only shows itself to be self-conscious but also manipulates images of self. Presenting images of self, Spender achieves a balance between engagement with and distance from the self, and the reader shares in the process of poetic self-awareness. Secondly, to demonstrate the broader value of the poetry. Spender's poetry presents a distinctive exploration of the possibilities of self in relation to the external world. The resolution of Spender’s questioning and selection of both personal and public values, rooted in his contemporary situation and private circumstances, in his poetry takes the form less of historical document than of human record. The period on which I focus, 1928 to 1934, represents Spender’s first, and arguably most significant, poetic phase. The thesis is specifically concerned with four texts: Nine Experiments. Spender's contributions to Oxford Poetry (1929 and 1930), Twenty Poems and Poems (1933 and 1934). Nine Experiments marks the beginning of a particular approach and lyric style which finds its culmination in Poems (1933 and 1934). The earliest poetry is interesting largely insofar as it looks forward to later themes and techniques. In Nine Experiments and Oxford Poetry (1929 and 1930) we see Spender's often successful struggle to achieve effective forms in which to explore issues of self and value. Twenty Poems and Poems (1933 and 1934) concentrate on themes of love and friendship and the pressure on the poet of the contemporary political scene. The poetry does not reconcile the demands of the external, public world with his inner desires and aspirations, but presents a series of fascinatingly unresolved tensions. The thesis explores the way these poems strive for certainty. This striving stems from the tension between Spender's desire to politicize poetry and his tendency to the lyrical, personal statement

    Lange years : an annotated bibliography on David Lange's term as Prime Minister, 1984-1989

    No full text
    David Lange was Prime Minister of New Zealand from 14 July 1984 till 8 August 1989. He presided over a government which initiated a reform programme that radically transformed New Zealand society. This selective annotated bibliography is designed to help history and political science students and academics identify sources of information on Lange's term as Prime Minister. It includes material that examines Lange's actions; his achievements and failures as Prime Minister; his leadership of the Fourth Labour Government; his personality traits and behaviour; his views on government policies and colleagues; his relationships with government colleagues and officials; and his colleagues' opinions on his performance while Prime Ministe
    corecore