6,927 research outputs found
Cinq ans de marché commun du charbon et de l'acier
Rabier Jacques-René. Cinq ans de marché commun du charbon et de l'acier. In: Revue économique, volume 9, n°2, 1958. pp. 298-320
Union des six capitales des pays de la Communaute europeenne. Expose de M. Jacques-Rene Rabier, Directeur du service de presse et d'information. Bruxelles, 29 mai 1964 = Cooperation between the six capital cities of the European Community. Speech by Mr. Jacques-Rene Rabier, Director, Press and Information Service. Brussels, 29 May 1964
La Jeunesse et l'avenir de l'Europe. Expose de M. Jacques-Rene Rabier, Directeur du service de presse et d'information de Communautes europeennes, au quatrieme congres de l'Association europeenne des Editeurs de Publications pour la Jeunesse (Europressjunior). Bruxelles, 28 avril 1966 = Youth and the future of Europe. Speech by Mr. Jacques-Rene Rabier, Director of the Press Service of the European Communities, at the 4th Congress of the European Association of Editors of Publications for Youth (Europressjunior). Brussels, 28 April 1966
La presse feminine et la construction de l'Europe, expose introductif de M. Jacques-Rene Rabier [Directeur du Service de presse et d'information]. Colloque europeen des redactrices et redacteurs en chef de la presse feminine. Bruxelles, 2 mai 1968 = The feminine press and the construction of Europe. Speech by Mr. Jacques-Rene Rabier [Director Press and Information Service] at a colloquium for European editors in chief of the feminine press. Brussels, 2 May 1968
Le gisement magdalénien du Peyrat à Saint-Rabier (Dordogne) d'après les fouilles Cheynier, 1958-1967
Cleyet-Merle Jean-Jacques. Le gisement magdalénien du Peyrat à Saint-Rabier (Dordogne) d'après les fouilles Cheynier, 1958-1967. In: Bulletin de la Société préhistorique française, tome 85, n°10-12, 1988. pp. 332-351
Librairie Illustrée
I had presumed when ordering this copy that it was another copy of a book which I already had. That presumption was wrong, as it has often been wrong before. This book has a different front cover, different different back cover, different quality paper, and a different printer. The front cover of that other book offers the illustrations for BF with a list of the fables in this volume at the place where (on 81) the text of the fable will stand among the illustrations for BF. This front cover, by contrast, offers a large single picture including butterfly, rabbit, crow, several birds, dog, duck, and tortoise and a French flag. This illustration seems to draw from animals in many different fables. Was the illustration perhaps created just for this cover? The back cover there, in color, showed the cat pinning both the hare and weasel. Here the back cover shows the dejected fowl-killer in GGE. The paper quality here is less than it was there. This paper is thinner and less cleanly white, and it shows darkening around its edges. The verso of the title-page there, facing BF, proclaims Imprimerie Union, 46, Boul. St. Jacques, Paris. This volume, in the same place, has Imp. Crémieu, 4 bis, Rue des Suisses, Paris. I seem to have no resources -- not Bodemann or Bassy -- to help me know which of these two is the more original or how they otherwise interrelate. As I wrote there, this second volume (of three, I presume) presents a second group of fables stretching from IV 8 through VII 14. The same surprising little section in English appears at the lower left of the pre-title page: Published December 1, -1906. Privilege of Copyright in the United States, reserved under the act approved March 3 1905 by Tallandier. Pagination continues from the first part, beginning here with 81, which happens to feature one of the best illustrations of the book, BF. Rabier is really fun! Of course, finding two of three volumes makes me search now for the third! T of C at the back.This is a hardbound book (hard cover)Language note: FrenchFirst edition?LaFontain
La participation ouvrière / par Jacques-René Rabier
Collection : Groupes travailCollection : Groupes travailContient une table des matièresAvec mode text
The Negro in the novels of Rene Maran, 1940
This study of the Negro in the novels of Rene Maran, Frances most prominent contemporary Negro author, is one of several being made at Atlanta University on the Negro in French literature. This attempt to-show how a Negro, the only one ever to receive the Prix Goncourt, portrays his African brothers, is the first American study of Rene Maran's novels. It is hoped that it will be a modest contribution to an almost unexplored field in French literature and that other students of France and her culture will be inspired to make a more extensive study of Rene Maran and his works. The first chapter is devoted to the life of Rene Maran and a discussion of his style and most important works. The second chapter presents the physical characteristics of the Negro as portrayed by Rene' Maran. Emphasis is placed on physical appearance, tribal marks, dress, disease and odors which seem to be especially characteristic of the Negro. The third chapter is devoted to the social characteristics of the Negro with emphasis on home life, food, religion, feasts, and governments. The last chapter will present a summary of the findings of this study. The appendix includes short synopses of each of the novels with Negro characters, and a latter from Monsieur Maran to the writer. aIt is to be regretted that such a small amount of material has been written on Rene Maran. Because of his modesty he has written even less about himself. Biographical material consists principally of Leon Bocquet's "Preface" to le Petit Roi de Chimerie, a fairy story by Rene Maran; le Coeur serre, an autobiography written as a novel; several articles which have appeared in periodicals and the forementioned letter from Monsieur Maran. First editions of all novels, with exception of Le Livre de la brousse, were used. As the latter was unavailable, the second edition (1937) was used. Rene Maran's most important novels on Africa, Batouala, Djouma, Chien de brousse, Le Journal sans date end le Livre de la brousse have been studied. The novelettes Bokorro and Bassarragba have also been used as references but the longer novels have constituted our major interest. Le Petit Roi de Chimerie , though it contains no Negro characters, was quoted because of one excellent example of Rene Maran's style. Less stress has been placed on Le Journal sans date because only one of its characters is a Negro. The writer sincerely appreciates the kindness and help of Rene Maran, whose letter was a source of constant encouragement
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