1,721,317 research outputs found
Gli emiliano romagnoli e l’emigrazione italiana in America Latina. Il caso modenese
No full textRecensione del volume Gli emiliano romagnoli e l’emigrazione italiana in America Latina. Il caso modenes
Il passato dell'arte in Hegel e Shakespeare
No full textMoving from the parallel between the Epilogue of Shakespeare’s Tempest and the end of Hegel’s Lectures on Fine art, Kottman analyses a fundamental theme of the Hegelian aesthetic thought: the “past character of art”. In the first part of the paper, the author aims to highlight Shakespeare’s importance for Hegel’s Aesthetics, showing that the former appears to anticipate the conscience of the pastness of art in his dramas. Subsequently, the author discusses Pippin’s central thesis that considers Hegel’s assertion of the pastness of art a great contradiction in the Hegelian system. In opposition to this reading, Kottman understands the pastness of art as an internal phenomenon of art itself: it is the way in which art enters into history. Finally, Kottman analyses the Epilogue of the Tempest in order to show how Shakespeare can help us better understand the role of art in its realization as something historical. Translated by Elena Romagnoli from P. Kottman, Hegel, Shakespeare and the pastness of art, in P. Kottman e M. Squire (a cura di), The Art of Hegel’s Aesthetics. Hegelian Philosophy and the Perspective of Art History, Fink, Padeborn 201
From a Remote Pedestal to Everyday Life
Full text linkIn this paper I tackle Gadamer’s and Dewey’s conceptions of art, showing a possible dialogue between American Pragmatism and Gadamerian Hermeneutics. Despite the obvious differences, it is possible to show fundamental commonalities between the two philosophies when it comes to the role of art. They share the double goal of critiquing the aestheticism of modern age, the conception of art as a mere “art for art’s sake,” and of recomposing the continuity between aesthetic experience and everyday life. I argue that this common goal entails a reassessment of the relation between the work of art and the public, a reassessment that has fundamental consequences for the role of art in our societies. The present comparison will also help shed new light on Gadamer’s conception, often accused of being a merely conversative theory. For both Gadamer and Dewey art does not consist in a product of the elites that is given to the spectators: rather, the spectators cooperate with the author in the creation and development of the work of art itself
Rethinking Gadamer's Aesthetics: The Unheimlichkeit of Poetry between Singularity and Iterability
Full text link1. Art as Repetition of Readings: Gadamer Listening to Celan’s Voice
2. The Uninterrupted Dialogue with Derrida
3. The Social Role of the Poet from His Spatial and Temporal Situatio
Oltre l'opera d'arte. L'estetica performativa di Gadamer tra idealismo e pragmatismo
No full textL’ermeneutica appare oggi scontare la propria precedente notorietà, confinata in una posizione marginale rispetto ad altre correnti filosofiche. Questo libro nasce invece dalla convinzione che il pensiero gadameriano, opportunamente ripensato, possa ancora costituire un terreno fertile per l’elaborazione di questioni attuali, in particolare nell’ambito della riflessione estetica. Muovendo dalle radici idealiste, il testo sviluppa un confronto con l’estetica pragmatista al fine di fare emergere una lettura originale dell’estetica gadameriana in chiave performativa, che ha alla base una concezione anti-elitaria dei fenomeni artistici. A partire da tale rilettura è possibile estendere la filosofia di Gadamer ad ambiti urgenti del dibattito estetologico quali l’estetica del paesaggio e l’estetica del quotidiano, tracciando nuovi sentieri per lo sviluppo dell’ermeneutica di fronte alle sfide della contemporaneità
L'Unheimlichkeit della poesia e il suo ruolo nella comunità. Gadamer e Derrida in dialogo
No full textL'enigma dell'arte tra iterabilità e unicità. L'ermeneutica gadameriana di fronte alla modernità
No full textIl ruolo dell'arte dopo il suo “passato” nella Ästhetik di Hegel. Commento a P.A. Kottman
No full textThis paper aims to analyse the main consequences emerging from Kottman’s main thesis – namely, that the pastness of art is internal to art itself – in order to better explain the role of art after its past in Hegel’s Aesthetics.Firstly, I aim to discuss the position of art in the system with respect to the two other forms of the Absolute Spirit, Religion and Philosophy. Secondly, I intend to analyse the system of art itself, considering how the specific forms of art relate to one another: in particular, I want to discuss the claim of the primacy of drama over picture in the modern word. Finally, I will elaborate on Kottman’s assertion that the pastness of art must be backdated to the period of Shakespeare’s dramas. Maintaining Shakespeare’s relevance, I want to expand on this question in order to consider Hegel’s philosophical milieu, in particular his attention to Schiller
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