1,759,947 research outputs found
Responsible Practice Principles for RMIT University Library
No full textThis document captures the library’s commitment to conducting our day-to-day business in a way that supports our own reconciliation journey and makes a positive impact on the representation and inclusiveness of Aboriginal and Torres Strait Islander communities in all that we do. It will foster a supportive and inclusive environment, and contribute to the ethical and equitable representation of Aboriginal and Torres Strait Islander knowledge within our collections, services and spaces.© RMIT University Library 2024</p
Gathering
No full textCatalogue of two exhibitions held at RMIT University Project Space/Spare Room, 11 - 29 April, 2005
Into a mirror darkly
No full textCatalogue of several exhibitions held at RMIT University, 28 August - 22 September 2006.Project Space: The vanity of all human things - Carole Shepheard
Spare Room: The velvet of uncertainty - Greer Honeywill and Carol Shepheard
RMIT School of Art Gallery: She had many offers of marriage #2 - Greer Honeywill
Diagram : David Cross [NZ], Emma Febvre-Richards [NZ], Jenny Gillam [NZ], Maddie Leach [NZ], Simon Morris [NZ], Karin Van Roosmalen [NZ]
No full textPublished on the occasion of the exhibition Diagram held at Project Space/Spare Room, RMIT University, 29th April - 19 May 2011.Six New Zealand-based artists engage with the idea of diagram as a generative tool. Diagram considers the diagrammatic as a key modality, not simply for two-dimensional art forms, but also sculpture, video and performance-based practices. -- Gallery website.;"... features work by Massey University School of Art and Design staff ... first shown at the Engine Room gallery at Massey University, Wellington in 2010 ... This second version of the exhibition at RMIT's Project Space encompasses changes and shifts to the works and content of the first iteration." -- P. [7-8];Curated by Charlotte Huddleston
Essay: Exploded view by Charlotte Huddleston.Includes bibliographical references
Tract
No full textCatalogue of an exhibition held at RMIT University School of Art Gallery, 11 - 20 March, 2008.Essays: Dominic Redfern, Linda Marie Walker.Artists: James Geurts ... [et al.]Includes bibliographical references
Digital remembering
No full textCatalogue of an exhibition held at RMIT University Project Space/Spare Room, 14 March - 4 April, 2008.Essay: Diane Charleson ; Curator: Diane Charleson.Artists: Pauline Anastasiou ... [et al.].Includes bibliographical references
Women and Work 2005: Current RMIT University Research
No full text'Women and Work 2005' offers a collection of papers exploring women's participation in the paid workforce in Australia and in other countries in the Asia Pacific region. This monograph represents the work of a number of scholars, both academics and post-graduate students, at RMIT University whose research focuses on the broad area of 'women and work'. It provides the opportunity for both writers and readers to reflect upon the diverse contexts of this research area. Papers in this volume range from discussions of women and international development, discrimination issues and organisational concerns. Writers draw on reviews of the literature and both qualitative and quantitative methodologies, including interviews and surveys, to assist them in their analyses of a number of key issues around women and work The writings in this volume were largely first presented at the Second Annual Women and Work: Current RMIT University Research Conference held in September 2005. Through the continued efforts of co-convenors Sara Charlesworth, Centre for Applied Social Research in the Design and Social Context Portfolio, and Maureen Fastenau, School of Management in the Business Portfolio, the conference provided the opportunity for RMIT staff and students to present in this dynamic and important area. The conference attracted 25 presenters who were invited to submit papers for consideration for this monograph. The papers included in this monograph highlight the diversity of research on women and work being carried out at RMIT University in 2005, and illustrate the complexity of women's lives. All papers submitted for consideration for publication were subject to a rigorous double-blind peer review process with academic expert referees drawn from universities across Australia
Women and Work 2007: Current RMIT University Research
No full textThis book brings together eight articles, most of which were originally presented as papers at the third annual Women and Work conference at RMIT
University. This conference series has a short history, but the articles draw on a much longer history of research in this field. This monograph publishes research on women and work that addresses work and family balance, female dominated occupations and women in male dominated occupations and roles, gender and sex work, the work involved in negotiating work and welfare, gendered bullying, and the ways we might understand gender and its effects in the workplace. Discussion at the conference strayed at various times beyond the papers, however, and turned the lens on women researchers themselves and their experience of universities
RMIT University Sports Centre
No full textRESEARCH BACKGROUND: In 1997, Lyons Architects developed a proposal for the RMIT University Sports Centre, which did not proceed then. In 2013, felix._Giles_Anderson+Goad, the creative team behind Australia's exhibition at the 2014 Venice Architecture Biennale, issued a call out for unbuilt contemporary Australian buildings. Lyons' proposal was included in the 11 projects chosen from a large field. In Venice, the projects were realised through three-dimensional augmented models, images, voice-overs and animations. RESEARCH CONTRIBUTION: Lyons' proposal was for a sports facilities mixed with interdisciplinary research spaces, hence encompassing the idea of 'body and mind'. It investigated strategies to create an object-texture that ameliorates the 'crisis/predicament' defined by Colin Rowe in his seminal essay in Collage City. This project is part of Lyons' ongoing research into architecture that demands thinking about issues that are "larger" than architecture, and shows the practice's commitment to identity-driven spaces that express collective and individual identity, hierarchy and complexity, and which questions the institution and social order. RESEARCH SIGNIFICANCE: The significance of this project is demonstrated by its selection for inclusion in the 2014 Venice Archiecture Beinnale's Augmented Australia exhibition.The Venice Biennale is the world's premier architecture exhibition and the 'Augmented' show is supported by the Australia Council for the Arts, Architecture Media and major industry partners. The project was first reviewed by Andrew Wilson in the professional journal Architecture Australia in 1998. In 2013-2014, it was further published as part of the Venice Architecture Biennale coverage in Architecture Australia, Green magazine, Australian Design Review, Architecture and Design magazine, ArchDail
Skypetrait : ein künstlerisches Forschungsprojekt der Hochschule Reutlingen, Deutschland und der RMIT University Melbourne, Australien
No full textIn unserer globalisierten Welt „kennen“ wir uns durch Bilder in Skype oder Fotos und kurze Kommentare auf Facebook. Kommunikation hat sich immer weiter von der schriftlichen hin zur bildlichen verschoben. Wie daraus Kunst entstehen kann, zeigt das Projekt Skypetrait: Mit einer besonderen Zeichentechnik, der Blindzeichnung, porträtierten sich jeweils sechs Studierende der Hochschule Reutlingen und des australischen Royal Melbourne Institute of Technology via Skype. Entstanden sind dabei die unterschiedlichsten künstlerischen Werke, wie Computerzeichnungen, Collagen oder ScreenShots. Ein außergewöhnliches Kunst- und Forschungsprojekt des Studienschwerpunkts Künstlerische Konzeption im Masterstudiengang Design, Fakultät Textil & Design der Hochschule Reutlingen in Kooperation mit dem Masterstudiengang Art in Public Space, School of Art der RMIT University in Melbourne, Australien
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