42 research outputs found
HIV genotyping for guiding drug choice in 17 HIV-infected children failing multiple antiretroviral treatment regimens
No full textEleonora Duse. Appunti per una biografia (1969): l’attrice e il mito
No full textIn 1969 the Italian Radio-Television Broadcasting- RAI produced the screenplay, Eleonora Duse. Notes for a biography. G. Loverso and C. Serino were the author of the script, directed by F. Bollini (1924-78). Having analyzed the screenplay, we are able to un- derstand how the myth of E. Duse was structured. The analysis also explains why she became famous among the television audience of the second half of the 20th century. The screenplay sparked considera- ble debate and contrasting reactions, especially based on the interpretation of the actress in the role of Duse, L. Brignone (1913-84). Many admirers wrote to Brignone about her interpretation of the great tragedienne. The actress and writer E. De Giorgi (1914-97) sent Brignone her study on E. Duse, that allows us to focus on some distinctive features of Duse’s acting, dividing the actress from the myth
Eleonora Duse. Appunti per una biografia (1969): l’attrice e il mito
No full textNel 1969 la RAI produce lo sceneggiato Eleonora
Duse. Appunti per una biografia, scritto da Gilberto
Loverso e Chiara Serino e diretto da Flaminio Bollini.
Il documento audiovisivo consente di comprendere
in che modo il mito di Eleonora Duse si delineò fin
dagli esordi e come esso venne presentato al pubblico televisivo del secondo Novecento. Lo sceneggiato suscitò un vivo dibattito e reazioni contrastanti, soprattutto grazie all’interpretazione di Lilla
Brignone (1913-1984) nel ruolo della Divina. Molti
ammiratori scrissero alla Brignone per commentarne l’interpretazione, tra questi troviamo l’attrice
e scrittrice Elsa De Giorgi (1914-1997), che inviò a
Brignone un suo studio in cui sono evidenziati alcuni
tratti distintivi della recitazione della Duse, scindendone la figura attorica dal mito divistico.In 1969 the Italian Radio-Television BroadcastingRAI produced the screenplay, Eleonora Duse. Notes
for a biography. G. Loverso and C. Serino were the
author of the script, directed by F. Bollini (1924-78).
Having analyzed the screenplay, we are able to understand how the myth of E. Duse was structured.
The analysis also explains why she became famous
among the television audience of the second half of
the 20th century. The screenplay sparked considerable debate and contrasting reactions, especially
based on the interpretation of the actress in the role
of Duse, L. Brignone (1913-84). Many admirers
wrote to Brignone about her interpretation of the
great tragedienne. The actress and writer E. De
Giorgi (1914-97) sent Brignone her study on E. Duse,
that allows us to focus on some distinctive features of
Duse’s acting, dividing the actress from the myth
Genotyping for guiding drug choise in human immunodeficiency virus-infected children failling multiple antiretroviral treatment regimens
No full textAuthor and Authority. John Gielgud's Prospero in Peter Greenway's "Prospero's Books"
No full textIn 1991, film director Peter Greenaway turned William Shakespeare’s "The Tempest" into an experimental and visually daring film called "Prospero’s Books", starring John Gielgud as Prospero. Shot on 35mm film and edited making extensive use of electronic image processing, "Prospero’s Books" is a technologically advanced phantasmagoria that reveals the multiple aspects of Shakespeare's meta-masque. In the film, Gielgud voices all the characters, thus turning "The Tempest" into a creative act that unravels inside Prospero’s own mind. This way, "Prospero’s Books" questions the roles of the author, the actor and the director, taking "The Tempest" as a pre-text to a meta-linguistic meditation
Teatranti di razza. Intervista a Pamela Villoresi
No full textUna delle più importanti attrici del teatro italiano,
Pamela Villoresi, racconta il suo rapporto con Eleonora Duse, dialogando con Maria Letizia Compatangelo, autrice del monologo La musica dell’anima. Ritratto di Eleonora Duse, che da alcuni anni interpreta con successo in teatro. Dalla giovanile attrazione istintiva verso il “personaggio Duse” alla comprensione matura del valore delle sue innovazioni
nel campo della recitazione. Confronti, eredità, insegnamenti: due epoche diverse, ma lo stesso impegno
totalizzante verso il teatro.One of the most important actresses of the Italian
theatre, Pamela Villoresi, talks about her relationship with Eleonora Duse. She is in conversation with
Maria Letizia Compatangelo, author of the monologue La musica dell’anima. Ritratto di Eleonora
Duse, successfully interpreted for some years. Villoresi’s talk is from her youthful instinctive attraction to the “Duse character”, to her mature understanding of the value of her innovations in the field
of acting. Comparisons, legacies, teachings: two different periods, but the same all-encompassing commitment to the theatre
Author and Authority. John Gielgud's Prospero in Peter Greenway's "Prospero's Books"
No full textIn 1991, film director Peter Greenaway turned William Shakespeare’s "The Tempest" into an experimental and visually daring film called "Prospero’s Books", starring John Gielgud as Prospero. Shot on 35mm film and edited making extensive use of electronic image processing, "Prospero’s Books" is a technologically advanced phantasmagoria that reveals the multiple aspects of Shakespeare's meta-masque. In the film, Gielgud voices all the characters, thus turning "The Tempest" into a creative act that unravels inside Prospero’s own mind. This way, "Prospero’s Books" questions the roles of the author, the actor and the director, taking "The Tempest" as a pre-text to a meta-linguistic meditation
The Insistence of God: A Theology of Perhaps
No full textTitle: The insistence of God: a theology of perhaps. Author: John D Caputo. Publisher: Bloomington : Indiana University Press, 2013. ISBN: 978025301010
Preaching Fools: The Gospel as a Rhetoric of Folly
No full textPreaching fools: the Gospel as a rhetoric of folly. Author: Charles L Campbell; Johan Cilliers. Publisher: Waco, Tex. : Baylor University Press, ©2012. ISBN: 978160258367
