17,391 research outputs found
Letter from R.M. Jones to Laurence L. Doggett, ca. Jan. 15, 1916
No full textA letter from R.M. (Roland Moore) Jones to Laurence L. Doggett, ca. Jan. 15, 1916. In the letter, Jones thanks Doggett for coming to an arrangement for his loan and says that he will be leaving for France in the morning.Roland Moore Jones graduated from the secretarial program at Springfield College in 1916. He immediately enlisted in the Canadian army medical corps and was killed-in-action at Vimy ridge on October 10, 1917.The date given on the letter is not entirely clear as it seems that the 6 in 1916 was scrawled over by what looks like a 7
Letter from R.M. Jones to Laurence L. Doggett, ca. Jan. 15, 1916
No full textA letter from R.M. (Roland Moore) Jones to Laurence L. Doggett, ca. Jan. 15, 1916. In the letter, Jones thanks Doggett for coming to an arrangement for his loan and says that he will be leaving for France in the morning.Roland Moore Jones graduated from the secretarial program at Springfield College in 1916. He immediately enlisted in the Canadian army medical corps and was killed-in-action at Vimy ridge on October 10, 1917.The date given on the letter is not entirely clear as it seems that the 6 in 1916 was scrawled over by what looks like a 7
Jones 6
No full textSign placed on the fence surrounding the driveway of Cynthia Jones' property in Lake Isle, Alberta. 2011
Interview with Wilbur D. Jones Jr.
No full textIn this interview, author and Wilmington notable Wilbur Jones discusses his childhood and adolescence in Wilmington, his experiences in the U.S. Navy, and his long political career, which includes doing advance work for the White House under the Nixon and Ford Administrations
Unca Sam P.1
No full text14420 Unca Sam. Ute Indian, age 100 years. Painted by Gordon Cope. Photo of painting by R.M. Jones. WPA Utah Art Project
Connecting Research with Communities through Performative Social Science
No full textA pioneer in Performative Social Science, Kip Jones makes a case for the potential of arts-based social science to reach audiences and engage communities. Jones contextualises both the use of the arts in Social Science, as well as the utility of Social Science in the Arts and Humanities. The discussion turns next to examples from his own work and what happens when Art talks to Social Science and Social Science responds to Art. The benefits of such interaction and interdisciplinarity are outlined in relation to a recently completed project using multi-methods, which resulted in the production of a professional short film. In conclusion, Performative Social Science is redefined in terms of synthesis that can break down old boundaries, open up channels of communication and empower communities through engagement
“A Conversation Between Kip Jones and Patricia Leavy: Arts-Based Research, Performative Social Science and Working on the Margins.”
No full textThis paper reports a conversation between international pioneers in Arts-Based Research and Performative Social Science, Patricia Leavy and Kip Jones. They begin by delineating the differences between research and/or dissemination that use tools from the Arts in their production. Leavy turns to her fiction writing as an example, while Jones discusses the making of his research-based short film, Rufus Stone. The conversation then turns to how these novel approaches have changed the way in which they work and these efforts in relation to the academy. The concept of “audience” is raised. Both then give examples of taking alternative routes in their career paths and funding for this kind of work. Jones specifically talks about using creativity in all our approaches, including small-scale projects that rely on creativity rather than money. He suggests being creative in the ways in which we write for publication and present our work to other academics. Leavy ends the conversation by discussing taking risks and walking through fear. Jones recommends not working in silos, but letting all parts of our lives influence our outputs
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