2,449 research outputs found
Jost Heer s/m R. Rahn zur freundl. Erg
Dedikationssilhouette nach rechts von Jost Heer, gewidmet Johann Rudolf Rahn (1841-1912)Anonyme/r Künstler/inHandschriftliche Widmung unterhalb des Porträts "Jost Heer s[eine]m R. Rahn zur freundl[ichen] Er[innerun]g
Heer David M. — Society and Population
Pr. R. Heer David M. — Society and Population. In: Population, 24ᵉ année, n°3, 1969. p. 575
Heer David M. — Society and Population
Pr. R. Heer David M. — Society and Population. In: Population, 24ᵉ année, n°3, 1969. p. 575
Heer s/m Hilty zu. fr. Erinnerung
Dedikationssilhouette nach rechts von einem Studenten namens Heer, gewidmet Johann Ulrich Hilty (1827-1906)Anonyme/r Künstler/inHandschriftliche Widmung unterhalb des Bildes "Heer s[eine]m Hilty zu[r] fr[eundlichen] Erinnerung
Wie soll Oesterreichs Heer organisiert sein?
WIE SOLL OESTERREICHS HEER ORGANISIERT SEIN?
Wie soll Oesterreichs Heer organisiert sein? ([1]r)
Cover ( - )
Title page ([1]r)
Inhalt ([I])
Preface ([III])
I. (1)
II. (4)
III. (7)
IV. (8)
V. (12)
VI. (14)
VII. (16)
VIII. (25)
IX. (26)
X. (32)
XI. (34)
XII. (36)
XIII. (41)
Schlusswort (44)
Druckfehler ([1]r
Eine Heer=||predigt/ Wider || den Türcken.|| Mart. Luth.||
EINE HEER=||PREDIGT/ WIDER || DEN TÜRCKEN.|| MART. LUTH.||
Eine Heer=||predigt/ Wider || den Türcken.|| Mart. Luth.|| ([1]r)
Titelseite ([1]r)
Ein Heerpredig/ Wider den Türcken ([2]r)
Abbildung ([5]r)
Der ander Teil der Heerpredigt ([20]v)
Kolophon ([36]r
Energy and fluid metabolism in microgravity
Astronauts lose body mass when exploring space. The mechanism was considered to be an upward fluid shift inducing diuresis and natriuresis (the Henry-Gauer mechanism) during the first few days in microgravity. However, recent space missions have shown that neither diuresis nor natriuresis occurs in space missions. In contrast, a sodium-retaining status was shown, which led to positive metabolic sodium balances without fluid retention. Energy intake was consistently reduced whereas energy needs were unchanged, resulting in a negative energy balance of 20%. The reasons for this are many, although proper studies on appetite regulation have not been carried out. Despite numerous countermeasures, bone mass is lost in microgravity situations. These are body composition changes that need to be challenged before humans can be sent to space for extra-long missions
Aural auteur : sound in the films of Rolf de Heer
An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of her or his films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-maker’s body of work, neglecting the potentially significant role played by sound. \ud
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The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed by Rolf de Heer, asking the question, “Does his use of sound make Rolf de Heer an aural auteur?” In so far as the term ‘aural’ encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films.\ud
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The thesis delivers an innovative outcome by demonstrating that auteur analysis that goes beyond the mise-en-scène (i.e. visuals) is productive and worthwhile as an interpretive response to film. De Heer’s use of the aural point of view and binaural sound recording, his interest in providing a ‘voice’ for marginalised people, his self-penned song lyrics, his close and early collaboration with composer Graham Tardif and sound designer Jim Currie, his ‘hands-on’ approach to sound recording and sound editing and his predilection for making films about sound are all shown to be examples of de Heer’s aural auteurism.\ud
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As well as the three published (or accepted for publication) interviews with de Heer, Tardif and Currie, the dissertation consists of seven papers refereed and published (or accepted for publication) in journals and international conference proceedings, a literature review and a unifying essay. The papers presented are close textual analyses of de Heer’s films which, when considered as a whole, support the thesis’ overall argument and serve as a comprehensive auteur analysis, the first such sustained study of his work, and the first with an emphasis on the aural
H. Heer theol. s/m H. Kesselring z. fr. Ering
Dedikationssilhouette nach links von H. Heer, gewidmet Heinrich Kesselring (1832-1919)Anonyme/r Künstler/inOben Mitte Zeichen einer studentischen VerbindungHandschriftliche Widmung unterhalb des Bildes "H. Heer theol. s[eine]m H. Kesselring z. fr. Ering.[i.e.: zur freundlichen Erinnerung]
Bibio incrassatus Heer 1849
Bibio incrassatus Heer, 1849: 221. Described from a single specimen from “k.k. montan. Cabinet” Vienna. The specimen was depicted by Heer (Pl. XVI Fig. 12) but it is difficult to tell what it is. Heer’s figure may suggest the presence of a vein R 2+3 and a vertical crossvein R-M, in which case the species should be placed in the genus Plecia, possibly as a synonym of Plecia morio. On the other hand, if this interpretation of the wing venation is incorrect, it may habitually resemble Bibio giganteus. Pongracz (1928: 183) considered Bibio morio and Bibio incrassatus as probable synonyms.Published as part of Skartveit, John & Krizmanić, Katarina, 2020, Revision of fossil Bibionidae (Insecta: Diptera) from the Miocene of Radoboj, Croatia, pp. 351-378 in Zootaxa 4759 (3) on page 369, DOI: 10.11646/zootaxa.4759.3.3, http://zenodo.org/record/374117
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