985 research outputs found

    Unnamed fiddle tune

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    fiddlesCollected by Wilkerson Fritch and others Mary Celestia Parler; Winslow, Ark. Transcribed by March, 1954 Neil Byer R e e l 2 3 2 , Item 3 (unnamed fiddle tune)Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation

    Oh, where'd you get that hat?

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    voiceCo l le c t e d by Mary C e l e s t i a P a r l e r Tr an s c r ib ed by Nei l Byer W. T. Dethero B a t e s v i l l e Apr i l 1 2 , 1955 Reel 227, Item 12 Where Did You Get That Hat? How came me with t h i s h a t , Hi t seems qui te s t r ang e and funny, Grandpa d ied and l e f t me Hi s p ro p e r ty and money, And when the w i l l was made, He s a id i t s t r a i g h t and f l a t , I f I must have h i s money, I must always wear h i s h a t . Chorus: Oh, where'd you get th a t ha t ? Where'd you g e t th a t t i e ? I s n ' t th a t a nobby one, J u s t a prope r s t y l e . I would l i k e to have one, Ju s t the same as t h a t , Everywhere I go they shout h e l l o , Oh, where'd you get th a t ha t ? I thought at the age o f twenty-one, To my sweethear t I ' d be ma r r ied, The people in the neighborhood S a id too long we'd t a r r i e d , So o f f to church we went, Determined we would wed, Hadn't been th e r e very lo n g , T i l l the pre a che r to me s a i d : Chorus Went down to the d e p o t , To t ake a wedding t o u r , Been on board the t r a i n A h a l f an hour or more, The conductor came a long , I'm t e l l i n g you s t r a i g h t and f l a t , The very f i r s t th ing he s a id to me Was where'd you g e t th a t ha t ? ChorusFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation

    Too late for the sugaro tea

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    voiceCo l le c t e d by Mary C e l e s t i a P a r l e r ; Tr an s c r ib ed by Ne i l Byer W. T. Dethero B a t e s v i l l e Apr i l 12, 1955 Reel 227, Item 2 Sugar -0 Tea ( " . . . I t ' s slow, and the g i r l s and boys f a c e s one anothe r , about f i v e f e e t a p a r t . And t h e r e ' s one couple s t a r t s in below and they promenades up, and back the second t ime , then they a l l begin to swing on the corner . And a f t e r a whi le , they a l l run away. I t ' s c a l l e d Sug a r -O T e a . " ) Too l a t e fo r the suga r -o t e a , Too l a t e fo r the candy- o , Too l a t e fo r the suga r -o t e a , Too l a t e f o r the candy-o. You turn down th a t suga r -o t e a , And I ' l l turn down the candy-o, You turn down th a t sugar -o t e a , And I ' l l turn down the candy-o. ( r e p e a t four l i n e s twic e ) You run away with the sugar-o t e a , And I ' l l run away with the candy-o, You run away wi th the suga r -o t e a , And I ' l l run away with the candy-o. ( r e p e a t four l i n e s )Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation

    Talk: Autobiography

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    Co l le c t e d by Mary C e l e s t i a P a r l e r ; Tr an s c r ib ed by Ne i l Byer T. W. Dethero B a t e s v i l l e Apr i l 12, 1955 Reel 227, Item 15 Autobiography ( " . . .Y o u people may want to know where I was born. I was borned in two mi le s south o f Ma r sh f ie ld , Mi s so u r i . But we l i v e d the r e only a y e a r , and we moved down to La F i t t e County, r i g h t on the d iv id e between the Gasconne and the ( ? ) Creek, and r i g h t in the edge o f Camp Bennet wood. But I was r a i s e d the r e t i l l l a ck ed three months o f being th i r t e e n y e a r s o ld , and we a l l moved to Arkansas . Then we s tayed a ye a r and we went back. From then on I went backwards and forwards from Arkansas , then We s t , to Colorado and othe r p l a c e s fo r s e v e r a l y e a r s . And in 19 and o2 I come to Arkansas and got mar r ied to a Arkansas g i r l , and I 'v e been l i v i n g with her now fo r 52 ye a r s and I s t i l l got a l l the h a i r on my head y e t . . . . I ' v e r a i s e d fou r ch i ld r en , two boys and two g i r l s , and I served in the Arkansas L e g i s l a t u r e . . . i n 1933. . . .Lived r i g h t in one p l a c e where I am now fo r f i f t y y e a r s . I rented the f i r s t two y e a r s I was m a r r i e d . . . . ( " . . . . I always opened my door s fo r the young f o l k s . I ' ve been fond of the young f o l k s , more in t e r e s t e d in them than anyone e l s e , and I always open my doors fo r those o ld p l a y p a r t i e s , and every once in a while a square dance. ( " . . . .A n d so I kept th e s e a l i v e . T h a t ' s one rea son why I s t i l l remember 'em y e t , because I d id n ' t want 'em to go out o f d a t e . The Arkansas Gazet te one time th a t p o s t e r i t y would owe a d e bt to the one th a t p r e s e rv e d the s e old song s , and I 'v e been t r y in g to do t h a t . " )Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation

    Talk: The blab school

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    C o l le c t e d by W. T. Dethero Mary C e l e s t i a P a r l e r ; B a t e s v i l l e , Ark. Tr an s c r ib ed by Apr i l 13, 1955 Nei l Byer Reel 228, Item 5 The Blab School . . . a way back yonder a hunderd y e a r s ago, they had blab s ch o o l s . Everybody had to study t h e i r l e s s o n out lo u d . I f you was a - s tu d y in ' your r e ad ing l e s s o n you had to say i t out loud, and i f i t was your s p e l l i n ' l e s s o n i t was the same way. So they had a young fe l low te a ching s ch o o l , and he was keeping company with a g i r l named Sarah Smith. So one day there was some company come in to v i s i t the s cho o l . And the r e was one o ld boy, he was so in t e r e s t e d he qui t h i s s p e l l i n ' . And the te a che r s a id to him, "Get to work over th e r e . Go to s p e l l i n g . " He s p e l l e d a few words and q u i t , and the t e a ch e r t o ld him to g e t to work and s p e l l , in s t e a d o f s i t t i n ' th e r e l i s t e n i n ' . And he q ui t again d i r e c t l y , s p e l l e d a few words and then q u i t . And d i r e c t l y the t e a ch e r reached over and h i t him on the head and s a i d , "You g e t to work, t h e r e . " He s a i d , " B- a - n - g , bang, c - a -n - g , c l an g , d - a -n - g , danged o ld f o o l , you. You want to go see S a l Smith a g a in . "Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation

    And it's GLORY to know We're SAVED,

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    voiceCollected by Mary Celestia Parler; Transcribed by Neil Byer Mrs. Jim Crymes DeVall's Bluff, Ark July, 1954 Reel 202, Item 5 Some Folks Some folks jump up and down all night At a D A N C E, And on their face is great big spots Of a P A I N T. And then they go to church to show Their brand new H A T, And laugh at us because we say We're S A V E D. Chorus: And it's G L O R Y to know We're S A V E D, It's H A P P Y to tell We're F R double E; Once F O U N D In the chains of S I N, It's V I C T O R Y To know I'm Christ within. I once knew a man His name was B R O W N, He prayed for prohibition And voted R U M. He helped to put the poison In his neighbor's C U P, And then he had the brass to say He was S A V E D. Some folks drinks lots of R U M Till their nose is R E D, And stagger home in the morning To their W I F E. (Chorus)Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation

    Come all you young people, a story I've told

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    voiceCo l le c t e d by Mary C e l e s t i a P a r l e r ; Tr an s c r ib ed by Nei l dyer W. T. Dethero B a t e s v i l l e April 12, 1955 Reel 227, Item 8 Mi s sour i Song Come a l l you young p e o p le , a s to ry I 'v e t o l d , A comical s to ry I ' l l su r e ly u n fo ld , I went to Mi s sour i when I was twenty y e a r s o ld , Way down, down, way down, d i r t y down. I s topped at a p l a c e to s t a y a l l n ig h t , My b r e a k f a s t and supper I thought i t ' s a l l r i g h t , The t a b l e was s e t and the knicknacks sp r e ad, With hoecakes and hominy and a pos sum' s head, Way down, down, way down, d i r t y down. When supper was over and a l l had f e d , On hoecake and hominy and a pos sum' s head, The straw was s t i r r e d and the sheepskin sp r e a d , Now s a id the o ld man, "We' l l a l l go to bed. " Way down, down, way down, d i r t y down. I went to bed expe c t ing some e a s e , And I s c a r c e ly could s le ep fo r the l i c e and the f l e a s , The l i c e they did b i t e and the f l e a s they did c rawl , I t would never a g g r av a te any human a t a l l , Way down, down, way down, d i r t y down. I r o l l e d and I tumbled a l l the n ig h t , I kicked 'em and I cus sed 'em with a l l my might , I s c a r c e ly could s c r a t ch them as f a s t as th e y 'd b i t e , Way down, down, way down, d i r t y down. Now, o ld Mi s s o u r i , I ' l l bid you f a r ew e l l , I ' l l go back to Arkansas where I used to dwe l l , Where the g i r l s are a l l r a r in g and t e a r in g t h e i r h a i r, For the l o s s o f a t ru e love when I l e f t th e r e , Way down, down, way down, d i r t y down. ( "T h i s song on Mi s sour i was wr i t ten by a fel low by the name o f Howard in r e t a l i a t i o n fo r the one th a t was wr i t t en on A rk an s a s . " )Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation

    Hierarchikus kémiai tezaurusz készítése

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    LANDAU, H. R - BYER, W. L.: Production of a hierarchical chemical thesaurus = Journal of Chemical Information and Computer Sciences, 16. köt. 3. k. 1976. p. 141-146

    alpha-l-Iduronidase transduced mesenchymal stem cells improve the behavioral deficits in mucopolysaccharidosis type I mice

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    Abstract not availableMatilda R. Jackson, Ainslie L.K. Derrick Roberts, Stan Gronthos, Sharon Byer
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