985 research outputs found
Unnamed fiddle tune
fiddlesCollected by Wilkerson Fritch and others
Mary Celestia Parler; Winslow, Ark.
Transcribed by March, 1954
Neil Byer
R e e l 2 3 2 , Item 3
(unnamed fiddle tune)Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Oh, where'd you get that hat?
voiceCo l le c t e d by
Mary C e l e s t i a P a r l e r
Tr an s c r ib ed by
Nei l Byer
W. T. Dethero
B a t e s v i l l e
Apr i l 1 2 , 1955
Reel 227, Item 12
Where Did You Get That Hat?
How came me with t h i s h a t ,
Hi t seems qui te s t r ang e and funny,
Grandpa d ied and l e f t me
Hi s p ro p e r ty and money,
And when the w i l l was made,
He s a id i t s t r a i g h t and f l a t ,
I f I must have h i s money,
I must always wear h i s h a t .
Chorus: Oh, where'd you get th a t ha t ?
Where'd you g e t th a t t i e ?
I s n ' t th a t a nobby one,
J u s t a prope r s t y l e .
I would l i k e to have one,
Ju s t the same as t h a t ,
Everywhere I go they shout h e l l o ,
Oh, where'd you get th a t ha t ?
I thought at the age o f twenty-one,
To my sweethear t I ' d be ma r r ied,
The people in the neighborhood
S a id too long we'd t a r r i e d ,
So o f f to church we went,
Determined we would wed,
Hadn't been th e r e very lo n g ,
T i l l the pre a che r to me s a i d :
Chorus
Went down to the d e p o t ,
To t ake a wedding t o u r ,
Been on board the t r a i n
A h a l f an hour or more,
The conductor came a long ,
I'm t e l l i n g you s t r a i g h t and f l a t ,
The very f i r s t th ing he s a id to me
Was where'd you g e t th a t ha t ?
ChorusFunding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Too late for the sugaro tea
voiceCo l le c t e d by
Mary C e l e s t i a P a r l e r ;
Tr an s c r ib ed by
Ne i l Byer
W. T. Dethero
B a t e s v i l l e
Apr i l 12, 1955
Reel 227, Item 2
Sugar -0 Tea
( " . . . I t ' s slow, and the g i r l s and boys f a c e s one
anothe r , about f i v e f e e t a p a r t . And t h e r e ' s one couple
s t a r t s in below and they promenades up, and back the
second t ime , then they a l l begin to swing on the corner .
And a f t e r a whi le , they a l l run away. I t ' s c a l l e d
Sug a r -O T e a . " )
Too l a t e fo r the suga r -o t e a ,
Too l a t e fo r the candy- o ,
Too l a t e fo r the suga r -o t e a ,
Too l a t e f o r the candy-o.
You turn down th a t suga r -o t e a ,
And I ' l l turn down the candy-o,
You turn down th a t sugar -o t e a ,
And I ' l l turn down the candy-o.
( r e p e a t four l i n e s twic e )
You run away with the sugar-o t e a ,
And I ' l l run away with the candy-o,
You run away wi th the suga r -o t e a ,
And I ' l l run away with the candy-o.
( r e p e a t four l i n e s )Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Talk: Autobiography
Co l le c t e d by
Mary C e l e s t i a P a r l e r ;
Tr an s c r ib ed by
Ne i l Byer
T. W. Dethero
B a t e s v i l l e
Apr i l 12, 1955
Reel 227, Item 15
Autobiography
( " . . .Y o u people may want to know where I was born. I was
borned in two mi le s south o f Ma r sh f ie ld , Mi s so u r i . But
we l i v e d the r e only a y e a r , and we moved down to La F i t t e
County, r i g h t on the d iv id e between the Gasconne and the
( ? ) Creek, and r i g h t in the edge o f Camp Bennet wood. But
I was r a i s e d the r e t i l l l a ck ed three months o f being
th i r t e e n y e a r s o ld , and we a l l moved to Arkansas . Then we
s tayed a ye a r and we went back. From then on I went backwards
and forwards from Arkansas , then We s t , to Colorado and othe r
p l a c e s fo r s e v e r a l y e a r s . And in 19 and o2 I come to
Arkansas and got mar r ied to a Arkansas g i r l , and I 'v e
been l i v i n g with her now fo r 52 ye a r s and I s t i l l got a l l
the h a i r on my head y e t . . . . I ' v e r a i s e d fou r ch i ld r en , two
boys and two g i r l s , and I served in the Arkansas
L e g i s l a t u r e . . . i n 1933. . . .Lived r i g h t in one p l a c e where I
am now fo r f i f t y y e a r s . I rented the f i r s t two y e a r s I
was m a r r i e d . . . .
( " . . . . I always opened my door s fo r the young f o l k s . I ' ve
been fond of the young f o l k s , more in t e r e s t e d in them than
anyone e l s e , and I always open my doors fo r those o ld
p l a y p a r t i e s , and every once in a while a square dance.
( " . . . .A n d so I kept th e s e a l i v e . T h a t ' s one rea son why I s t i l l
remember 'em y e t , because I d id n ' t want 'em to go out o f
d a t e . The Arkansas Gazet te one time th a t p o s t e r i t y would
owe a d e bt to the one th a t p r e s e rv e d the s e old song s , and
I 'v e been t r y in g to do t h a t . " )Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Talk: The blab school
C o l le c t e d by W. T. Dethero
Mary C e l e s t i a P a r l e r ; B a t e s v i l l e , Ark.
Tr an s c r ib ed by Apr i l 13, 1955
Nei l Byer
Reel 228, Item 5
The Blab School
. . . a way back yonder a hunderd y e a r s ago, they had
blab s ch o o l s . Everybody had to study t h e i r l e s s o n out
lo u d . I f you was a - s tu d y in ' your r e ad ing l e s s o n you
had to say i t out loud, and i f i t was your s p e l l i n ' l e s s o n
i t was the same way. So they had a young fe l low te a ching
s ch o o l , and he was keeping company with a g i r l named
Sarah Smith. So one day there was some company come in
to v i s i t the s cho o l . And the r e was one o ld boy, he was
so in t e r e s t e d he qui t h i s s p e l l i n ' . And the te a che r
s a id to him, "Get to work over th e r e . Go to s p e l l i n g . "
He s p e l l e d a few words and q u i t , and the t e a ch e r t o ld
him to g e t to work and s p e l l , in s t e a d o f s i t t i n '
th e r e l i s t e n i n ' . And he q ui t again d i r e c t l y , s p e l l e d a
few words and then q u i t . And d i r e c t l y the t e a ch e r reached
over and h i t him on the head and s a i d , "You g e t to work,
t h e r e . " He s a i d , " B- a - n - g , bang, c - a -n - g , c l an g , d - a -n - g ,
danged o ld f o o l , you. You want to go see S a l Smith a g a in . "Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
And it's GLORY to know We're SAVED,
voiceCollected by
Mary Celestia Parler;
Transcribed by
Neil Byer
Mrs. Jim Crymes
DeVall's Bluff, Ark
July, 1954
Reel 202, Item 5
Some Folks
Some folks jump up and down all night
At a D A N C E,
And on their face is great big spots
Of a P A I N T.
And then they go to church to show
Their brand new H A T,
And laugh at us because we say
We're S A V E D.
Chorus: And it's G L O R Y to know
We're S A V E D,
It's H A P P Y to tell
We're F R double E;
Once F O U N D
In the chains of S I N,
It's V I C T O R Y
To know I'm Christ within.
I once knew a man
His name was B R O W N,
He prayed for prohibition
And voted R U M.
He helped to put the poison
In his neighbor's C U P,
And then he had the brass to say
He was S A V E D.
Some folks drinks lots of R U M
Till their nose is R E D,
And stagger home in the morning
To their W I F E.
(Chorus)Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Come all you young people, a story I've told
voiceCo l le c t e d by
Mary C e l e s t i a P a r l e r ;
Tr an s c r ib ed by
Nei l dyer
W. T. Dethero
B a t e s v i l l e
April 12, 1955
Reel 227, Item 8
Mi s sour i Song
Come a l l you young p e o p le , a s to ry I 'v e t o l d ,
A comical s to ry I ' l l su r e ly u n fo ld ,
I went to Mi s sour i when I was twenty y e a r s o ld ,
Way down, down, way down, d i r t y down.
I s topped at a p l a c e to s t a y a l l n ig h t ,
My b r e a k f a s t and supper I thought i t ' s a l l r i g h t ,
The t a b l e was s e t and the knicknacks sp r e ad,
With hoecakes and hominy and a pos sum' s head,
Way down, down, way down, d i r t y down.
When supper was over and a l l had f e d ,
On hoecake and hominy and a pos sum' s head,
The straw was s t i r r e d and the sheepskin sp r e a d ,
Now s a id the o ld man, "We' l l a l l go to bed. "
Way down, down, way down, d i r t y down.
I went to bed expe c t ing some e a s e ,
And I s c a r c e ly could s le ep fo r the l i c e and the f l e a s ,
The l i c e they did b i t e and the f l e a s they did c rawl ,
I t would never a g g r av a te any human a t a l l ,
Way down, down, way down, d i r t y down.
I r o l l e d and I tumbled a l l the n ig h t ,
I kicked 'em and I cus sed 'em with a l l my might ,
I s c a r c e ly could s c r a t ch them as f a s t as th e y 'd b i t e ,
Way down, down, way down, d i r t y down.
Now, o ld Mi s s o u r i , I ' l l bid you f a r ew e l l ,
I ' l l go back to Arkansas where I used to dwe l l ,
Where the g i r l s are a l l r a r in g and t e a r in g t h e i r h a i r,
For the l o s s o f a t ru e love when I l e f t th e r e ,
Way down, down, way down, d i r t y down.
( "T h i s song on Mi s sour i was wr i t ten by a fel low by
the name o f Howard in r e t a l i a t i o n fo r the one th a t was
wr i t t en on A rk an s a s . " )Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Hierarchikus kémiai tezaurusz készítése
LANDAU, H. R - BYER, W. L.: Production of a hierarchical chemical thesaurus = Journal of Chemical Information and Computer Sciences, 16. köt. 3. k. 1976. p. 141-146
alpha-l-Iduronidase transduced mesenchymal stem cells improve the behavioral deficits in mucopolysaccharidosis type I mice
Abstract not availableMatilda R. Jackson, Ainslie L.K. Derrick Roberts, Stan Gronthos, Sharon Byer
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