52 research outputs found
College of Pharmacy, class of 1957
No full textComposite photograph of students in the Medical College of South Carolina, College of Pharmacy, class of 1956-1957. Students, sequenced alphabetically by surname, are pictured in rows from left to right.
Row 1: Abrahamian, H.; Aiken, H. E., Jr.; Altman, J. L.; Baker, E. M., Jr.; Batson, H. C.; Biser, C. H.; Bozeman, R. F., Jr.; Branham, H. E., Jr.; Brice, B. S.; Buxton, G. E. P.
Row 2: Carter, R. M.; Connor, L. S.; Douglas, L. W.; Eaves, S. G.; Evatt, C. W., Jr.; Fant, P. W.; Flowers, J. M., Jr.; Ford, R. B.; Fortner, B. W.; Gaillard, W. L.
Row 3: Gambrell, R. D., Jr.; Gant, L. F.; Gillespie, M. R.; Gowan, J. B.; Griffin, C. R.; Gruenberg, R. S.; Hamilton, N. M.; Hassell, T. F.; Hicks, J. F.; Hildebrand, H. Z.
Row 4: Holler, J. C., Jr.; Holman, R. E.; Hudgens, W. R.; Huggins, P. K.; Hughes, J. C.; Hutton, E.; Jenkins, A. S.; Jett, W. E.; Johnson, C. B., Jr.; Kennemore, D. E.
Row 5: King, W. W., Jr.; Lesslie, W. P.; Major, J. E.; Manos, J. P.; Manos, P. G.; Matthews, J. S.; Mauldin, D. W.; McCollum, E. E.; Mengedoht, D. E.; Merritt, M. A.
Row 6: Miller, V. T., Jr.; Moore, M. H.; Murray, C. L.; Newton, W. B., Jr.; Patrick, J. A.; Paysinger, B. D.; Platt, H. O.; Price, F. R., Jr.; Puckettee, S. E., Jr.; Raynor, L. K., Jr.
Row 7: Rentz, S. H.; Richards, A. J., Jr.; Richardson, S. N.; Riddle, C. D., Jr.; Rush, R. H.; Sanders, P. W.; Schild, A. F.; Sowell, J. M.; Sprouse, J. H., Jr.; Steuer, R. R., Jr.
Row 8: Thackston, L. P.; Thomas, R. W.; Timms, D. W.; Tollison, C. E.; Watkins, W. C.; White, w. A.; White, W. R.; Williamson, H. O.; Hood, B. J.; Wood, W
Class of 1967
No full textGraduates:Annie Mae Alston, MA -- LibrarianDonald E. Branham, MAG. W. Childs, MAErnest Allen Cleavenger, Jr., MATerry Blancett Cullom, MREJerry Leroy Daniel, MADonald R. Earwood, MREDowell Edward Flatt, MA, MThBalfour William (Bill) Goree, Jr., MA, MThR. Jack Grant, MANewton P. Gribble, MADavid G. Jones, MARichard Allen Kruse, MAWaylon Bruce Lawrence, MREPaul DuWayne Learned, MThCecil Richard May, Jr., MAHarold Glen McRay, MAWilliam Davis Medearis, MA -- Also listed in the 1961 programDon L. Meredith, MThSun Heum Park, MREMalcom Eldon Parsley, MA, MREMarvin Charles Rickett, MThWilliam Leake (Bill) Srygley, MREJack Wayland Vancil, MACharles Dwain Williamson, MAJames Simrell Woodruff, MA
Administrators & Faculty:Bill W. Flatt -- RegistrarClifton L. (Cliff) Ganus, Jr. -- President, Harding College -- AddressGeorge Gurganus -- Professor of Speech and MissionsE. H. Ijams -- Professor of Christian Education -- InvocationJack P. Lewis -- Professor of BibleG. W. (Bill) Patterson -- Associate Professor of Christian EducationPaul Rotenberry -- Associate Professor of Old Testament and Christian DoctrineJohn A. Scott, Sr. -- Assistant Professor of CounselingVelma R. West -- Assistant Professor of GreekW. B. West, Jr. -- Dean and Professor of Bible
Guests:Richard D. Fuller -- Secretary, Board of TrusteesHouston T. Karnes -- Chairman, Board of TrusteesJack Parks -- Song leaderLeon B. SandersonBob Sullins -- Director, Harding Academy of Memphis ChorusE. L. Whitaker -- Minister, Knight Arnold Church of Christ -- Benedictionhttps://scholarworks.harding.edu/hst-graduates/1003/thumbnail.jp
ORBIT OF COMET C/1853 E1 (SECCHI)
No full textEl Cometa C/1853 E1 (Secchi) es uno dentro de un numeroso grupo de cometas conórbitas parabólicas. Puesto que hay suficientes observaciones del cometa, 91 en ascensión recta y el mismo número en declinación, se puede mejorar laórbita. Laórbita del cometa Secchi es hiperbólica, la más hiperbólica de cualquier cometa salvo C/1980 E1 (Bowell). El cometa Secchi no está asociado de ninguna manera con el Cometa C/1664 W1. ABSTRACT Comet C/1853 E1 (Secchi) is one of a large number of comets with parabolic orbits. Given that there are sufficient observations of the comet, 91 in right ascension and the same number in declination, it proves possible to calculate a better orbit. Comet Secchi's orbit is hyperbolic, the most hyperbolic of any comet except C/1980 E1 (Bowell). Comet Secchi is in no way associated with Comet C/1664 W1
1919-1920 Pikeville College Newsletter 31
No full text30
Adkins, Addie
Adkins, Dan
Adkins, Earl
Adkins, Lincoln
Adkins, Perry
Adkins, Squanto
Aldridge, Jes se
Allen, C lovie
Allen, Leabern
Allen, Vivian
A mick, Joe
Anderson, May
A rrington, Flossi.:
As hley, Harold
Auxier, Frank Bell
~A uxi e r, Julian
Auxier, Weir
Bales, Elizabeth
Bales, Robert
Ball, Clyde
Barnes, Bar1bara
Barnes, Bert
Bartley, Dixie
Barrett, Ruth
Beavers, Henry
Belcher, Maxie
Belcher, Opal
Belcher, Tishie
-Belcher, Tuck
Belknap, Lorice
Bentley, James
Bentley, John
Bentley, Wi liam, Jr.
Beran, John
Bevins, S. R.
Biliter, John
Blacwburn, Ammie
. Bodenheimer, Viola
Bowles, Harrison
Bowles, Josephine
PIKEVILLE COLLEGE
LIST OF STUDENTS.
Branham, John
Branha;n, L n.
Brooks, Doris
Burke. Andrew
Burke, Billie
Burke, Lulu
Blm!kt'1, W!illiam
Caldwell, Anna Sue
Call, Edith Lora
Call, Hugh
Call, John George
Campbell, Ruth
Campbell , Paul
Casebolt, Viola
C astle, Bessie
Castle, Octavia
Chandler, Martha
Chaney, Fred
Chaney, Herbert
Cheek, Gertrude
Childers, Elmo
Clarke, Herbert
Clarke, Orville
Clevenger, Otta
Cline, Genivieve
Cline, John, Jr.
Cline, Pearl
Cobern, Myrtle
Coleman, Edith
Coleman, Ernest
Coleman, Glenn
Coleman, Kathleen
Coleman, Whitton
Compton, Emma
Compton, Sadie
Conn, Ewart
Cornett, Margaret
Crawford, Lena
Crawford, Rachel
Crawford, .S·ara
Culbertson , Anna
Cu lbertson, Irene
Dam ron, Balian.:'
Damron, Orvill e
Daniels, A. H.
Darl)y, Anna
Daves, Elizabeth
Davis, Clarence
Daugherty, Bessie
Day. Harman ·
Day, Thomas
Dempsey, Marie
Deskins, Anna b
Deskins, Beulah
Deskins, Ruth
D onaldson, Kyle
Donaldson, Merle
Doolan, Clara G.
Dotson ; Donald
D otson, Nella
Dotson, Pearl
Eibert, Barbara
Elliott, Nancy
Elswick, Dolly
EJstep, Cora
Estep, Lottie
·Evans, Bowes
Evans, Gertrude
E.vans, Jane
Finley, Lena
Fitzpatrick, Edit}l
Ford, Flora
Ford, Harry
Ford, Irene
France, Josephine
Gantz, Bryant
Gantz, Katharine
Garrard, Rudell
Gearheart, Austria
Gearheart, Margare
Printmakers Select Printmaker (Exhibition Catalogue)
No full textExhibition catalogue produced to accompany Printmakers Select Printmakers at the Art and Architecture Gallery, University of Tennessee, Knoxville. The exhibition was initiated by University of Tennessee printmaking professor Byron McKeeby, who died before its completion. The exhibition and catalogue are dedicated to his memory.
This exhibition was organized to represent a cross section of contemporary printmaking in universities throughout the United States. Professors of printmaking from twenty institutions were invited to submit both a print of their own and prints by two of their outstanding students.
Exhibitors were: Judy humphrey, Win Faulkner, Carol Susann Wehunt, Wayne Kimball, T. Christison, Evan Lindquist, Cynthia Livingstonm Toni Unrein, Dick Swift, Kent Hattersley, Lydia Kawasaki, Steve Cortright, Keith Schneider, Mary Ann Bonjorni, Richard Black, Cathy Jacobi, MaryDornenburg, Tom Hammond, Katie Davis, Susan Roberts,Fred Wessell, Lauri Spzak, Ellen Toti, Wendy Calman, James Kechbiel, Gerry Wubben, Keith Achepohl, Seok Chng, Kohn Calwelti, Cima Kat, Dan Kirchhefer, Branham Rendlen, John Whitsell, Deborah L. Havens, Ken Reker, John L. Winters, Mark Byzewski, Robert Ring, Thomas Mawrocki, Helen Bullen, Kelly Kriszamer, Francis Noel, Pam Longobardi, Jane Abrams, Jill Preiser, Pauline Sanchez, Lloyd R. Menard, Bill Greiner, Johntimothy Pizzuto, Judy Youngblood, Rhae Burden, John McAlpin, Charles Masey Jr., Fredrik Marsh, Henry McGee, Mark W. Anderson, Diego P. Sanchez
The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.
No full textContemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically
Modelling the Genetic Risk in Age-Related Macular Degeneration
No full textLate-stage age-related macular degeneration (AMD) is a common sight-threatening disease of the central retina affecting approximately 1 in 30 Caucasians. Besides age and smoking, genetic variants from several gene loci have reproducibly been associated with this condition and likely explain a large proportion of disease. Here, we developed a genetic risk score (GRS) for AMD based on 13 risk variants from eight gene loci. The model exhibited good discriminative accuracy, area-under-curve (AUC) of the receiver-operating characteristic of 0.820, which was confirmed in a cross-validation approach. Noteworthy, younger AMD patients aged below 75 had a significantly higher mean GRS (1.87, 95% CI: 1.69-2.05) than patients aged 75 and above (1.45, 95% CI: 1.36-1.54). Based on five equally sized GRS intervals, we present a risk classification with a relative AMD risk of 64.0 (95% CI: 14.11-1131.96) for individuals in the highest category (GRS 3.44-5.18, 0.5% of the general population) compared to subjects with the most common genetic background (GRS -0.05-1.70, 40.2% of general population). The highest GRS category identifies AMD patients with a sensitivity of 7.9% and a specificity of 99.9% when compared to the four lower categories. Modeling a general population around 85 years of age, 87.4% of individuals in the highest GRS category would be expected to develop AMD by that age. In contrast, only 2.2% of individuals in the two lowest GRS categories which represent almost 50% of the general population are expected to manifest AMD. Our findings underscore the large proportion of AMD cases explained by genetics particularly for younger AMD patients. The five-category risk classification could be useful for therapeutic stratification or for diagnostic testing purposes once preventive treatment is available
Why bios? : on the relationship between gospel genre and implied audience
No full textThis thesis addresses the gap in the scholarly record pertaining to the explicit relationship between gospel genre and implied audience. This thesis challenges the consensus that the canonical gospels were written to/for individual communities/churches and that these documents (gospels) address the specific historical/social circumstances of each community. It is argued in the thesis that the Evangelists chose the genre of biography because it was the genre that was best suited to present the words and deeds of Jesus to the largest possible audience. The central thesis is supported by four lines of evidence: two external and two internal (Chapters 3-6). Furthermore, the thesis is bolstered by a new typology for Greco-Roman biography that arranges the biographical examples within a relational matrix.
Chapter 2 is integral to the main thesis of this dissertation in that it proposes nuanced language capable of being applied to specific kinds of biographies with the emphasis on the relationship to implied audience. Chapter 2 sets the boundaries of the discussion of genre as a vital factor in potentially determining audience as well as raising the important consideration that genres are representative of authorial choice and intent.
Chapters 3 and 4 take up the discussion of the two lines of external evidence pertinent to placing the Gospels within the relational typology proposed in chapter 2. Chapter 3 supports the main argument of the thesis in that it demonstrates that the earliest Christian interpreters of the Gospels did not understand them to be sectarian documents written specifically to and/or for specific sectarian Christian communities. The second line of external evidence, taken up in chapter 4, deals with the wider context of Jesus literature in the second/third century. We argue that these texts, if any of them are indeed biographies, were part of the wider Christian practice of writing and disseminating literary presentations of Jesus and Jesus traditions.
Chapters 5 and 6 address the lines of internal evidence and chapter 5 deals specifically with the difficulty in reconstructing the various gospel communities that might lie behind the gospel texts. It is argued that the genre of biography does not allow us to reconstruct these communities with any detail. Finally, chapter 6 is concerned with the ‘all nations’ motif present in all four of the canonical gospels. The ‘all nations’ and ‘sending’ motifs in the Gospels suggest an evangelistic tone for the Gospels and further suggest an ideal secondary audience beyond those who could be identified as Christian
Advances in biotechnology and informatics to link variation in the genome to phenotypes in plants and animals
No full textAdvances in our understanding of genome structure provide consistent evidence for the existence of a core genome representing species classically defined by phenotype, as well as conditionally dispensable components of the genome that shows extensive variation between individuals of a given species. Generally, conservation of phenotypic features between species reflects conserved features of the genome; however, this is evidently not necessarily always the case as demonstrated by the analysis of the tunicate chordate Oikopleura dioica. In both plants and animals, the methylation activity of DNA and histones continues to present new variables for modifying (eventually) the phenotype of an organism and provides for structural variation that builds on the point mutations, rearrangements, indels, and amplification of retrotransposable elements traditionally considered. The translation of the advances in the structure/function analysis of the genome to industry is facilitated through the capture of research outputs in "toolboxes" that remain accessible in the public domain
The world is changing: ethics and genre development in three twentieth-century high fantasies.
No full textThis thesis examines three genre high fantasy texts published between 1954 and 2001: J. R. R. Tolkien’s 'The Lord of the Rings', Ursula K. Le Guin’s 'Earthsea' cycle and Patricia A. McKillip’s 'The Riddle-Master’s Game'. The emphasis is on examining how the three texts use a common set of structures to articulate a developing argument about forms of human engagement with the physical world in the face of environmental crisis.
Using theories of literary ecology and narrative paradigm, I examine the common structure shared by the three high fantasies and the weight of ethical implications it carries. The texts position the transcendent impulse of the mode of tragedy, and the behaviour it generates, as the source of crisis, and posit as a solution to the problem the integrative ethic characteristic of the comedic mode. They argue that a transition between these two ethics is necessary for the continued survival of the Secondary World. This thesis examines each text’s use of narrative paradigm to articulate methods by which this ethical transition may be achieved.
An argumentative trend is documented across the three fantasies through the representation of situation, problem and solution. In each text, as the Secondary World becomes more completely a closed physical system, the source of the solution to the problem caused by the transcendent presence and the achievement of ethical transition are both relocated within the control of human actors. The three fantasies express a gradual movement toward the acceptance of not only human responsibility for, but the necessity for action to remedy, the damaged state of the world.
I argue that the texts’ dominant concern is with the human relationship with and to context. Indeed, I argue that the three fantasies reflect the developing understanding of the human role in not only precipitating, but responding to, environmental crisis, and may function as both a reflection of and an intervention in that crisis.Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 200
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