199,034 research outputs found
Notes on the bryophyte flora and vegetation of the central and south-western Balkans.
No full textPuglisi, M., Campisi, P., laku.i., D., surina, B., Di Pietro, R., Privitera, M. Notes on the bryophyte flora and vegetation of the central and south-western Balkans. Lazaroa 34: 107-116 (2013). A study on the bryophyte flora and vegetation was carried out in the mountains at the boundary between Albania, Macedonia and Montenegro. The study area included Maja and jezerces massif (Prokletije mts., sE Dinaric Alps) and Mt korab (Šar-Pindos Range) in Macedonia. several records for the bryological flora of Macedonia and Albania are reported. In particular Scapania cuspiduligera and Distichium inclinatum are new records for the Albanian flora. In addition some bryophytic and bryo-chormophytic associations belonging to the phytosociological classes Ctenidietea mollusci and Montio fontanae-Cardaminetea amarae are reported too. © 2013. Universidad Complutense de Madrid
‘The Natural and the Jeweler’. Note su Ira Gershwin
No full textIl saggio si occupa del modo in cui Ira Gershwin scriveva i testi per le canzoni del fratello George. Nella prima parte viene approfondito il fatto che, nell'attività dei songwriter americani, la musica precede il testo. Nella seconda parte vengono esaminate le caratteristiche più salienti delle personalità artistiche di George e di Ira Gershwin. Nella terza parte viene proposta l'analisi di due pezzi esemplari composti dai due fratelli: "They can't take that away from me" e "Love walked in"
‘Guilbert juge de Jean-Jacques’ ovvero Yvette interpreta Rousseau
No full textNell'articolo vengono presi in esame i due arrangiamenti di arie di Jean-Jacques Rousseau che il musicista ginevrino Gustave Ferrari ha fatto per la cantante parigina Yvette Guilbert, nei primi anni dieci del Novecento. Nella prima parte viene presentata la personalità di Yvette Guilbert, e come questa sia pervenuta alle musiche di Rousseau. Nella seconda parte vengono proposte analisi comparate delle composizioni originali di Rousseau e degli arrangiamenti di Ferrari: in questi ultimi le melodie originali sono rispettate (pur con qualche manipolazione nella distribuzione dei testi fra le strofe) e invece sono modificati gli accompagnamenti, che rispettano un certo gusto dell'originale, rivisitato però alla luce del gusto musicale parigino di inizio secolo
DeepLabCut network for pupillometry analysis (Privitera et al. 2020)
No full textNetwork trained for Privitera et al. 2020. Used for the analysis of pupillometry video files using an infrared camera and anesthetized mice</p
Un musico peregrino
No full textIl saggio discute uno scritto del compositore modenese Orazio Vecchi (1550-1605) dedicato ad un pellegrinaggio a Loreto fatto dalla Compagnia di S. Gemignano di Modena nel 1595, all'interno del quale egli ricoprì il ruolo di maestro di cappella. Il volumetto di Vecchi è estremamente interessante perché offre uno spaccato della vita musicale nel tardo Cinquecento. La discussione evidenzia gli elementi più interessanti della narrazione, mettendoli in relazione con la conoscenza che abbiamo della musica cinquecentesca, e con le più recenti acquisizioni della ricerca musicologica
First bryosociological remarks from Puglia region
No full textIn the ambit of a large phytosociological survey on the vegetation of the Puglia region, for a more complete knowledge of the territory and comprehensive environmental characterization, the Authors have considered to extend the study to the bryophyte vegetation, reporting here the first results. They are some bryophyte associations, for the first time reported for the Puglia region for which to date no bryosociological data is known. The communities are referred to the phytosociological classes Pleurochaeto squarrosae-Abietinelletea abietinae Marstaller 2002, Barbuletea unguiculatae Mohan 1978 and Ctenietea mollusci v. Hübschmann ex Grgi? 1980. In particular, within the class Pleurochaeto squarrosae-Abietinelletea abietinae the association Pleurochaeto squarrosae-Cheilotheletum chloropi Privitera & Puglisi 1996 was detected. It is a terricolous, meso-xerophilous, photo-sciophilous association characterized by Cheilothela chloropus, an oceanic Mediterranean species occurring with a very high cover value, sometimes tending to form monophytic conenoses. The community was found in the Southern part of the Puglia region, in some areas of the so called "Alto-Salento" and precisely at Ostuni (Costone S. Biagio), Grottaglie (Taranto) and Ravines of Fantiano (Taranto), in correspondence of garrigues characterized by Thymbra capitata referable to the Helianthemo jonii-Thymetum capitati Biondi & Guerra 2008 of the class Cisto cretici-Micromerietea julianae Oberdorfer 1954 ex Horvati? 1958. To date the association Pleurochaeto squarrosae-Cheilotheletum chloropi is known only for Sicily; therefore, it is here reported for the first time from the Italian Peninsula. Weissietum controversae Marstaller 1988 is included in the alliance Grimaldion fragrantis ?marda et Hadàc 1944 of the class Barbuletea unguiculatae. It is a terricolous, photo-sciophilous association, found at Ravines of Riggio (Taranto) in correspondence of garrigues of the Helianthemo jonii-Thymetum capitati and in the coastal area next to island La Chianca (Gargano, Foggia) in correspondence of the halotolerant garrigues of the Agropyro-Helichrysetum italici Bartolo, Brullo & Signorello 1989 of the class Helichryso-Crucianelletea maritimae (Sissingh 1974) Géhu, Rivas-Martínez & Tüxen in Géhu 1975 em. Biondi & Géhu in Géhu & Biondi 1994. Known only for Sicily Weissietum controversae, as well as Pleurochaeto squarrosae-Cheilotheletum chloropi, is signaled for the first from the Italian Peninsula. Finally, Encalypto streptocarpae-Fissidentetum cristati Neumayr 1971, referred to the class Ctenidietea mollusci, is reported. It is a chasmophytic and exochomophytic, mesophytic, sciophytic association, found on Mt. S. Angelo (Gargano, Foggia) in correspondence of garrigues characterized by Thymbra capitata and Rosmarinus officinalis of the class Cisto cretici-Micromerietea julianae. Encalypto streptocarpae-Fissidentetum cristati is already known for Trentino Alto Adige and Sicily. This study is a little contribution to the knowledge of the bryophyte vegetation, unjustly neglected for a long time in Italy, as well as in many other European Countries, despite it provides useful, relevant environmental information
L'ombra lunga di Zarlino
No full text"The long shadow of Zarlino" · The first part is devoted to high¬lighting the special relevance modes have in Zarlino’s writings, where they are considered as “the forms of the compositions”. Zarlino reconsid¬ers, revises, and reorganizes modes from book to book. A crucial point is in the Dimostrationi Harmoniche (1571), with the proposal of a new modal order that no longer begins with D but rather with C. Zarlino wants to convince his readers that this new order is more rational and coherent than the previous one, since all the species of the perfect intervals (diapa¬son, diapente, diatessaron) now start from the same note, C. Moreover, the sequence of the finales finally coincides with the exhacord. To support the new modal order Zarlino places Willaert among the interlocutors of the Dimostrationi and makes him say that the new order is useful and necessary.
The second part outlines how Zarlino relates to his fellow disciples Vi¬centino and Cipriano (they had all been pupils of Willaert) and Glarean. Vicentino is addressed very polemically in the Institutioni Harmoniche, where he is mentioned not by his own name but as “Chromatist”. His attitude towards Cipriano is a little ambiguous : Zarlino quotes him just twice in the Institutioni and once in the Dimostrationi, that is not much for such an important master. As far as Glarean is concerned, Zarlino was indebted to his Dodekachordon for the twelve-mode system, but he avoids mentioning him until he feels compelled by Galilei’s writings to recall his name in the Sopplimenti.
The last part contains short discussions of each of the contributions collected in this volume
Competition, Cultural Geography, and Tonal Space in the Book of Madrigals L’Amorosa Ero (1588)
No full textStudio storico e analitico sull'edizione collettiva madrigalesca "L'Amorosa Ero" (1588) promossa dal conte bresciano Marc'Antonio Martinengo di Villachiara con la partecipazione di celebri compositori, tra cui Marenzio, Luzzaschi, Ingegneri e Merulo
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