1,699 research outputs found
Rudolf Otto filosofo della religione
No full textLo straordinario successo del Sacro (1917), che ha reso celebre Rudolf Otto, ha provocato, per contraccolpo, la diffusione di una figura stilizzata dell’autore, impoverita dall’oblio toccato al resto della sua produzione e da letture parziali e semplificative. Una ricostruzione genetica del modo in cui Otto impone la nozione di «heilig» nel lessico tedesco specializzato, muovendo da Lutero e opponendo al neokantismo una lettura friesiana del trascendentale, fa emergere la qualità filosofica di una teoria del religioso che rivela convergenze insospettate con la fenomenologia husserliana. The extraordinary success of The Holy (1917) made Rudolf Otto famous, but it also contributed to propagate a simplified figure of the author. The rest of his work was condemned to oblivion, which caused misleading interpretations of The Holy itself. A genetic reconstruction of the way in which Otto established the term «heilig» in the technical German proves to be fruitful. When considering his interpretation of Luther and his Fries-based opposition to a neoKantian approach to the concept of «transcendental», the philosophical relevance of Otto’s theory of religion can be fully recognized, as well as unsuspected links to Husserlian phenomenology
Rudolf Mayer
No full textThe bachelor thesis deals with the life and work of Rudolf Mayer. In the first part, attention is given to the author and the reception of his work presented in period magazines and newspapers from the poet´s death in 1945. During the second part of his work is examined in terms of literary discursivity the subjective romanticism
Rudolf Hilferding on English Mercantilism
No full textIn 1911 Rudolf Hilferding, the author of the famous book Finance Capital: A Study of the Latest Phase of Capitalist Development, published an article on the history of English mercantilism in Die neue Zeit, the theoretical organ of the Social Democratic Party of Germany edited by Karl Kautsky. The writing of the article was motivated by the publication, the previous year, of the third volume of Theories of Surplus-Value, containing Marx’s analysis of the work of Richard Jones, as well as by the simultaneous appearance of a German edition of Thomas Mun’s England’s Treasure by Forraign Trade. This article introduces the present author’s English translation of Hilferding’s article on mercantilism, titled “The Early Days of English Political Economy,” previously available only in German, and contextualizes it in the framework of the history of Marxist scholarship.Fil: Gaido, Daniel Fernando. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Córdoba. Centro de Investigaciones y Estudios sobre Cultura y Sociedad. Universidad Nacional de Córdoba. Centro de Investigaciones y Estudios sobre Cultura y Sociedad; Argentin
Code choice and code-switching in Swiss-German internet relay chat rooms
No full textIn the German-speaking regions of Switzerland, dialect is spoken by all social groups in most communicative situations, Standard German being used only when prescribed. Swiss dialects rarely appeared in written form before the 1980s, apart from the genre of dialect literature. Due to the growing acceptance of informal writing styles in many European languages, dialect is increasingly employed for written personal communication, in particular in computer-mediated communication (CMC). In Swiss Internet Relay Chat (IRC) rooms, varieties of German are used side by side as all chatters have a command of both standard and dialectal varieties. Depending on the channel, the proportion of dialectal contributions can be as high as 90 percent. The choice of a particular variety depends on both individual preference and on the predominant variety used within a specific thread. In this paper I take a quantitative approach to language variation in IRC and demonstrate how such an approach can help embed qualitative research on code-switching in CMC
Rudolf Arnheim's psychology of art
No full textThe presented thesis introduces Rudolf Arnheim's core claims regarding psychology of art. Arnheim's conceptions of expression, affectivity, visual dynamics, centric and eccentric composition (etc.) are investigated within the text. Furthermore, more recent empirical findings are brought to attention to confront Arnheim's view. A complete picture of Arnheim's theory of expression should be drawn in historical context. The empirical study hereby conducted offers a closer look at a number of Arnheim's hypotheses regarding the "weight" phenomenon, as described by author. The perception of "weight" is observed in relation to the chromatic characteristics of presented stimuli. Keywords Rudolf Arnheim, Gestalttheorie, theory of expression, affectivity, perceptio
Erzählungen des Großvaters.
No full textHandwritten memoir, accompanied by a typed transcription, about daily life and schooling in Neustettin during the early 19th century. The narrator appears to have been born in Neustettin in 1805. Much of the memoir recounts the effects of various military events, especially the Napoleonic Wars, on family life. The manuscript is accompanied by a Littauer family tree, tracing the family genealogy back to Moses Littauer (circa 1720-1780) of Breslau.The author of the memoir is uncertain. According to the accompanying family tree, he is not Rudolf Littauer's paternal grandfather. The author is probably Rudolf Littauer’s maternal great-grandfather, Bernhard Behrend (born 1805 in Neustettin).Processed for digitizationdigitize
Rudolf Otto eesti mõtteloos
No full textRudolf Otto in the Estonian Intellectual History
This article deals with the reception and impact of Rudolf Otto in the Estonian intellectual history during the last hundred years. It is shown how discussions concerning Otto’s works and views began in the 1920s and have continued all the way until today. The analysis is split into three major eras: the era of independence in the 1920s and 1930s, the era of the Soviet occupation (including authors writing in exile) and the era of regained independence since the early 1990s. It is shown how Otto’s reception and impact changed as well as expanded significantly over the course of the century and how he has gone from an author discussed solely by theologians to someone whose impact, even if often rather indirect, is present within all kinds of discussions, topics and disciplines.Rudolf Otto in the Estonian Intellectual History
This article deals with the reception and impact of Rudolf Otto in the Estonian intellectual history during the last hundred years. It is shown how discussions concerning Otto’s works and views began in the 1920s and have continued all the way until today. The analysis is split into three major eras: the era of independence in the 1920s and 1930s, the era of the Soviet occupation (including authors writing in exile) and the era of regained independence since the early 1990s. It is shown how Otto’s reception and impact changed as well as expanded significantly over the course of the century and how he has gone from an author discussed solely by theologians to someone whose impact, even if often rather indirect, is present within all kinds of discussions, topics and disciplines
The poetics of Rudolf Sloboda in Astorka Korzo '90 Bratislava
No full textThis work deals with the poetics of Slovak playwright Rudolf Sloboda on stage of the theatre Astorka Korzo '90. The artistic style of this theatre is based on the ambiguity between humour and seriousness, the grotesque situations rise from the spontaneity of acting combined with sense of humour and serious elements. This work aims to analyse the unique creative dialogue between Rudolf Sloboda as an author and Juraj Nvota as a director of his plays. Rudolf Sloboda was asked to write his first play, Armagedon na Grbe (Armageddon at Grb), for Zita Furková, meant as a monodrama for her. Later, with the involvement of Juraj Nvota, it became a longer play for more actors. Furková plays the main protagonist Klára, based on Sloboda's memories of his own mother. This work is devided into six chapters, the first one focuses on the persona of Rudolf Sloboda, being a well-known fiction writer and new-born playwright. The second chapter deals with anti-heroism of Sloboda's protagonists and the concept of heroism in the theatre of the 1990's. The third chapter deals with the origins of Armageddon at Grb as a text and the creative process between Sloboda the writer, Furková the iniciator and Nvota the director. The fourth chapter interprets Armageddon at Grb as a text and the fifth chapter focuses on its staging in..
The poetics of Rudolf Sloboda in Astorka Korzo '90 Bratislava
No full textThis work deals with the poetics of Slovak playwright Rudolf Sloboda on stage of the theatre Astorka Korzo '90. The artistic style of this theatre is based on the ambiguity between humour and seriousness, the grotesque situations rise from the spontaneity of acting combined with sense of humour and serious elements. This work aims to analyse the unique creative dialogue between Rudolf Sloboda as an author and Juraj Nvota as a director of his plays. Rudolf Sloboda was asked to write his first play, Armagedon na Grbe (Armageddon at Grb), for Zita Furková, meant as a monodrama for her. Later, with the involvement of Juraj Nvota, it became a longer play for more actors. Furková plays the main protagonist Klára, based on Sloboda's memories of his own mother. This work is devided into six chapters, the first one focuses on the persona of Rudolf Sloboda, being a well-known fiction writer and new-born playwright. The second chapter deals with anti-heroism of Sloboda's protagonists and the concept of heroism in the theatre of the 1990's. The third chapter deals with the origins of Armageddon at Grb as a text and the creative process between Sloboda the writer, Furková the iniciator and Nvota the director. The fourth chapter interprets Armageddon at Grb as a text and the fifth chapter focuses on its staging in..
Rudolf Bultmann\u27s Concept of Myth and the New Testament
No full textIs it necessary to add a new contribution to the dossier, already too voluminous, of the debate revolving around the publication of Rudolf Bultmann, former professor on the faculty of Protestant theology at Marburg, titled The New Testament and Mythology? This small pamphlet, which may be considered a manifesto and has since been reproduced by the author in a slightly different form, appeared for the first time in 1941 under the title Offenbarung und Heilsgeschehen. The purpose of the author is to make the New Testament language accessible to the modern mind by eliminating what he calls the myth and what I call redemptive history (Heilsgeschichte)
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