1,720,972 research outputs found
IMAGIARO I SLOVESKA KULTURA IDETIFIKACIJA
Get PDFFollowing Castoriadis\u27 theory of social imaginary, as well as N. Frye\u27s and Riceour\u27s concept of narrative construction of society, the author shows a possibilty to use the notion of »founding myth« in the discussion of the Slovenian national identification. The founding myth is understood as a means of homogenisation which takes part in the process of constituting the social imaginary significations. The constitution of the founding myth is intertwined with material praxis and with the so called stock responses. The author shows some of the key mechanisms that have been involved in the formation of the Slovenian national identification, especially the feeling of endangerment and the bifocality of identification, which are both understood as stock responses. The 19th Century and the rise of jansenism were crucial in forming these stock responses, thus the author gives a brief description of the magazine Novice which has been established in 1848
Raba podobja in avtonomnost pesniške pozicije (nekaj opazk ob mlajši slovenski liriki)
No full textDemetaforizacija, denotativnost in razločenost avtorja oziroma avtorske vloge v pesmi od aktivnosti v družbenem polju se zdijo temeljne značilnosti literarnega toka po letu 1991, ki bi ga pogojno lahko imenovali intimističen. Zlasti slednjo je moč tolmačiti kot heterodoksno stališče v odnosu do literarnih predhodnikov, posebej avtorjev zbranih okoli Nove revije, pa tudi kot reaktualizacijo predmodernističnih, v najširšem smislu romantičnih tendenc, kar potrjuje tudi pogosta in hkratna raba simbolov, narativnega opisovanja in ne drznih metafor.Decreased use of metaphors, denotative language, and autonomy of the author in relation to society seem to be the key features of a current of poetry in the post-independence years that may be described as intimistic. Their autonomous stance in particular may be interpreted as heterodoxy in regard to their predecessors, as well as a revitalisation of pre-modernist, broadly speaking Romantic tendencies
Prostor kot konstitutivni element kanadske imaginacije in njenih retoričnih ubeseditev
Get PDFČlanek obravnava razumevanje prostora v kanadskem nacionalnem mitu. Po kratki analizi dveh tipičnih ubeseditev razmerja med prostorom in njegovimi retoričnimi ekvivalenti (pri pesnikih J. Newlovu in E. J. Prattu) avtor kritično analizira vlogo prostora v kanadskem imaginariju, kot so ga s svojimi ubeseditvami ustvarili zlasti E. J. Pratt, N. Frye in M. Atwood, pa tudi očitke, ki so jih tovrstnemu imaginariju delno upravičeno namenili pretežno poststrukturalistični literarni teoretiki.The article is a case study analyzing space as part of the Canadian national myth. Following a short study of two typical renderings of the relation between space and its rhetoric counterparts (in the poetry of John Newlove and E. J. Pratt), the author offers a critical overview of the Canadian imaginary of space as predominantly constituted in the works of E. J. Pratt, Northrop Frye, and Margaret Atwood, as well as an overview of their poststructuralist detractors
Raba podobja in avtonomnost pesniške pozicije (nekaj opazk ob mlajši slovenski liriki)
No full textDemetaforizacija, denotativnost in razločenost avtorja oziroma avtorske vloge v pesmi od aktivnosti v družbenem polju se zdijo temeljne značilnosti literarnega toka po letu 1991, ki bi ga pogojno lahko imenovali intimističen. Zlasti slednjo je moč tolmačiti kot heterodoksno stališče v odnosu do literarnih predhodnikov, posebej avtorjev zbranih okoli Nove revije, pa tudi kot reaktualizacijo predmodernističnih, v najširšem smislu romantičnih tendenc, kar potrjuje tudi pogosta in hkratna raba simbolov, narativnega opisovanja in ne drznih metafor.Decreased use of metaphors, denotative language, and autonomy of the author in relation to society seem to be the key features of a current of poetry in the post-independence years that may be described as intimistic. Their autonomous stance in particular may be interpreted as heterodoxy in regard to their predecessors, as well as a revitalisation of pre-modernist, broadly speaking Romantic tendencies
Znova o Northupu Freyu, podobe kulture v kontekstu kanadskega kritištva
Get PDFResponding to a prevailing critique of Northrop Frye\u27s studies of Canadian culture, the author of the paper combines Frye\u27s Canadian essays with his general theory in order to demonstrate that Frye\u27s use of the term imagination, similarly to Iser\u27s notion of "imaginary", allows a differentiation of the social imaginary and the fictive. Frye has provided a background for treatment of the fictive as aesthetic structure and has employed the study of Canadian culture primarily as a specific tool to describe literature with a disturbed aesthetic structure.Izhajajoč iz razlike med spisi Northropa Fryeja in t.i. tematskim kritištvom (Atwood, Jones) ter upoštevajoč Fryejevo splošno teorijo avtor članka relativizira očitke, namenjene Fryjevim t.i. kanadskim spisom. Pokaže namreč, da Frye skupne kulture ni pojmoval kot fiksno, marveč kot spremenljivo družbeno in individualno konstrukcijo, ki sicer ima svojo kontinuiteto in deluje kot homogenizacijski mehanizem. S tem se Frye približa kasnejšim teorijam imaginarnega pri C. Castoriadisu in W. Iserju. V Fryjevi obravnavi imaginacije je jasna ločitev med vidikom, ki ga Iser poimenuje kot družbeno imaginarna, Ricoeur pa kot historično narativo, ter vidikom, ki ga Iser poimenuje kot fiktivno. Ricouer pa se celo specifično naslanja na Fryejeve strukturalne izsledke, ko govori o fiktivni pripovedi. Analiza imaginacije in kulture je tudi ob obravnavi kanadske literature pri Fryeju le orodje za analizo estetsko nedovršene literature, ne pa kanadske literature na sploh. V tem kontekstu pa se Frye ukvarja s konvencijsko izgradnjo kulturne identitete in njenega zrcaljenja v literaturi
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