2,790 research outputs found
Andreas SCHMIDT-COLINET & Georg A. PLATTNER, Antike Architektur und Grundformen und Grundbegriffe.
No full textBonato-Baccari Stéphanie. Andreas SCHMIDT-COLINET & Georg A. PLATTNER, Antike Architektur und Grundformen und Grundbegriffe. . In: L'antiquité classique, Tome 75, 2006. p. 637
Georg Simmel
No full textThe chapter about Georg Simmel stands as an innovative sociological research that introduces the study of emotions through a detailed examination of the theory and concepts of one of the classical author of discipline
Georg Hermann.
No full textThe internationally renowned author of numerous novels, essays, and articles, Georg Hermann, was born as Georg Borchardt in Berlin-Friedenau on October 7, 1871, the youngest of six children in a well-established Jewish family. Later in life he used his father’s first name Hermann as his surname when writing. Contrary to the expectations for a young man from a reputable family, Hermann did not pursue the Abitur exam in a Gymnasium (secondary school), but instead received a one-year certificate in 1890, leaving school to become an apprentice salesman at a tie company. From 1896 until 1899 he worked in the Statistical Office of Berlin, at the same time attending literature and art history lectures at the University of Berlin. Afterwards he worked as a freelance writer and art critic.His first book, 'Spielkinder', was published in 1896, but he did not become well-known until 1906, with the publication of 'Jettchen Gebert', followed by its sequel, 'Henriette Jacoby'. These novels told the story of the life of a young woman living in Jewish Berlin during the Biedermeier period of the 1820s and 1830s. Politically active, Georg Hermann was also a member of the Central-Verein deutscher Staatsbürger jüdischen Glaubens.Having become known for his pacifist tendencies through his writing, and because of his Jewish heritage, Georg Hermann and his family fled to Holland shortly after the burning of the Reichstag in 1933. Although the rest of his family was saved from the Nazis after their occupation of Holland in 1943, Georg Hermann was sent to the Dutch concentration camp of Westerbork. On November 16, 1943 he was transported to Auschwitz and either died during transport or shortly after his arrival.Digital ImageRecord added to DigiTool. Aleph record suppressed. J. Palmisano 09/15/2010
Georg Trakl and melancholy
No full textThis paper identifies some of the decisive aspects of Georg Trakl’s poetry, taking as the starting point the author’s awareness about God’s death, from Nietzsche’s approach. Emphasis is placed on melancholy, support of the creation, testimony and acknowledgement of failure and grief of mankind, from which the author was able to express his discouragement upon the downfall and decline of the West.Se identificaron algunos aspectos determinantes de la obra poética de Georg Trakl, tomando como punto de partida la conciencia del escritor acerca de la muerte de Dios, desde la perspectiva de Nietzsche. Se hizo un énfasis sobre la melancolía, soporte de la creación, testimonio y reconocimiento del errar y el duelo del hombre, a partir de la cual el autor pudo expresar el desconsuelo por la ruina y el ocaso de Occidente
Tractatio Jvridica De Concursu Novercæ Cum Privignis
No full textZugl.: Basel, Univ., Jur. Diss., 1728[Hermann Georg Krohn]A new edition, revised by the author, of his inaugural dissertation, Basel, 1728, published by G.C. Overbeck, with a conspectus of the chapters. Cf. prefIncludes bibliographical referencesWith: Rösener, Andreas Christoph. Andreae Christophori Röseneri j.u.d. Tractatus juridicus de libris mercatorum. Lipsiae : Sumptibus haeredum Friderici Lanckisii, literis Christiani Scholvini, [1694]. Copy 2. Bound together subsequent to publicationAutopsie nach Ex. der ULB Sachsen-AnhaltVorlageform des Erscheinungsvermerks: Lubecæ, Sumtibus Jonae Schmidt. MDCCXLVII
Georg Heyms Religion der Kunst
No full textThe article focusses on Georg Heym's short writing " Versuch einer neuen Religion" (1909), in which art plays a central role. In this fragment, that the Author considered part of a conference, he sketches his idea of a new syncretic religion of immanence combining Jugendstil images and Nietzsche's thoughts on art and religion, in a vision of poetic community as renewal of life
Letter containing inquiry regarding the ethnic identity of the descendents of Georg Moritz Oppenheim.
No full textLetter from Wilhelm Gehlig to Rabbi Dr. Freudenthal in Nuremberg with a genealogical question regarding Georg Moritz Oppenheim. Of particular interest to the author is to determine whether Oppenheim's descendents are "rein jüdischen Blutes (=of pure Jewish blood)."Robert Singermandigitize
Joseph Georg Meinert - a German Moravian Author between Classicism and Romanticism
No full textDiese Bachelorarbeit beschäftigt sich mit dem eher weniger bekanntem Autor Joseph Georg Meinert, der für seine schriftstellerische Tätigkeit in den früheren Prager Kreisen bekannt war. Der theoretische Teil behandelt seine Lebensgeschichte, Literatur- und Lehrertätigkeit in Prag und in Partschendorf. Der praktische Teil konzentriert sich auf das ausgewählte literarische Schaffen Meinerts und es wird eine Analyse des literarischen Schaffens durchgeführt, die vorwiegend in die Literaturrichtung der Klassik und Romantik fällt.The thesis deals with not so much popular author Joseph Georg Meinert, who was famous for him writing activity in the erstwhile Prague spheres. The theoretical part deals with his biography, his literary and professorial activity in Prague and in Partschendorf. The practical part focuses on the selected literary work and an analysis of some literary works will do, which count mainly among classic and romantic.Ústav moderních jazyků a literatu
Il ritratto di Lulu. Da Frank Wedekind a Georg Wilhelm Pabst
No full textThis essay focuses on Lulu by Frank Wedekind. The drama was developed from an idea conceived by the author dating back to the nineties of the Nineteenth Century and is characterised by a series of complex incidents of censorship and those of a textual origin. The drama is discussed with relation to its film version by Georg Wilhelm Pabst dated 1929. This comparative perspective allows for unexplored elements of both works to be rediscovered since both revolve around the concept of image, thereby highlighting the importance of the Wedekind literary model for the director, Pabst, as well as the presence of the famous playwright’s almost avant-garde elements within the scope of modernist literature. / Il saggio è dedicato alla Lulu di Frank Wedekind. Il dramma, sviluppato a partire da un’idea dello scrittore risalente agli anni novanta dell’Ottocento e segnato da complesse vicende di genesi testuale e di censura, viene discusso in relazione alla sua versione cinematografica di Georg Wilhelm Pabst del 1929. Il confronto fra le due opere permette di riscoprire aspetti inesplorati di entrambe le opere, poiché entrambe si incentrano sul concetto di immagine, ed evidenzia così l’importanza del modello letterario Wedekind per il regista Pabst come anche la presenza di elementi quasi d’avanguardia nel noto drammaturgo della literarische Moderne
“Polite Conversation is now Undesirable”: Peace and Agonism in Georg Johannesen’s Rhetoric
Get PDFSometimes, the voice for peace is aggressive, oppositional and agonistic to the point of violence. The Norwegian rhetorician, author and public intellectual Georg Johannesen (1931-2005) was no stranger to forceful rhetoric. Indeed, the promotion of peace by conscious and forceful articulation of agonism is one of the central and recurring motifs across his multifaceted oeuvre. In this article, I will focus on one, short, and relatively early text by Johannesen. It is an illustrative example of the rhetoric of what I suggest calling “counterhegemonic peace movements” in the nuclear age. Apart from introducing Georg Johannesen to a non-Norwegian public, the aim of this paper is to sketch out what I mean by that.publishedVersio
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