86,768 research outputs found
Il restauro e la riconversione del Palazzo della Luce
No full textIl progetto di EXiT architetti associati recupera la spazialità originaria di un palazzo cinquecentesco nel centro di Treviso al servizio di usi e attività contemporanee
Edilizia sociale a Ibiza [Social Housing in Ibiza]
No full textL’intervento di edilizia sociale a Ibiza, progettato da Pep Ripoll, Juan Miguel Tizón - RIPOLLTIZON Estudio de arquitectura, è un edificio multipiano, ispirato alle tradizionali case coloniche di Ibiza. Mira ad adattarsi alla filosofia costruttiva della tradizione locale e alle condizioni climatiche dell’isola attraverso un approccio finalizzato alla sostenibilità ambientale, con attenzione alla vocazione sociale e comunitaria dell’edificio
Consolidamento e Restauro del Castello Morella
No full textMorella, monumento di rilevanza artistica e storica, è un’antica città fortificata situata su una collina nella provincia di Castellón, nella Comunità Valenciana in Spagna. Presenta tracce di insediamenti di Iberi, Greci, Romani, Visigoti e Mori. Vista la sua posizione strategica tra l’Ebro e la pianura costiera di Valencia, dal XVII secolo fino alla guerra civile spagnola, la città fu spesso contesa
Le migliori realtà innovative nell’ambito della trasformazione digitale dell’ambiente costruito. BIM & Digital Award 2022
No full textPresentazione degli esiti del premio BIM & Digital Award 2022, promosso da Clust-ER BUILD, SAIE e ASSOBIM. Iniziativa finalizzata alla trasformazione del patrimonio costruito attraverso la digitalizzazione, le tecnologie e l’innovazione. Premiati in occasione di SAIE 2022 dodici promettenti esempi di “good practice” che hanno sfruttato le innovazioni tecnologiche nei diversi campi afferenti il settore delle costruzioni
The Rocca Malatestiana of Verucchio. SCAN-to-HBIM process for the digitisation of cultural site with severe topography condition
No full textThe essay highlights the process of three-dimensional acquisition and digitisation through HBIM
of the Rocca Malatestiana of Verucchio, in the Rimini area. The case study presented is set in a
context strategically located on a hill overlooking the Marecchia river valley with high orographic
and interpretative difficulties due to the different overlapping historical layers. The Malatesta Fortress of Verucchio, which is built on a number of levels to accommodate the terrain’s orography,
is perched atop the towering pinnacle of a rocky spur that dominates the Marecchia valley. Due
to its location nearly 300 meters above sea level, overlooking the Adriatic Sea and the Apennines,
the fortress—a symbol of the Malatesta family’s power—became a crucial strategic and defensive
hub. It served as the main seat of Malatesta power along the coast and in the Marche region for
centuries. ùThe research group involved in the project of integrated three-dimensional survey and digitisation through BIM of the building of the Rocca di Verucchio has worked to give back to the small municipality a model for the management of the rich heritage of the place.
The integrated scanning and HBIM implementation process has resulted in a coherent and highly
informative digital model of the material, historical and typological conformation of the various
parts of the artefact. The Verucchio case study exemplifies how the development of digital representation systems for architectural heritage is a field that is constantly evolving and is currently a focus of interest and innovation for all players in the field
Classification and systematisation of digital documentation
No full textDocumentation and digital representation represented the crucial nodes of the doctoral thesis “Optimisation of survey pro- cedures and application of integrated digital tools for seismic risk mitigation of cultural heritage: The damaged theatres of Emil- ia-Romagna” developed within the XXXIV cycle of the IDAUP International Doctorate, University of Ferrara. These two aspects underlie and feed the procedural workflow developed in the research iter, whose goal is to provide an application methododology for the collection, acquisition, and hierarchisation of data and information related to seismic damage for the complex typology of historic theatres. The primary purpose of the integrated workflow of damage survey procedures is to provide multi-criteria, multi-level systematic documentation that ensures the optimised mitigation, management, and monitoring of seismic damage by systematising multiple layers of information (MIC damage forms, archival historical information, iconographic and photographic data, and morphometric digital 3D models) within a single HBIM information “container”. The operation of systematisation of the information and data collected represents a knowledge step to discretising the geometric components and quantitative and qualitative parameters necessary and valuable for the information populating the parametric model so that it can be an interpretable, interoperable documentation tool that can be used by all the actors operating in the post-emergency and reconstruction phase. This contribution illustrates, in particular, the integrated application methodological workflow of the damage survey on two case studies of the doctoral research: the Borgatti Theater and the Theater of Novi di Modena
Classification and systematisation of digital documentation.
No full textDocumentation and digital representation represented the crucial nodes of the doctoral thesis “Optimisation of survey pro- cedures and application of integrated digital tools for seismic risk mitigation of cultural heritage: The damaged theatres of Emil- ia-Romagna” developed within the XXXIV cycle of the IDAUP International Doctorate, University of Ferrara. These two aspects underlie and feed the procedural workflow developed in the research iter, whose goal is to provide an application methododology for the collection, acquisition, and hierarchisation of data and information related to seismic damage for the complex typology of historic theatres. The primary purpose of the integrated workflow of damage survey procedures is to provide multi-criteria, multilevel systematic documentation that ensures the optimised mitigation, management, and monitoring of seismic damage by systematising multiple layers of information (MIC damage forms, archival historical information, iconographic and photographic data, and morphometric digital 3D models) within a single HBIM information “container”. The operation of systematisation of the information and data collected represents a knowledge step to discretising the geometric components and quantitative and qualitative parameters necessary and valuable for the information populating the parametric model so that it can be an interpretable, interoperable documentation tool that can be used by all the actors operating in the post-emergency and reconstruction phase. This contribution illustrates, in particular, the integrated application methodological workflow of the damage survey on two case studies of the doctoral research: the Borgatti Theater and the Theater of Novi di Modena
A Metal Tailor-Made IoT Platform to Enable Power Management Integration and Support Procurement Access to the Power Market
No full textPower management is crucial in energy-intensive metals manufacturing. An IIoT platform tailored for the steel industries was applied to reduce energy costs by integrating energy data-driven models considering volatile markets and contracts. This innovative tool enhances energy monitoring, allowing factories to efficiently interact with the power grid. Its interoperability and scalability enable optimized scheduling of tasks like Electric Arc Furnace (EAF) route, improving energy efficiency and reducing operational costs by responding effectively to power market fluctuations
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Spazi immersivi: configurazioni spaziali oltremisura per l’architettura e il design industriale [Immersive spaces: spatial configurations out of measure for architecture and industrial design]
No full textLo studio della relazione tra i processi creativi, ideativi e progettuali e la misura delle dimensioni umane e dello spazio in rapporto a esse rappresenta da tempo un campo d’indagine specifico. La dismisura della “grande dimensione” esprime, ancora una volta, nel rapporto tra le sue molteplici forme di monumento, rappresentazione dell’identità collettiva, infrastruttura, megalopoli, e “la misura del corpo”, o “il corpo come misura”, i modi di percezione, d’uso e consumo dello spazio. Il rapporto dialettico tra lo spazio del corpo e la “misura” sembra essere, tuttavia, oggetto di recente riconfigurazione in ragione della sempre più pervasiva diffusione di tecnologie immersive. Se la spazialità sperimentata dal corpo nella sua interazione con l’ambiente non è esclusivamente geometrica, ma ancor più intima, sociale o collettiva, lo spazio immersivo consente di aprire una riflessione sul ruolo della percezione aptica nei processi di percezione, conoscenza, selezione e attribuzione di significati connessi ai processi ideativi e progettuali. Il rapporto tra la spazialità sperimentata dal corpo e i caratteri dello spazio immersivo definisce da oltre due anni un ambito d’indagine sviluppato nel contesto della ricerca internazionale e della didattica dei corsi di laurea in Architettura e Design del prodotto industriale dell’Università di Ferrara. L’approfondimento sui caratteri dello spazio immersivo è infine l’occasione per indagare il binomio tra la “misura” del rilievo e del modello in rapporto a finalità di utilizzo e la “dismisura” dei dati che le attuali tecnologie consentono di acquisire.So far, a specific area of research has been the interaction between human dimensions and space and the creative and design processes. The relationship between the “super-size” in architecture such as the monument forms, infrastructures, and megalopolis, as representations of collective identity, as well as how space is seen, used, and consumed, demonstrate the immense scope of this concept. However, the pervasive diffusion of immersive technologies seems to have led to a recent rethinking of the dialectical interaction between the space of the body and measure’. The immersive space allows reflection on the function of haptic perception in the processes of perception, knowledge, selection, and attribution of meanings related to conceptual and design processes if the spatiality experienced by the body in its interaction with the environment is not only geometric but even more intimate, social, or collective. For more than two years, the relationship between the immersive space’s characters and the spatiality that the body experiences have defined a field of study developed within the framework of international research and teaching at the University of Ferrara degree courses in Architecture and Industrial product design. Subsequently, the comprehensive analysis of immersive space’s features offers a chance to look at how the measure of the survey and model relates to the end uses and the “out of measure” of the data that we can obtain thanks to modern technologies
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