75 research outputs found

    O Kronosach. Garbaczewski rozczytuje Gombrowicza

    No full text
    The article presents the performance Kronos, directed by Krzysztof Garbaczewski in 2013. The performance was an immediate reaction to the extremely intimate work of art written by Witold Gombrowicz. Garbaczewski is involved in reading and staging Gombrowicz’s work since 2008. The article highlights how the creative method presented in Kronos is portrayed by actors during the performance. Moreover, the author shows the phenomenon of poetry epiphany in the play, the coexistence of corporeality and the mind, the processes of tabooisation of the body and mediatization in the play. The author points to common points in the works of Gombrowicz and Garbaczewski. She also draws attention to how the writer’s authority is invoked, a process through which the director legitimises the theatrical exploration.The article presents the performance Kronos, directed by Krzysztof Garbaczewski in 2013. The performance was an immediate reaction to the extremely intimate work of art written by Witold Gombrowicz. Garbaczewski is involved in reading and staging Gombrowicz’s work since 2008. The article highlights how the creative method presented in Kronos is portrayed by actors during the performance. Moreover, the author shows the phenomenon of poetry epiphany in the play, the coexistence of corporeality and the mind, the processes of tabooisation of the body and mediatization in the play. The author points to common points in the works of Gombrowicz and Garbaczewski. She also draws attention to how the writer’s authority is invoked, a process through which the director legitimises the theatrical exploration

    NATURAL BOUNDARIES FOR THE SMOLUCHOWSKI EQUATION AND AFFILIATED DIFFUSION-PROCESSES

    No full text
    Blanchard P, GARBACZEWSKI P. NATURAL BOUNDARIES FOR THE SMOLUCHOWSKI EQUATION AND AFFILIATED DIFFUSION-PROCESSES. PHYSICAL REVIEW E. 1994;49(5):3815-3824.The Schrodinger problem of deducing the microscopic dynamics from the input-output statistics data is known to admit a solution in terms of Markov diffusion processes. The uniqueness of the solution is found to be linked to the natural boundaries respected by the underlying random motion. By choosing a reference Smoluchowski diffusion process, we automatically fix the Feynman-Kac potential and the field of local accelerations it induces. We generate the family of affiliated diffusion processes with the same local dynamics but different inaccessible boundaries on finite, semi-infinite, and infinite domains. For each diffusion process a unique Feynman-Kac kernel is obtained by the constrained (Dirichlet boundary data) Wiener path integration. As a by-product of the discussion, we give an overview of the problem of inaccessible boundaries for the diffusion and bring together (sometimes viewed from unexpected angles) results which are little known and dispersed in publications from scarcely communicating areas of mathematics and physics

    The theatrical tradition of the "study on Hamlet" by Stanisław Wyspiański : from Grotowski to Garbaczewski

    No full text
    The article presents the reception of a “study on Hamlet” by Stanisław Wyspiański in the Polish theater. The author discusses four cases in which the study was dramatized and put on stage. The selected performances are: "Hamlet Study" by Jerzy Grotowski (1964), "Hamlets" by Andrzej Wajda (1960, 1981, 1989), "Hamlet by Stanisław Wyspiański" directed by Jerzy Grzegorzewski (2003), and "Hamlet" based on the work of William Shakespeare by Krzysztof Garbaczewski (2015). In each of these realizations, the work by Wyspiański has been treated in a different way and served as a source of different themes and issues. But what they have in common are the inspirations of artistic strategies, especially their techniques of constructing the script and recycling. The author argues that Wyspiański was the precursor to the modern technique of prescribing and his study is one of the most important remixes of Shakespeare's "Hamlet"

    Non-negative Feynman-Kac kernels in Schrodinger's interpolation problem

    No full text
    Blanchard P, Garbaczewski P, Olkiewicz R. Non-negative Feynman-Kac kernels in Schrodinger's interpolation problem. JOURNAL OF MATHEMATICAL PHYSICS. 1997;38(1):1-15.The local formulations of the Markovian interpolating dynamics, which is constrained by the prescribed input-output statistics data, usually utilize strictly positive Feynman-Kac kernels. This implies that the related Markov diffusion processes admit vanishing probability densities only at the boundaries of the spatial volume confining the process. We discuss an extension of the framework to encompass singular potentials and associated non-negative Feynman-Kac-type kernels. It allows us to deal with a class of continuous interpolations admitted by general non-negative solutions of the Schrodinger boundary data problem. The resulting nonstationary stochastic processes are capable of both developing and destroying nodes (zeros) of probability densities in the course of their evolution, also away from the spatial boundaries. This observation conforms with the general mathematical theory (due to M. Nagasawa and R. Aebi) that is based on the notion of multiplicative functionals, extending in turn the well known Doob's h-transformation technique. In view of emphasizing the role of the theory of nonnegative solutions of parabolic partial differential equations and the link with ''Wiener exclusion'' techniques used to evaluate certain Wiener functionals, we give an alternative insight into the issue, that opens a transparent route towards applications. (C) 1997 American Institute of Physics

    Czy w tym szaleństwie jest metoda i czy być musi?

    No full text
    Teatr Powszechny w Warszawie Dante Alighieri Boska komedia reżyseria i scenariusz: Krzysztof Garbaczewski, scenografia: Aleksandra Wasilkowska, dramaturgia: Koza, muzyka: Jan Duszyński, wideo: Hanna Maciąg, kostiumy: Sławomir Blaszewski, współpraca i wykonanie kostiumów: Bożena Zaremba, Mieczysław Kudelski; reżyseria światła, VR i animacje: Anastasija Worobiowa; współpraca przy reżyserii światła: Piotr Pieczyński, operator VR: Natan Berkowicz, wsparcie przy projektowaniu VR i tworzeniu awatara: Andriej Isakow premiera: 8 lutego 202

    Cauchy flights in confining potentials

    No full text
    corecore