40,418 research outputs found
Tong su yan yi
No full textV.1-13. 《新鐫批評出像通俗奇俠禪眞逸史》乾集. 卷一. 第一至五回 -- 坎集. 卷二. 第六至十回 -- 艮集. 卷三. 第十一至十五回 -- 震集. 卷四. 第十六至二十回 -- 巽集. 卷五. 第二十一至二十五回 -- 離集. 卷六. 第二十六至三十回 -- 坤集. 卷七. 第三十一至三十五回 -- 兌集. 卷八. 第三十六至四十回.v.14-20. 《新鐫批評出像通俗演義禪眞後史》甲集. 卷一. 第一至六回 -- 乙集. 卷二. 第七至十二回 -- 丙集. 卷三. 第十三至十八回 -- 丁集. 卷四. 第十九至二十四回 -- 戊集. 卷五. 第二十五至三十二回 -- [己集. 卷六]. 第三十三至三十六回 -- 庚集. 卷七. 第三十七至四十二回 -- 辛集. 卷八. 第四十三至五十三回.Detailed table of contents in vernacular field only.Detailed table of contents in vernacular field only.淸溪道人編次 ; 心心僊侶...[et al.]評訂. 新鐫批評出像通俗演義禪眞後史 : 共八卷五十三回 / 淸溪道人編次 ; 冲和居士評校.綫裝, 2函.框14x10.3公分, 10行24字, 無界行. 白口, 左右雙邊, 單黑魚尾. 版心上鐫"禪眞逸史", 中鐫回次, 下鐫葉次. 《後史》行間有批點.見《香港中文大學圖書館古藉善本書錄》(2001, p. 156)《逸史》内封頁題"禪真逸史, 清心道人編次, 本衙梓行" ; 《後史》内封頁題"通俗演義, 禪真後史, 本衙藏板"《後史》前有崇禎己巳[1629]翠娛閣主人序.Library's copy: 原書《後史》第三十一至三十二回葉次亂序, 並缺第三十一回首數葉.Xian zhuang, 2 han.Kuang 14 x 10.3 gong fen, 10 hang 24 zi, wu jie hang. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan "Chan zhen yi shi", zhong juan hui ci, xia juan ye ci. "Hou shi" hang jian you pi dian.Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu" (2001, p. 156)"Yi shi" nei feng ye ti "Chan zhen yi shi, Qingxindaoren bian ci, ben ya zi xing" ; "Hou shi" nei feng ye ti "Tong su yan yi, Chan zhen hou shi, ben ya cang ban""Hou shi" qian you Chongzhen ji si [1629] Cuiyugezhuren xu.Fiction.Qingxidaoren bian ci ; Xinxinxianlu ...[et al.] ping ding. Xin juan pi ping chu xiang tong su yan yi chan zhen hou shi : gong ba juan wu shi san hui / Qingxidaoren bian ci ; Chonghejushi ping jiao.Library's copy: yuan shu "Hou shi" di san shi yi zhi san shi er hui ye ci luan xu, bing que di san shi yi hui shou shu ye
Correspondence: LIU An-Ping to ZHOU Yan on the exhibition PROSPECT 96
No full textThe artist LIU An-Ping\u27 letter to ZHOU Yan is about the exhibition PROSPECT 96 that was held in Frankfurt, Germany, 1993. In addition, he talks about his feelings about the works by Wang Youshen and him in the show, and how German art media commented on these works . (Yifan Shang \u2725)https://digital.kenyon.edu/zhoudocs/1487/thumbnail.jp
Quan bu Yan zhi bao zhe
No full text校閱者周曉光.Colophon title."全齣平劇"--Cover.jiao yue zhe Zhou Xiaoguang."Quan chu Ping ju"--Cover
Shui hu zhuan
No full text延安平劇硏究會集體編寫.附: 從《逼上梁山》的出版談到平劇改造問題 / 劉芝明.Yan'an Ping ju yan jiu hui ji ti bian xie.Fu: Cong "Bi shang Liangshan" de chu ban tan dao Ping ju gai zao wen ti / Liu Zhiming
3 da Zhu jia zhuang
No full text延安平劇硏究院集體創作.Music in number notation.Yan'an Ping ju yan jiu yuan ji ti chuang zuo
The politics of fashion: perceptions of power in female clothing and ornamentation as reflected in the sixteenth-century Chinese novel Jin Ping Mei
No full textThis thesis examines issues of female power and influence in sixteenth-century China focusing on how women and their roles were perceived in the changing social environment of the mid-late Ming dynasty. Using aspects of a New Historicist approach, information from contemporary literary and historical sources are analysed alongside each other. With its emphasis on the lives of women and preoccupation with the description of material objects, the late Ming novel Jin Ping Mei forms an important element in the thesis. China in the sixteenth century saw expanding urbanisation, the emergence of a new wealthy merchant class, increasing visibility of women and a questioning of traditional morality. Fashion consciousness, as one of the most conspicuous aspects of the new material culture, is a possible indicator of these trends. Traditional Western theories contend that fashion began in the particular context of Renaissance Europe. However, this study argues that a similar fashion awareness existed in China too, and was manifested in a competitive striving for social status, in this case specifically among women. In contrast to previous studies which downplayed the impact women had on defining traditional Chinese culture, this thesis demonstrates how women and their sartorial choices began to redefine the boundaries of material culture, influencing literati discourse which, in turn, re- influenced female behaviour
中國金融資本主義與三農問題 = Financial capitalism and the agrarian question in China
No full textOn 25th July 2016, Yan Xiaohui and Wang Ping talked on Financial Capitalism and the Agrarian Question in China
On and Around Yan Song 嚴嵩 and His Son : Wang Shi-zhen 王世貞, Jin ping mei, etc.
No full textYan Song (1480-1567), the powerful prime minister of the Jiaqing 嘉靖 (1522-1566), has been portrayed as a villain in various historical and literary works ever since his downfall in 1562. It was Wang Shi-zhen (1529-1593), whose father's death was caused by Yan in a power struggle in the court, who contributed greatly to the creation of this negative portrait. Ming feng ji, a popular play criticizing Yan Song published shortly after his fall, was commonly attributed to Wang Shi-zhen. Starting in early Qing 清, Wang was also considered to be the author of Jin ping mei which according to some contemporary critics, was an expose of Yan's faction. Thus, in people's minds, satires of Yan Song were associated with Wang Shi-zhen. Moreover, although we cannot be certain about the authorship of Jin ping mei, we know that early manuscripts of the novel circulated among Wang Shi-zhen's friends. It seems almost certain that Wang had some connection with the novel
FIGURE 2. Astragalus taledensis P. Yan & H. Zhang. A. Habit, B. Inflorescence, C. Fruit, D. Seed, E. Wing, F. Standard, G. Keel, H. Calyx, I. Stamens, J in Astragalus taledensis, a new species of Leguminosae from Xinjiang, China
No full textFIGURE 2. Astragalus taledensis P. Yan & H. Zhang. A. Habit, B. Inflorescence, C. Fruit, D. Seed, E. Wing, F. Standard, G. Keel, H. Calyx, I. Stamens, J. Pistil. Drawing by Siqi Xie.Published as part of Zhang, Huan, Ren, Shanshan & Yan, Ping, 2021, Astragalus taledensis, a new species of Leguminosae from Xinjiang, China, pp. 199-204 in Phytotaxa 524 (3) on page 201, DOI: 10.11646/phytotaxa.524.3.4, http://zenodo.org/record/564934
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