4,859 research outputs found
Histories, Parker-Phillips Camp
No full textThe Daughters of Utah Pioneers, Phillips Camp biographies (circa 1940-1974) is a collection of biographical sketches of Utah pioneers submitted to the Phillips Camp, Daughters of Utah Pioneers, in Kaysville, Utah. The individual sketches give insight into the socioeconomic status of European, as well New World, converts to the Church of Jesus Christ of Latter-day Saints during the nineteenth century. They contain biographical and genealogical information, as well as descriptions of experiences crossing the Atlantic to America and traveling across the plains to Utah. Minute details of pioneering life in Davis County, Utah, and other frontier outposts of settlement are illuminated. Described also are individual occupations and survival techniques along with information on offices held in, and services to, the church and the community. Biographies include: George Blake Parker (1830-1920), 3 pages; Mary Lewis Parker (1825-1891), 3 pages; William Parker (1800-1822), 2 pages; Catharine Nichols Payne (1824)-1906), 5 pages; William L. Payne (1816-1892), 5 pages; Edward Phillips (1813-1896?), 10 pages; Hannah Simmonds Phillips (1824-1898), 9 pages; John Dee Phillips (1846-1887), 1 page; Mary Ann Press Dee Phillips (1773-1871), 3 pages; History of Phillips Camp, 2 page
Polly Stewart Oral History Project: A Tribute to Utah Phillips
No full textA short film (2 minutes, 50 seconds) about folk music revival musician Bruce "Utah" Phillips. The film featured narration of Polly Stewart and Hal Cannon1. Utah Phillips\u27 music and performance style; 2. Phillips\u27 influence on the Utah Urban Pioneers musiciansBruce "Utah" Phillips taught guitar lessons and performed folk music in Salt Lake City during 1960s. He wrote many original songs of his own. He also promoted his political ideas through his musical performing and teachin
Histories, Farmington-Goodrich
No full textThe Daughters of Utah Pioneers, Phillips Camp biographies (circa 1940-1974) is a collection of biographical sketches of Utah pioneers submitted to the Phillips Camp, Daughters of Utah Pioneers, in Kaysville, Utah. The individual sketches give insight into the socioeconomic status of European, as well New World, converts to the Church of Jesus Christ of Latter-day Saints during the nineteenth century. They contain biographical and genealogical information, as well as descriptions of experiences crossing the Atlantic to America and traveling across the plains to Utah. Minute details of pioneering life in Davis County, Utah, and other frontier outposts of settlement are illuminated. Described also are individual occupations and survival techniques along with information on offices held in, and services to, the church and the community. Biographies include: Farmington, Deseret Brass Band in 1856, 4 pages; Mary Spencer Flint (1814-1894), 3 pages; Robert Flint (1781-1862), 2 pages; Samuel Flint (1857-1955), two documents, 8 pages, including obituary; William Allen Flint (1820-1895), 9 pages; William Foxley (1831-1906), 2 pages; Sarah Garlick (1830-1904), 10 pages; Elizabeth Morris Davis Gibson (1848-1925), 1 page; William Glover, Jr. (1813-1892) and Jane Cowan Glover (1816-1896), 3 pages; George Albert Goodrich (1839-1911), 5 page
Polly Stewart Oral History Project: Interview with Bruce Utah Phillips, (Part 3)
No full textRecording of Part 3 of an interview by Polly Stewart with Bruce "Utah" Phillips at Nevada City, California. Utah Phillips was a participant in the Utah folk music scene of the 1960s. Transcript by Polly Stewart, copy-edited by Laura R. Marcus [now Green]. One of the interview recordings that Polly Stewart and Jennifer Bott Bateman conducted for the Utah Folk Music Revival Oral History Project, 2004-20111. Talking about Charlie Kelley and Juanita Brooks as sources for song-writing material, history/writer Juanita Brooks\u27s role in founding the Federal Writers Project; 2. Folklore vs. history as an interpretation of "what happened"; 3. Remembering Salt Lake City days-Wes Bowen, Willy Lucas, Face of a Nation production at the University of Utah; 4. Talking about performance style-alternating between song and story/talking about literary influences on his work; 5. Talking about his songwriting process; 6. Talking about the influence of Delsarte dramatic/acting experiences and Barry Lynn; 7. Talking about transitional time-leaving Utah, living in Saratoga and the folk music scene there; 8. Talking about the folk music trade-touring, recording, business aspect
Anarchy
No full textUtah Phillips sings at the Asheville Junction, founded by Andy Cohen. Utah wrote this song. Listen to Utah talking before this song: ww11013
Undientified
No full textUtah Phillips sings a conversation with a hobo at the Asheville Junction, founded by Andy Cohen. Listen to Utah talking before this song: ww11007
All Used Up
No full textUtah Phillips plays guitar and sings at the Asheville Junction, founded by Andy Cohen. Listen to Utah talking before this song: ww11009
Wabash Cannonball
No full textUtah Phillips plays guitar and sings at the Asheville Junction, founded by Andy Cohen. Roy Acuff wrote this song. Listen to Utah talking before this song: ww11003
You Will Eat Bye and Bye
No full textUtah Phillips plays guitar and sings at the Asheville Junction, founded by Andy Cohen. Joe Hill wrote this song. Listen to Utah talking before this song: ww11005
Hallelujah I'm a Bum
No full textUtah Phillips plays guitar and sings at the Asheville Junction, founded by Andy Cohen. Listen to Utah talking before this song: ww11011
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