72,490 research outputs found
\u3cem\u3ep\u3c/em\u3e-Values versus Significance Levels
No full textIn this article Phillip Good responds to Richard Anderson\u27s article Conceptual Distinction between the Critical p Value and the Type I Error Rate in Permutation Testing
[Portrait of Phillip Adams addressing the National Press Club, Canberra, 3 April, 1996] [picture] /
No full textTitle devised by cataloguer from information on negative packet.; Condition good.; Negative to be found in packet (1) of 2 packets (1 & 2).; Part of a collection of photographs of Phillip Adams addressing the National Press Club, Canberra, 3 April, 1996. Phillip Adams is a writer, journalist, film producer and radio broadcaster. He was chairman of the Australian Film Commission from 1985 to 1990
[Letter from Phillip J. Montalbo to John Connally - April 24, 1965]
No full textLetter from Phillip J. Montalbo to John B. Connally, Governor of the State of Texas, asking Connally to consider Montalbo's reappointment as Commissioner of the Texas Good Neighbor Commission. A copy of this letter was sent to John J. Herrera
[Portrait of Phillip Adams addressing the National Press Club, Canberra, 27 January 1993] [picture] /
No full textTitle devised by cataloguer from information on negative packet.; Condition good.; Negative to be found in packet (A) of 3 packets (A, B and C).; Part of a collection of photographs of Phillip Adams addressing the National Press Club, Canberra, 27 January 1993.; Related material: Address by Phillip Adams, writer and journalist, at the National Press Club, Canberra on 27 January 1993 National Library of Australia Oral History section ORAL TRC 4348. Phillip Adams is a writer, journalist, film producer and radio broadcaster. He was chairman of the Australian Film Commission from 1985 to 1990
sj-pdf-3-pmj-10.1177_02692163221092618 – Supplemental material for Impact of expected parental death on the health of adolescent and young adult children: A systematic review of the literature
No full textSupplemental material, sj-pdf-3-pmj-10.1177_02692163221092618 for Impact of expected parental death on the health of adolescent and young adult children: A systematic review of the literature by Melissa Jessop, Amanda Fischer and Phillip Good in Palliative Medicine</p
sj-pdf-2-pmj-10.1177_02692163221092618 – Supplemental material for Impact of expected parental death on the health of adolescent and young adult children: A systematic review of the literature
No full textSupplemental material, sj-pdf-2-pmj-10.1177_02692163221092618 for Impact of expected parental death on the health of adolescent and young adult children: A systematic review of the literature by Melissa Jessop, Amanda Fischer and Phillip Good in Palliative Medicine</p
sj-pdf-1-pmj-10.1177_02692163221092618 – Supplemental material for Impact of expected parental death on the health of adolescent and young adult children: A systematic review of the literature
No full textSupplemental material, sj-pdf-1-pmj-10.1177_02692163221092618 for Impact of expected parental death on the health of adolescent and young adult children: A systematic review of the literature by Melissa Jessop, Amanda Fischer and Phillip Good in Palliative Medicine</p
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Could Duke Phillip the Good of Burgundy have owned the Bayeux tapestry in 1430?
No full textBeech George T. Could Duke Phillip the Good of Burgundy have owned the Bayeux tapestry in 1430?. In: Revue belge de philologie et d'histoire, tome 83, fasc. 2, 2005. Histoire médiévale, moderne et contemporaine - Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 355-365
Phillip DeVito on AM Northwest on KATU, 1984
No full textAM Northwest program host Jim Bosley interviews Phillip DeVito, the maître d’hôtel and cellar master for the fine dining and wine program at Salishan Lodge in Gleneden Beach, Oregon. DeVito, who spent his early career in Portland and was good friends with Bosley, discusses both his career and Oregon wine.
Included in the segment: Wine buyers Craig Peck (of Grapery) and Kelly Dawson (of Belinda\u27s Restaurant) conduct a blind taste test. Both were former employees of DeVito\u27s who were trained at Salishan. The wines poured were from Acacia in Napa, California, The Eyrie Vineyards in Dundee, Oregon, and Louie Latour of Burgundy, France. DeVito mentions the award-winning wine collection he has built at Salishan, consisting of 32,000 bottles. The Salishan wine list is also displayed. DeVito explains that Oregon has the climate now to produce Pinot Noirs as good as the French
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