4,986 research outputs found

    Miss Donnithorne's Maggot: Psappha Unconducted featuring Jane Manning

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    Jane Manning performs Peter Maxwell Davies's music theatre work Miss Donnithorne's Maggot (1974) with her long-standing collaborators, Manchester-based ensemble Psappha. They have given many performances of the work together, including a production, staged by Jane Manning, for the South Bank's 'To the Max' festival in the Queen Elizabeth Hall, on 17 April 2005

    Les Manning : Clayscapes

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    A brief statement by Manning provides an introduction to documentation of the artist's stoneware works. Biographical notes

    Interview with Martha Manning - OH 297

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    Martha Joyce Richardson Manning (1936-) is a 1973 Winthrop College graduate (Masters Degree) who was enrolled to further her career as a reading teacher at the suggestion of parents and school board members. Mrs. Manning was married the Reverend Jesse Franklin “Frank” Manning (1933-2006) and has three children at the time of her enrollment. Mrs. Manning discusses her professional life as well as her experience as a student in the education program at Winthrop. She talks about her professors, her rigorous class load, and the College president, Dr. Charles B. Vail (president from 1973-1982). Mrs. Manning graduated with a “Reading Teacher Award,” and took a test to receive a certification that allowed her to teach reading from elementary to college levels in South Carolina. She discusses how Winthrop helped her to further her passion for education. Martha Manning is the author of her autobiography My Angel and Me (2017)https://digitalcommons.winthrop.edu/oralhistoryprogram/1153/thumbnail.jp

    The influence of technology on the composition of Stockhausen's Octophonie, with particular reference to the issues of spatialisation in a three-dimensional listening environment

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    The legacy of Stockhausen's role in developing the art and practice of electroacoustic music is significant, in terms of both the repertory of works he produced for the medium from the early 1950s right up to his death in 2007, and also the supporting documentation he has provided in terms of scores and technical records and his many writings on the medium over the years. What emerges from this documentation is a fascinating and at times significant insight into his compositional methods and underlying aesthetic, itself shaped and influenced by the changing nature of the technology itself. Whereas his earlier works have been subject to close scrutiny in this context far less attention has been paid to those composed in more recent years, involving the use of digital technologies. A key consideration in this context is the distinctive and highly individual nature of his approach to the resources at his disposal, in turn driven by aesthetic considerations which of necessity become embedded in the practicalities of realisation. Thus the study of the changing nature of his techné as new tools became available becomes a crucial consideration. This article examines these issues in the context of Octophonie (1991) and with particular reference to the concepts and practicalities addressed in his use of three-dimensional spatialisation

    Bob Manning & son: soul, inheritance, and forgotten stories

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    Bob Manning & Son is a long-form multimedia nonfiction essay based on interviews, historical research, and personal accounts. The essay documents the life of Swedish-American soul singer, Bob Manning, and explores the familial inheritance of his children, primarily through the perspective of his son, Matthew Manning (author)

    Willmes (Peter), Der Herrscher-'Adventus' im Kloster der Frühmittelalters

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    Manning Eugène. Willmes (Peter), Der Herrscher-'Adventus' im Kloster der Frühmittelalters. In: Revue belge de philologie et d'histoire, tome 57, fasc. 3, 1979. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 771-772

    Willmes (Peter), Der Herrscher-'Adventus' im Kloster der Frühmittelalters

    No full text
    Manning Eugène. Willmes (Peter), Der Herrscher-'Adventus' im Kloster der Frühmittelalters. In: Revue belge de philologie et d'histoire, tome 57, fasc. 3, 1979. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 771-772
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