13,369 research outputs found
Brief von Peter Gustav Lejeune Dirichlet an Hermann Franck
No full textBRIEF VON PETER GUSTAV LEJEUNE DIRICHLET AN HERMANN FRANCK
Brief von Peter Gustav Lejeune Dirichlet an Hermann Franck ( -
Verbreitungsatlas der Farn- und Blütenpflanzen Bayerns: für die Bayerische Botanische Gesellschaft zum 100jährigen Jubiläum und die Regensburgische Botanische Gesellschaft zum 200jährigen Jubiläum
No full textVerbreitungsatlas der Farn- und Blütenpflanzen Bayerns / hrsg. von Peter Schönfelder ... [Mitarb.: Hermann Oblinger ...] - Stuttgart : Ulmer, 1990. - 752 S
Hermann Paul's 'Principles of language history' revisited : translations and reflections /
No full textHermann Paul's Prinzipien der Sprachgeschichte served as the most important codification and development of Neogrammarian thought for more than four decades. Four well-known linguists have translated specially selected chapters of the Prinzipien into English and provide their reflections on Hermann Paul's contribution on a range of topics.Hermann Paul's Prinzipien der Sprachgeschichte served as the most important codification and development of Neogrammarian thought for more than four decades. Four well-known linguists have translated specially selected chapters of the Prinzipien into English and provide their reflections on Hermann Paul's contribution on a range of topics
Musikstädte as real and imaginary soundscapes: urban musical images as literary motifs in twentieth-century German modernism
No full textPhDThis study examines German literary images of musical life as part of the wider sound identity of the modern German city at the turn of the twentieth century. Focussing on a forty-year period from 1890 to 1930, synonymous with the emergence of the modern German metropolis as an aesthetic object, the project assesses, compares and contrasts how musical life in the Musikstädte was perceived and portrayed by writers in an increasingly noisy urban environment. How does urban musical life influence and condition city writings? What are the differences and similarities between the writings on various musical cities? Can an urban textual sound identity be derived from these differences and similarities? The approach employed to answer these questions is a new, cross-disciplinary one to urban sound in literature, moving beyond reading the key sounds of the urban soundscape using urban musicology, sensorial anthropology and cultural poetics towards a literary contextualisation of the urban aural experience.
The literary motifs of the symphony, the gramophone and urban noise are put under the spotlight through the analysis of a wide range of modernist works by authors who have a special relationship with music. At the centre of this analysis are the Kaffeehausliteratur authors Hermann Bahr, Alfred Polgar and Peter Altenberg, the then Munich-based author Thomas Mann and the lesser known René Schickele. The analysis of these particular works is framed in the music-geographical context of the Musikstadt and literary underpinnings of this topos, ranging from Ingeborg Bachmann to Hans Mayer and, once again, Thomas Mann. In analysing these texts, the methodological approach devised by Strohm, who identifies the blending of a range of urban sounds as a definition of urban space and identity, is applied. His ideas combine historical literary
analysis, musical history and urban sociology. They are rarely used in the analysis of the auditory environment.Arts and Humanities Research Council
Westfield TrustWestfield Trust Studentship
Arts and Humanities Reseach Council (AHRC
Georg Hermann.
No full textThe internationally renowned author of numerous novels, essays, and articles, Georg Hermann, was born as Georg Borchardt in Berlin-Friedenau on October 7, 1871, the youngest of six children in a well-established Jewish family. Later in life he used his father’s first name Hermann as his surname when writing. Contrary to the expectations for a young man from a reputable family, Hermann did not pursue the Abitur exam in a Gymnasium (secondary school), but instead received a one-year certificate in 1890, leaving school to become an apprentice salesman at a tie company. From 1896 until 1899 he worked in the Statistical Office of Berlin, at the same time attending literature and art history lectures at the University of Berlin. Afterwards he worked as a freelance writer and art critic.His first book, 'Spielkinder', was published in 1896, but he did not become well-known until 1906, with the publication of 'Jettchen Gebert', followed by its sequel, 'Henriette Jacoby'. These novels told the story of the life of a young woman living in Jewish Berlin during the Biedermeier period of the 1820s and 1830s. Politically active, Georg Hermann was also a member of the Central-Verein deutscher Staatsbürger jüdischen Glaubens.Having become known for his pacifist tendencies through his writing, and because of his Jewish heritage, Georg Hermann and his family fled to Holland shortly after the burning of the Reichstag in 1933. Although the rest of his family was saved from the Nazis after their occupation of Holland in 1943, Georg Hermann was sent to the Dutch concentration camp of Westerbork. On November 16, 1943 he was transported to Auschwitz and either died during transport or shortly after his arrival.Digital ImageRecord added to DigiTool. Aleph record suppressed. J. Palmisano 09/15/2010
Zum Weltbild von Hermann Hesse in der frühen Prosa
No full textHermann Hesses Weltbild ist fast in jedem seiner Werke aufzufinden. Sowohl in der frühen, als auch in der späteren Prosa findet man Werke, in denen sein Weltbild auszuzeigen ist. In dieser Arbeit habe ich versucht, auf Grund von drei seiner wichtigen Werken, namentlich Peter Camenzind, Roßhalde und Demian die wichtigsten Züge seines Weltbildes in der frühen Prosa darzulegen.
Zum Weltbild eines Menschen gehören vor allem seine Anschauung und sein Verhältnis zu Menschen, Natur, Gott, Kunst, Leben und zu sich selbst.BKnémetegyetem
Georg Hermann Collection 1837-2001
No full textThis collection depicts the life and work of the author Georg Hermann. The main focus of this collection is his literary estate, and the collection contains extensive manuscripts of both his fiction and non-fiction writings, including novels, shorter fiction, essays, and articles. In addition, it also holds correspondence, clippings, photos, official documents and papers, writings by others about Georg Hermann and his work, and a few photos.digitize
martinantonmueller/Hermann-Bahr_Arthur-Schnitzler: Zenodo Release
No full textHermann Bahr – Arthur Schnitzle
Paul (Hermann), Wlehl (Peter), Grosse (Siegfried). Mittelhochdeutsche Grammatik
No full textPeeters Christian. Paul (Hermann), Wlehl (Peter), Grosse (Siegfried). Mittelhochdeutsche Grammatik. In: Revue belge de philologie et d'histoire, tome 70, fasc. 3, 1992. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 809-810
Paul (Hermann), Wlehl (Peter), Grosse (Siegfried). Mittelhochdeutsche Grammatik
No full textPeeters Christian. Paul (Hermann), Wlehl (Peter), Grosse (Siegfried). Mittelhochdeutsche Grammatik. In: Revue belge de philologie et d'histoire, tome 70, fasc. 3, 1992. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 809-810
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