6,107 research outputs found
David Atkinson and Peter Nicholson, 1992
No full textLeft: David Atkinson, Centre for Computer Animation. Right: Peter Nicholson, Cartoonist. Pictured in the Animation Studio. Peter Nicholson, with two of his creations "Hawke and Keating", examined the equipment available in the Centre, 1992. Photograph originally appeared in the 'Swinburne Newsletter', 17th September 1992
Southport
No full textBoat trip to Southport from Darwin led by Peter Spillett for Historical Society (or National Trust). The boat belonged to Bill Jelley. L-R Wendy Iles (now Atkinson, Carl Atkinson's widow), Harbourmaster, Richard Wilson, Helen WilsonRodd, A. H.Date:198
Café Royal Books Archive One
No full textArchive One
Café Royal Books
100 books
423mm x 214mm x 210mm
Rigid paper covered tray with lift off lid
Three Inner compartments
1500 Microns black lined board
Black Wibalin Buckram
Foil blocked
Edition of 10. Each book is an edition of IRO200.
Published on the occasion of Café Royal Books tenth birthday. December 2015, with celebratory event at The Photographers' Gallery, London.
The first 100 books of the current series.
Contents as follows:
CRB104 Revisiting Utopia: Modernist Architecture in the Post-regenerate City Craig Atkinson & In Certain Places (Elaine Speight and Charles Quick) 300 (first edition) 140mm x 200mm 24 b/w digital
CRB105 Photograph Converted into Base 64 Code Matthew Birchall 100 140mm x 200mm 24 b/w digital
CRB110 Another Time Another Place John Claridge 100 140mm x 200mm 28 b/w digital
CRB111 Berlin Autobus Craig Atkinson 100 140mm x 200mm 40 b/w digital
CRB112 Along The Thames John Claridge 100 140mm x 200mm 28 b/w digital
CRB115 The Salvation Army John Claridge 100 140mm x 200mm 28 b/w digital
CRB120 Peopled Streets John Claridge 100 140mm x 200mm 28 b/w digital
CRB122 East End Graphics John Claridge 100 140mm x 200mm 28 b/w digital
CRB123 British Rituals David Levenson 100 140mm x 200mm 28 b/w digital
CRB124 Someone Else's Friends and Family Craig Atkinson 100 140mm x 200mm 28 b/w digital
CRB125 Ten ’til Late Mark McNulty 100 140mm x 200mm 28 b/w digital
CRB126 America 29.01.13 Craig Atkinson 100 140mm x 200mm 28 b/w digital
CRB127 The Burry Man David Levenson 100 140mm x 200mm 16 b/w digital
CRB128 Preston Bus Station: Lost and Found Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB129 Monoliths, Sculptures, Fun and Death John Claridge 150 140mm x 200mm 28 b/w digital
CRB130 Blitz Kids, Skins & Silver Spoons Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB132 Promise Land… Joni Sternbach 150 140mm x 200mm 28 b/w digital
CRB133 Working Men: Club and Coal Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB134 Coal Miners 1971 John Claridge 150 140mm x 200mm 28 b/w digital
CRB136 East End Shops Tony Hall 100 140mm x 200mm 28 b/w digital
CRB137 East End Panoramas Tony Hall 100 140mm x 200mm 28 b/w digital
CRB139 Brick Lane and Co: Whitechapel in the 1970s Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB140 Britannia Coco-nut Dancers David Levenson 150 140mm x 200mm 28 b/w digital
CRB141 Afternoons Well Spent John Claridge 150 140mm x 200mm 28 b/w digital
CRB142 A Tinker’s Tale John Claridge 150 140mm x 200mm 28 b/w digital
CRB143 Electric Tears and All Their Portent J A Mortram 150 140mm x 200mm 28 b/w digital
CRB145 The Gorbals John Claridge 150 140mm x 200mm 28 b/w digital
CRB146 South Liverpool 1976 - 1982 Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB147 Scottish Landscapes John Claridge 150 140mm x 200mm 28 b/w digital
CRB148 East End Pubs & Markets Tony Hall 150 140mm x 200mm 28 b/w digital
CRB150 Whitechapel 1983 -1999 Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB151 Someone Else’s Skiing Holiday Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB152 The Industrial Past John Claridge 150 140mm x 200mm 28 b/w digital
CRB153 Stonehenge:1970’s Counterculture Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB154 Alexandra Road Estate Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB155 Kings of Grey Luke Overin 150 140mm x 200mm 28 b/w digital
CRB156 The Common Riding Jeremy Sutton-Hibbert 150 140mm x 200mm 28 b/w digital
CRB157 Suited and Booted Peter Dench 150 140mm x 200mm 28 b/w digital
CRB158 Someone Else's Summer in Moritz Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB159 Underground Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB160 London Barbican Craig Atkinson 150 (first edition) 140mm x 200mm 28 b/w digital
CRB161 Toff’s Hat Flat Cap Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB162 Living With Epilepsy J A Mortram 150 inc 30 signed 140mm x 200mm 32 b/w digital
CRB163 London Circus Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB164 London, Nine Miles from Hounslow Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB165 Once a Year: 1970s Folklore in Britain Homer Sykes 200 140mm x 200mm 28 b/w digital
CRB166 Sheffield Tinsley Viaduct John Darwell 150 140mm x 200mm 28 b/w digital
CRB167 Glasgow, The River Underground Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB168 Preston Bus Station: Pie and Blow Dry Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB169 Tyburn Hemp Brian David Stevens 150 140mm x 200mm 28 b/w digital
CRB170 Harris Flights Craig Atkinson / In Certain Places 150 140mm x 200mm 28 b/w digital
CRB171 “Where’s The Monkey?” David J Carol 250 140mm x 200mm 28 b/w digital
CRB172 Sheffield Meadowhall, Hyde Park, Ponds Forge John Darwell 150 140mm x 200mm 28 b/w digital
CRB173 Vintage London John Claridge 150 140mm x 200mm 28 b/w digital
CRB174 Glasgow Streets Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB175 Ribble Steam Railway John Claridge 200 140mm x 200mm 28 b/w digital
CRB177 Leiston, Suffolk 1966 Libby Hall 150 140mm x 200mm 28 b/w digital
CRB178 London, Trellick Tower Craig Atkinson 150 140mm x 200mm 28 b/w digital
CRB179 Once a Year: Folklore in Britain Now Homer Sykes 200 140mm x 200mm 28 b/w digital
CRB180 Old Ladies of Whitechapel Phil Maxwell 150 140mm x 200mm 28 b/w digital
CRB181 Photographs Converted into Morse Code Matthew Birchall 150 140mm x 200mm 98 b/w digital
CRB182 Red Neck Land Tilney1 150 140mm x 200mm 16 b/w digital
CRB183 Glasgow Streets The New Era Hugh Hood 150 140mm x 200mm 28 b/w digital
CRB185 Small Town Inertia Diary Entries J A Mortram 150 140mm x 200mm 28 b/w digital
CRB186 Preston Bus Station Exit Town Centre Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB187 Skelmersdale 1984 Stephen McCoy 150 140mm x 200mm 28 b/w digital
CRB188 Grangemouth and the Forth Estuary John Darwell 150 140mm x 200mm 28 b/w digital
CRB189 Rotherhithe Photographs Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB190 Mayday Brian David Stevens 150 140mm x 200mm 28 b/w digital
CRB191 Electronic Music New York City 1995 Tim Soter 150 140mm x 200mm 28 b/w digital
CRB192 Saltaire 1981 Still a Model Mill Village Homer Sykes 150 140mm x 200mm 28 b/w digital
CRB193 Preston Bus Station Up and Over Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB194 The Passengers Joni Sternbach 150 140mm x 200mm 36 b/w digital
CRB195 “Here’s the Deal…” David J Carol 150 140mm x 200mm 28 b/w digital
CRB197 Brighton Beach Stewart Weir 150 140mm x 200mm 28 b/w digital
CRB198 Annual General Meeting David Levenson 200 140mm x 200mm 28 b/w digital
CRB199 Recreation and Romance 1970’s London Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB200 Glasgow 1974-1978 Hugh Hood First edition 140mm x 200mm 36 b/w digital
CRB201 Sunderland and South Shields in the 1980’s George Plemper 150 140mm x 200mm 36 b/w digital
CRB202 Social Landscapes London in the 1970s Tony Bock 150 140mm x 200mm 28 b/w digital
CRB203 Crash Happy Grant Scott 150 140mm x 200mm 28 b/w digital
CRB204 Preston Bus Station Babies, Ladies and Gentlemen Craig Atkinson 150 140mm x 200mm 28 colour digital
CRB205 Israel 1967 John Claridge 150 140mm x 200mm 28 b/w digital
CRB206 Modernist Revival Jonathan Mortimer 150 140mm x 200mm 28 b/w digital
CRB207 Glasgow Steamies Allan Bovill 150 140mm x 200mm 28 b/w digital
CRB208 Ocean Beach Rhyl Stephen Clarke 150 140mm x 200mm 28 b/w digital
CRB209 Manchester 42 Bus Claire Atkinson 150 140mm x 200mm 28 b/w digital
CRB210 Bristol 04.13 Craig Atkinson 200 140mm x 200mm 28 b/w digital
CRB211 Sheffield Things Seen Whilst Wandering Around Attercliffe John Darwell 150 140mm x 200mm 36 b/w digital
CRB213 Housing Estates 1979 - 1981 Stephen McCoy 150 140mm x 200mm 28 b/w digital
CRB214 Social Landscapes Britain in the 1970s Tony Bock 150 140mm x 200mm 36 b/w digital
CRB215 Social X-rays New York Dafydd Jones 200 140mm x 200mm 36 b/w digital
CRB216 Notting Hill Sound Systems Brian David Stevens 150 140mm x 200mm 36 b/w digital
CRB217 North of Barnet Geoff Howard 150 140mm x 200mm 28 b/w digital
CRB219 Egypt 1963 One Arthur Tress 150 140mm x 200mm 36 b/w digital
CRB220 Egypt 1963 Two Arthur Tress 150 140mm x 200mm 36 b/w digital
CRB221 Notting Hill Sound Systems Brian David Stevens 150 140mm x 200mm 36 b/w digital
CRB222 Millbank and That Van Marc Vallée 150 140mm x 200mm 36 b/w digital
CRB223 Holy Ireland Croagh Patrick Geoff Howard 150 140mm x 200mm 36 b/w digital
CRB224 Robin Hood Gardens Craig Atkinson 250 140mm x 200mm 36 b/w digital
CRB302 Archive One Various 10 423mm x 214mm x 210mm 100 books mixe
Fundamentals of the physical environment, 4th edition – By Peter Smithson, Ken Addison and Ken Atkinson
No full textThe article reviews the book "Fundamentals of the Physical Environment," 4th edition, by Peter Smithson, Ken Addison and Ken Atkinson
Geographical information science: geostatistics and uncertainty
No full textThe previous progress report on geographical information science (GIS) (Atkinson, 1997) reviewed a wide range of developments in GIS that occurred in or were published in 1996. The coverage was relatively broad since the report prior to that appeared in 1993 and there was great diversity to include. However, given the limited space available for reports, wide coverage can be superficial. With this in mind, the present report focuses on one aspect of GIS of great importance: the assessment and modelling of uncertainty in spatial databases. In particular, the focus of this report is on the geostatistical assessment of uncertainty
Issues of uncertainty in super-resolution mapping and their implications for the design of an inter-comparison study
No full textSuper-resolution mapping is a relatively new field in remote sensing whereby classification is undertaken at a finer spatial resolution than that of the input remotely sensed multiple-waveband imagery. A variety of different methods for super-resolution mapping have been proposed, including spatial pixel-swapping, spatial simulated annealing, Hopfield neural networks, feed-forward back-propagation neural networks and geostatistical methods. The accuracy of all of these new approaches has been tested, but the tests have tended to focus on the new technique (i.e. with little benchmarking against other techniques) and have used different measures of accuracy. There is, therefore, a need for greater inter-comparison between the various methods available, and a super-resolution inter-comparison study would be a welcome step towards this goal. This paper describes some of the issues that should be considered in the design of such a study
A method for describing quantitatively the information, redundancy and error in digital spatial data
No full textA new method for describing the information, redundancy and error in digital spatial data is presented. By modelling the spatial dependence in a given variable it is possible to determine the amount of measurement error in each observation. Then for a given sampling strategy (support sample size, and sampling scheme), it is possible to determine the proportion of underlying variation that is informative and the proportion that is redundant. The effect of sampling strategy on information is demonstrated for measurements of the red reflectance of a field of pasture
Closing the gap: Using graduate attributes to improve Indigenous education
No full textPeter J. Anderson and Bernadette Atkinson teach Indigenous and Traditionally Education in a Global World as a fourth year unit in the Faculty of Education at Monash University, Clayton. This paper is a self-reflective piece of work where we discuss the use of graduate attributes relating to Indigenous Education, put forward by the Australian Institute of Teaching and School Leadership (AITSL). These standards have the potential to improve pre-service teachers knowledge in relation to Indigenous education, therefore equipping them with the necessary skills and tools required to teach effectively to Indigenous and non-Indigenous students. The focus of this paper pertains specifically to AITSL focus area 2.4 Understand and respect Aboriginal and Torres Strait Islander people to promote reconciliation between Indigenous and non-Indigenous Australians discussing how pre-service teachers can promote reconciliation and teach Indigenous subject matter in a respectful manner to non-Indigenous students
Letter from Harry G. Atkinson, Chief, Intelligence Branch, Security and Intelligence Division, to George Hideo Nakamura, October 16, 1945
No full textCorrespondence from Harry Atkinson to George Hideo Nakamura regarding withdrawal of limitations imposed by Nakamura's removal.The Japanese American Archival Collection documents the people, places, and daily life of Japanese Americans, primarily those who lived in the once thriving community of pre-war Florin in the Sacramento region, as well as the conditions in American incarceration camps during World War II. The approximately 7,000 original items include personal and official letters, photographs, diaries, arts and crafts, newsletters, textiles, camps artifacts, yearbooks and other publications
Ms Lauren Atkinson
No full textJohn Curtin School of Medical Research, Physical Biochemistry - Barry Filchie, Ms. Laurel Atkinson, Prof. Laurie Nichol, Mr. Alan Mark, Dr. Peter Jeffre
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