592 research outputs found
Analysis of watersheds and river systems: short course
No full textShort course: Analysis of Watersheds and River Systems, Session I and II, held on May 28-June 1, 1979 and June 4-June 8, 1979 at Colorado State University, Fort Collins, Colorado.Speakers: Dr. E. V. Richardson, Dr. David Duttweiller, Mr. Lee Mulkey, Dr. Stanley A. Schumm, Dr. Daryl B. Simons, Dr. Ross Carder.Includes bibliographical references.This short course is designed for individuals dealing with the analysis of watersheds and rivers. Practical applications concerning physical processes will be emphasized.Chapter 1. General introduction / Daryl B. Simons and Ruh-Ming Li -- Chapter 2. Introduction to watershed and river analysis / Daryl B. Simons and Ruh-Ming Li -- Chapter 3. Physical processes governing response of watersheds and rivers / Daryl B. Simons, Timothy J. Ward and Ruh-Ming Li -- Chapter 4. Sediment transport / H. W. Shen -- Chapter 5. Alluvial bed roughness / H. W. Shen -- Chapter 6. Overview of flood routing methods / Ruh-Ming Li and V. Miguel Ponce -- Chapter 7. Water routing and yield from watersheds, Part I and II / Ruh-Ming Li, Daryl B. Simons, and Kenneth G. Eggert -- Chapter 8. Water routing in rivers / Yung-Hai Chen -- Chapter 9. Stage discharge relations / Robert K. Simons, Ruh-Ming Li, and Daryl B. Simons -- Chapter 10. Watershed sediment yield / Ruh-Ming Li, Daryl B. Simons, and Timothy J. Ward -- Chapter 11. Unsteady sediment routing models in rivers / Yung-Hai Chen and Daryl B. Simons -- Chapter 12. Known discharge sediment routing / Glenn O. Brown and Ruh-Ming Li -- Chapter 13. Landslide potential delineation / Timothy J. Ward, Ruh-Ming Li, and Daryl B. Simons -- Chapter 14. Application of Kalman filtering in watershed and river analysis / Nguyen Duong -- Chapter 15. Handheld calculator programs for analysis / Kenneth G. Eggert, Ruh-Ming Li, and Daryl B. Simons -- Chapter 16. Overview of case studies and data management / Daryl B. Simons, Ruh-Ming Li, and Nguyen Duong -- Chapter 17. Canal and channel design and river response analysis / Daryl B. Simons, Ruh-Ming Li, and Yung-Hai Chen -- Chapter 18. Degradation and aggradation analysis / Ruh-Ming Li and Daryl B. Simons -- Chapter 19. Watershed best management analysis / Ruh-Ming Li, Timothy J. Ward, and Daryl B. Simons -- Chapter 20. Large river basin analysis: Yazoo River Sedimentation Study / Daryl B. Simons and Ruh-Ming Li
Dunbar Football Players
No full textLettermen expected to lead Dunbar\u27s first try at University Interscholastic League (UIL) competition are, left to right, front, Patrick Brown, Kenneth Perry, Timothy Austin, and back, J. D. Fillmore, Johnny White and Joe Gilliam. Fort Worth Star-Telegram Evening September 6, 1967.https://mavmatrix.uta.edu/specialcollections_startelegram1960s/5186/thumbnail.jp
Design guidelines for quality atriums
No full textThesis (M.S.)--Massachusetts Institute of Technology, Dept. of Architecture, 1986.MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.Bibliography: leaves 164--165.Modern technology has made it ecomically feasible to span large glass-enclosed structures which are socially sufficient and convenient for less mobile groups of the society like handicapped, elders and children to virtually spend days, weeks or even months in a comfortable indoor climate. However, it is plausible that any positive effects of a manipulated environment can turn sour if the created climate is not closely simulating natural condition. There is a danger of building in faulty and shortsighted presumptions neglecting the close relationship that exist between social, biological, medical, technical and aesthetical needs. This thesis, divided in two parts, has the broad aim to strengthen the architectural and technical foundation for a good atrium design in order to provide a suitable environment for the coexistence of people and plants in relation to comfort, health, climate, technique, aesthetics, and energy consumption. The scientific purpose is to establish new design criteria and methods in order to create a useful base for intelligent decisions in fulfilling the ultimate vision of a living atrium. The study will specifically focus on design guidelines with respect to climatic conditions affecting plant growth and human health and comfort within atriums. Part one is a discussion regarding major variables affecting human health, comfort and plant growth in atriums. Also included is a detailed study, recently conducted by the author, investigating the. impact of new glazing technology on plant growth. Part two presents various useful design guidelines which can be used to moderate climatic conditions and enhance plant growth in atriums. A detailed lighting investigation, conducted by the author, is also presented as a design tool for determining the distribution of illumination levels in top-lit atriums during overcast conditions. The method can be used to rapidly identify plant growth zones in an arbitrarily proportioned and top-lit light-well.by Kenneth Gardestad.M.S
Friends of Musselman Library Newsletter Spring 2013
No full textTable of contents: From the Director: Primary Source Materials (Robin Wagner); Students Create Cabinets of Wonder (Emily Francisco ’14, Jill Duranko ’14, Kay Etheridge, Felicia Else, Josh Poorman ’13, Danielle Berardinelli ’13); 30 Treasures Book Wins Awards (Emily Wass); Visitors from Middle East Give Civil War Era Artifacts (Janet Morgan Riggs ’72); Focus on Philanthropy: Donald Brett and Eisenhower memorabilia; Research Reflections: To the Gallows – Manual of Chemistry by John W. Webster (Michel R. Wedlock); Classes visit Special Collections (Carolyn Sautter, William Bowman, Kristen Trout ’15, David Booz, Karen Pinto, Leslie Wallace); Alumnus Donates Native American Lithographs (Geoffrey Jackson ’91); Katalysine Springs (Marianne Larkin ’71, Andrew Dalton); GettDigital: Music at Gettysburg College (Timothy Sestrick, Keith Gromis ’13); Library Launches The Cupola (Francesca DeBiaso ’12, Janelle Wertzberger, Matthew Carlson ’12, Dan DeNicola); Library on Facebook; Extra Illustrated History of Cumberland (Maryland) etc. by Will H. Lowdermilk (Geoffrey Jackson ’91, Devin McKinney); Librarians Test E-Readers (Janelle Wertzberger); Tribute to Charles H. Glatfelter ’46 (Michael Birkner ’72); Clara Barton Letter Purchased with Drickamer Fund (Karen Drickamer); George C. Maharay as Author of History Books (Ed Maharay, Janet Hancock Maharay ’39, Jennifer Olson ’04); Civil War Institute Donates Lincoln Prize Books; Oral History Endowment Established (G. Kenneth Newbould ’31; Mary J. Newbold, Kenneth H. Newbold ’58, Catherine Perry); artiFACTS Offers Quick Response (QR
The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques
No full textThis thesis was submitted for the degree of Doctor of Philosophy and was awarded by Brunel University.This thesis is based on the research conducted by the author for the series,
Richard Niles' History of Pop Arranging, seven thirty-minute documentary
programmes for BBC Radio 2, researched, written and presented by the author and
broadcast in 2003. It also draws on interviews conducted by the author (and other
research) between 2002 and 2007 both for the radio series and for this thesis and on
the author's experience as a professional arranger in popular music working with
many of the genre's significant recording artists including Paul McCartney, Ray
Charles, Cher, Tina Turner, Westlife, Tears For Fears, Dusty Springfield, James
Brown, Pet Shop Boys, Kylie Minogue and producers including Trevor Hom, Steve
Lipson, Steve Mac and Steve Anderson.
It will be argued that the role of the arranger in popular music has often been
undervalued and that during a critical period of popular music history (1950-2000)
arrangers played a significant part in the evolution of musical content. This thesis is,
to the best of the author's knowledge, the first time (apart from the above mentioned
documentary) the subject has ever been examined. The arranger is "invisible" because musical arrangers are often un-credited on
record liner notes or in books or articles concerning popular music. A considerable
amount of research has been necessary to determine who wrote many of the
arrangements considered herein. Motown's Berry Gordy purposely kept the names of
musicians and arrangers off the records because he feared others might 'poach' the
trademark 'Motown Sound'. Other record labels considered the job of the arranger to
be reminiscent of an earlier era, diluting the Rock 'n' Roll image of emotion and
spontanaeity they wished to promote. Some producers and recording artists disliked
sharing credit for their work. Motown arranger David Van dePitte told the author that
arranging was "thankless and anonymous - a very service-oriented profession where
others often take credit for what you've done." Arranging has therefore remained an
intrinsically unseen art created by 'invisible' artists. By analyzing many recordings,
revealing the techniques and concepts they have used in their work to create popular
records, arrangers and their art will be made more 'visible'
Tissue Engineering: The Alternative to Animal Testing & Meat Manufacturing
No full textHow tissue engineering has the potential to change the way we eat and treatFall 2014Accompanied by video fil
John Wesley and Methodist music in the eighteenth century : principles and practice
No full textEThOS - Electronic Theses Online ServiceGBUnited Kingdo
UHS Sophomore Class 1945
No full textThese photographs were taken for the 1944-1945 edition of the Uintah High School Yearbook. They are located on page 18. The portraits on this page are of members of the sophomore class. Top row, from left to right: Burtron Johnson, Marie Lyon, Valda Massey, Betty McKnight, Keith Hatch, and Erma Nickell. Second row down, from left to right: Joye McKeachnie, Earl Merrell, Ruth Pope, Bryce Mackay, Nila Perry, and Jack Haws. Third row down, from left to right: Karl Merkley, Elva Timothy, Gratton Hall, Eva Reynolds, Sam Snyder, and Josie May Rownan. Fourth row down, from left to right: Kathyleen Merkley, Richard Peterson, Alice Walker, Lyle McKeachnie, Janet Ruppe, and Orvil Merrell. Fifth row down, from left to right: Glen Morrison, Marva Walker, Arvel Oaks, Joyce Sundquist, Richard James, and Lorraine Slaugh. Sixth row down, from left to right: Nola Mae Weeks, Ervin Wilkins, Dorothy Ann Witbeck, Sam Haslem, Norine White, and Irvin Haws. Seventh row down, from left to right: Kenneth Perry, Beulah Redding, Glade Sowards, Helen Allen, Max Stewart, and DeWayne Rhodes. Eighth row down, from left to right: Howard Richardson, Lynn Richardson, Marvel Roper, William Siddoway, Ernest Weeks, and George Perry. Bottom row, from left to right: Bill Workman, Dan Workman, Marita Williams, Mac Workman, Lyle Martinsen, and Willard Rasmussen
UHS Freshmen Class
No full textThe photographs were taken for the 1955 edition of the Uintah High School yearbook. They are on page 45. The portraits on this page are of some of the members of the Freshmen Class. Top row, from left to right: Don Siddoway, Marlene Jones, Ray Dean Gross, Kenneth Gardner, David Haslem, and Richard Perry. Second row down, from left to right: Ronald Stewart, David Mortensen, Brent Winward, Claudine Renfroe, Diane Lyman, and Nancy Hacking. Third row down, from left to right: Larry Cooper, Janice Mann, Emma Jean McNaughton, Gaila Timothy, and Marion Weist. Fourth row down, from left to right: James Ballard, Sharon Fietkau, Boyd Ericksen, Ilene Staley, and Frank Jaramillo. Bottom row, from left to right: Deleen Burke, Ralph McConkie, Fae Chivers, Daryl Teel, and Evelyn Neal
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