3,433 research outputs found
Commodore Oliver H. Perry letter to Benjamin W. Crowinshield, April 9, 1815
No full textThis letter from Oliver Hazard Perry to Benjamin W. Crowinshield, Secretary of the Navy, was written in Newport Rhode Island on April 9, 1815. Perry was writing to recommend Doctor John R. Martin of the Army as a candidate for a Navy position.Newport April 9th 1815
Sir
Doctor John R. Martin of the Army is desirous
of being transferred to the Navy, and hes requested
me to State to you such knowledge as I profess
respecting him--He was Genl Harrison's principal
Surgeon in the N. W. Army and immediately
after the action of the 10th Sept he was sent
to our aid by Gen Harrison with a strong
recommendation.
Very respectfully
I am Sir,
Your ob'd Serv't
O. H. Perry
(Oliver Hazard Perry)"
ALS
1 P
Public worship and practical theology in the work of Benjamin Keach (1640-1704)
No full textThe late seventeenth century was a critical and fruitful period
for the Particular Baptists of England. Severely persecuted following
the Restoration, toleration in 1689 brought its own perils.
Particular Baptists were fortunate in having several strong leaders,
especially the London trio of Hanserd Knollys, William Kiffin, and
Benjamin Keach. Such a small and severely persecuted group as the
Baptists could afford little time for academic pursuits, thus of
necessity most of their theology was practical in nature.
Benjamin Keach (1640-1704) was the most outstanding practical
theologian among the English Particular Baptists of the late
seventeenth century. This dissertation is a study of Keach, in
particular his writings on public worship and practical theology.
Although Keach was a prolific author, he has been almost completely
neglected by scholars.
After a biographical sketch of Keach, this study considers his
writings on public worship and practical theology. In the area of
worship, Keach made two outstanding contributions: First, he was the
most vocal apologist for Baptist views on Baptism of his period.
Secondly, and more importantly, his hymn writing and defense of hymn
singing broke new ground, not just for Baptists, but for English
Protestantism, in general. In addition to his contributions in these
areas, he also dealt with the laying on of hands and the sabbath day
worship controversy.
Keach's contributions to practical theology fall into two main
groups: his writings that concern religious education and those that
deal with polity. In addition to these, Keach's vigorous advocacy of
a high Calvinist soteriology are also considered under the rubric of
practical theology. Keach's most important (although not his most
positive) contribution in this area were his soteriological writings.
Although well within the bounds of orthodoxy, some of the tendencies
in Keach's soteriology were taken up by the following generation of
Baptist leaders and developed into a stultifying hyper-Calvinism that
handicapped Baptist evangelism and missions.
In the conclusion, Keach's contributions to a theory of practical
theology are considered
Charles H. Adams letter to Anna Pemberton, April 18, 1904
No full textShort note from a librarian, archivist, historian or records administrator Charles H. Adams, stationed at the Adams Building in Boston, Massachusetts, in response to an inquiry from Ms. Anna Pemberton -- working on a "Life" (or biography) of Benjamin Lundy -- as to whether the collection contains correspondence between Lundy and John Quincy Adams. Charles Adams responds to Pemberton, informing her that an investigation has been undertaken, and, 33 letters are available for her research between Lundy and John Quincy Adams. Benjamin Lundy (1789-1839) was a prominent Quaker abolitionist best known for his development of abolitionist periodicals. His Genius of Universal Emancipation was first published in 1821 from his home in Mt. Pleasant, Ohio, and enjoyed a wide circulation across the antebellum United States. In the 1820s, the young William Lloyd Garrison came to work for The Genius. Benjamin Lundy traveled widely seeking subscriptions to The Genius, giving talks about the anti-slavery movement, and observing and documenting the conditions of enslaved people across the Americas. He was also involved in the establishment of freed slave colonies in Mexico
PLAYER'S CIGARETTES BENJAMIN DISRAELI
No full textCigarette card depicting politician and author Benjamin Disraeli as a young man with dark hair, black hat in right hand, dark jacket, orange waistcoat, red trousers w. gold stripe, cane in left hand. Rev: A SERIES OF 25 DANDIES FROM PAINTINGS BY CHROSTOPER CLARK, R.I. No. 22 DIZZY in 1826 ... PLAYER'S CIGARETTES. ISSUED BY JOHN PLAYER & SONS BRANCH OF THE IMPERIAL TOBACCO CO. OF GREAT BRITAIN & IRELAND, LTD 3 1/8 X 2 1/2 in.; 7.8 x 6.2 mm.Digital imagedigitize
Benjamin martin the linguist
No full textSummary
Benjamin Martin (1704–82) was a versatile character whose interests and abilities were varied and wide-spread; moreover, he was reasonably successful in practically everything he undertook. However, in a biography by John R. Millburn, Benjamin Martin: Author, Instrument-maker, and ‘Country Showman’ (Leyden, 1976), his linguistic career is not treated as fully as it might have been. In a period of almost 20 years (1748–66) Martin published one dictionary and two works on English grammar, all of which were later reprinted. Towards the end of his linguistic career he was still regarded as an authority on matters of lexicography, and his three works on language are discussed in several modern works on the history of linguistics. This paper, therefore, aims at completing the picture drawn by Millburn as far as Martin’s linguistic work is concerned but it also accounts for certain aspects about his workson language that have so far remained unexplained.</jats:p
Letter to Benjamin Clark Cutler from Benjamin Stevens
No full textLetter dated April 14, 1863 to Assistant Adjutant General, Captain Benjamin Clark Cutler, Santa Fe, from First Lieutenant Benjamin Stevens, Fort Wingate, New Mexico, recommending John Murphy and Martin Quintana, in the First New Mexico Volunteers, for military promotion to Second Lieutenant. Letter also signed by First Lieutenant J. L. Barbey, joint author. Civil War. HL introduction page overlaid by document. Letter in English, handwritten, 1pp/fr
Paradoxical solitude in the life, letters, and poetry of John Keats, 1814-1818
No full textThis thesis proposes two distinct but connected ideas: that John Keats’s idiom of friendship was haunted by “sequestered” longings and that he ultimately valued specific, one-on-one partnerships as a basis for his poetical character. The Introduction places the thesis within its critical context and outlines “paradoxical solitude,” a concept the poet expressed by joining a “kindred spirit” in a wilderness retreat in “O, Solitude.”
I begin by examining the evolving role of solitude in Keats’s literary predecessors (Chapter I). I then trace the development of ideas of creativity and solitude from his 1814-1815 verse, including his first association with a coterie and the influence of Wordsworth (Chapter II). Building on these findings, I explore the poet’s introduction to the Hunt circle in 1816, assessing his relationships with its members and their overstated roles in the production of Poems (Chapter III). I then discuss how Keats regarded the composition of Endymion in 1817 as a poetic “test,” specifically tailored to reinforce his identity as a solitary poet (Chapter IV).
I contend that Keats engaged in a dialogue of independence with Reynolds, adapted the theories of Hazlitt, and restlessly travelled throughout England as a means of rejecting the highly social periods of 1818 (Chapter V). I then consider the creative gains of his northern expedition with Brown in the summer of 1818. I argue that Keats exaggerated his development into a “post-Wordsworthian” poet, positioning himself outside both the coterie’s sphere and the reach of Blackwood’s criticism, and inspiring the theme of Hyperion (Chapter VI).
In closing, I analyze Keats’s advice to Shelley to be a selfish creator of his poetic identity. Only through paradoxical solitude, I argue, was Keats able to construct the poetic identity that led him to compose the poems on which his fame rests in the 1820 volume
Post-war British working-class fiction with special reference to the novels of John Braine, Alan Sillitoe, Stan Barstow, David Storey and Barry Hines
No full textThis study is about British working-class fiction in the post-war period.
It covers various authors such as Robert Tressell, George Orwell, Walter Greenwood, Lewis Grassic Gibbon and DH Lawrence from the early twentieth century; writers traditionally classified as 'Angry Young Men' like John Osborne, Arnold Wesker, Shelagh Delaney, John Wain and
Kingsley Amis; and working-class novelists like John Braine, Stan Barstow, David Storey, Alan Sillitoe and Barry Hines from the 1950s and 1960s.
Some of the main issues dealt with in the course of this study are language, form, community, self/identity/autobiography, sexuality and relationship with bourgeois art. The major argument centres on two questions: representation of working-class life, and the
relationship between working-class literary tradition and dominant ideologies.
We will be arguing that while working-class fiction succeeded in challenging and rupturing bourgeois literary tradition, on the level of language and linguistic medium of expression for example, it utterly failed to break away from dominant, bourgeois modes of literary production in relation to form, for instance.
Our argument is situated within Marxist approaches to literature, a political and aesthetic position from which we attempt an analysis and an evaluation of this working-class literary tradition. These critical approaches provide us also with the theoretical tool to define the political perspective of this tradition, and to judge whether it was confined to a descriptive mode of representation or
located in a radical, political outlook
Map of Comic Book and Graphic Novel Publishers (2016)
No full textGeospatial dataset of contemporary comic book and graphic novel publishers, drawn from John Jackson Miller's 2016 Diamond sales estimates and Brian Hibbs's analysis of 2016 Nielsen BookScan data. Publisher locations sourced by the author
The visceral screen: Between the cinemas of John Cassavetes and David Cronenberg, a Barthesian perspective
No full textThe thesis discusses two directors who are never considered together in academic discourse. Cassavetes’ perceived focus on events led by the dynamics of performance and his looseness of technique opposes the calculated compositions of the Cronenberg film, with its aesthetic of horrific images and its gallery of emotionally detached protagonists. Yet it is between such opposing methods of cinematic expression that the ineffable qualities of film aesthetics can be discovered. Cassavetes’ cinema achieves this by revelling in a surplus of activity that exceeds narrative, while the indescribable characteristics of the Cronenberg oeuvre is achieved through a systematic emptying of the image’s meaning through a simultaneous commitment to paring back emotion and portraying of images that are controversial and inconceivable. Taken together, the thesis identifies these aspects of film as ‘the visceral,’ a facet of the moving image that most certainly exists, but is resolutely, and disturbingly resistant to interpretation.
Roland Barthes’ writings are integral to a theory of the visceral. His re-evaluation of Saussurean semiology as a method of analyzing and undoing ideologically-imposed meanings informs readings of sequences from Cassavetes and Cronenberg’s films. Following Barthes, the thesis suggests that the existence of the visceral is realized as a resistance to ideological interpretations of the image, and so cannot be described. Ultimately, the inability of semiology to fully grasp certain aspects of the filmed image is put forward as a rejoinder to theories of the fiction film as principally a narrative medium
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