906 research outputs found
Johnson (Lee M.). Wordsworth and the Sonnet.
No full textPerrin Marius. Johnson (Lee M.). Wordsworth and the Sonnet.. In: Revue belge de philologie et d'histoire, tome 54, fasc. 1, 1976. Antiquite — Oudheid. pp. 208-209
Meier (Paul), La pensée utopique de William Morris.
No full textPerrin Marius. Meier (Paul), La pensée utopique de William Morris. . In: Revue belge de philologie et d'histoire, tome 54, fasc. 1, 1976. Antiquite — Oudheid. pp. 204-205
Meier (Paul), La pensée utopique de William Morris.
No full textPerrin Marius. Meier (Paul), La pensée utopique de William Morris. . In: Revue belge de philologie et d'histoire, tome 54, fasc. 1, 1976. Antiquite — Oudheid. pp. 204-205
Kher (Inder Nath). The Landscape of Absence. Emily Dickinson's Poetry
No full textPerrin Marius. Kher (Inder Nath). The Landscape of Absence. Emily Dickinson's Poetry. In: Revue belge de philologie et d'histoire, tome 59, fasc. 3, 1981. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 743-744
Borgmeier (Raimund). The Dying Shepherd. Die Tradition der englischen Ekloge von Pope bis Wordsworth
No full textPerrin Marius. Borgmeier (Raimund). The Dying Shepherd. Die Tradition der englischen Ekloge von Pope bis Wordsworth. In: Revue belge de philologie et d'histoire, tome 60, fasc. 3, 1982. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 756-757
Borgmeier (Raimund). The Dying Shepherd. Die Tradition der englischen Ekloge von Pope bis Wordsworth
No full textPerrin Marius. Borgmeier (Raimund). The Dying Shepherd. Die Tradition der englischen Ekloge von Pope bis Wordsworth. In: Revue belge de philologie et d'histoire, tome 60, fasc. 3, 1982. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 756-757
Marius von Mayenburg and Roland Schimmelpfennig
No full textRoland Schimmelpfennig and Marius von Mayenburg represent a new generation of playwrights to emerge in the German-speaking countries in the late 1990s; other prominent protagonists include Falk Richter, Lukas Bärfuss and Kathrin Röggla, as well as Dea Loher and Sibylle Berg. In this chapter, the author clearly shares some of their approaches, as both revisit and reinvent key conventional dramatic mechanisms, yet from a postdramatic horizon. Fireface, mapped out key themes as well as the (European middle-class) universe that keeps appearing in Mayenburg’s work in a variety of permutations. In Der Hässliche, premiered at Schaubühne Berlin in January 2007, Marius von Mayenburg plays a scathing game with postmodern ideas of the ‘performativity’ of subjectivity and contingency of identity. These academic ideas, in the context of neoliberal capitalism, contribute to an all-encompassing commodification of individuality. In fact, all of Marius von Mayenburg’s plays transcend the hyper-realities of his scenarios into grotesque exposures of absurdities of middle-class life under global capitalism
Napoleon, son caractère, son génie, son role historique.
No full textAt head of title: Marius Sepet. copy 2.Mode of access: Internet
La Pologne vivante (Russie, Allemagne, Autriche) une renaissance active sous l'horreur des persécutions, le drame du progrès national, la nationalité, la religion, la langue et la littérature; la vie économique.
No full textOn cover: 4. édition.At head of title: Marius-Ary Leblond.Mode of access: Internet
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