1,383,628 research outputs found

    И тогава потръгна: Бележки върху танцовата драматургия

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    It concerns the Bulgarian translation of the chapters 'Phantasmal archaeology' and 'Composition as a dramaturgical fiction' from Jeroen Peeters' book And then it got legs (Varamo Press, 2022). It discusses principles, methods and practices that contribute to an understanding of dramaturgy as an experimental, collaborative practice and a material form of thinking.www.dancemag.eu Dance Magazine is produced by the non-profit organization Nomad Dance Academy Bulgaria which unites dance artists and critics. It is a non-academic and non-commercial magazine for ballet, contemporary dance and performance that focuses on topical issues, current processes and distinguished personalities in the world of dance both locally and internationally. Its aim is to provoke a more complex understanding of dance and how it reflects our contemporaneity

    A Pickled Community: Fermented Notes from ROT GARDEN

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    Installing his work table and a photocopier in Sara Manente’s ROT GARDEN (BUDA Kortrijk, 10-13 June 2021), Jeroen Peeters proposed to ‘ferment’ a publication in and on this very environment. How to approach writing as part of an ecosystem and material process? The emerging states of the publication were printed on a daily basis and presented in public readings, with reflections on fermentation, ecology, aesthetics and the arts of ‘not-writing’, an exploration that was quite literally to be taken with ‘a pinch of salt’. This was followed by the printing of zines in a run equal to the amount of people present. Writer and text, readers and listeners were all part of the same environment, eager to engage in conversation and practise cultural rewilding. It was an experiment in local publishing that revolved around a constantly transforming and distributed ‘text’, unfurling in an unstable and irreversible process. Two years later, Peeters revisited the materials, reflected on the process and produced a fifth state as a contribution to ROT. What was this ‘pickled community’ meaning to preserve for the future?http://www.varamopress.org/ROT.html http://www.jeroenpeeters.work/rot-garden-readings

    Spectatorship in the Creation Process

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    Watching and being watched is a delicate part of the rehearsal process, as the gaze of choreographer, dramaturge, and other collaborators shapes the work to come. These complex dynamics support the process by giving attention and offering resistance. Jeroen Peeters explores these matters by discussing the creation process of 'Hunter' (2014) by Meg Stuart and Damaged Goods from a dramaturgical point of view

    Spectatorship in the Creation Process

    No full text
    Watching and being watched is a delicate part of the rehearsal process, as the gaze of choreographer, dramaturge, and other collaborators shapes the work to come. These complex dynamics support the process by giving attention and offering resistance. Jeroen Peeters explores these matters by discussing the creation process of 'Hunter' (2014) by Meg Stuart and Damaged Goods from a dramaturgical point of view

    Conceptual Landscapes: Readership in the Expanded Field

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    Artistic research, collaboration and creation require a specific environment, each time adapted to a particular question or guiding image. It is a matter of crafting conditions and staging the workspace, of articulating process so it may become a conscious method, of reading the emerging work. In his PhD in the arts, Conceptual Landscapes: Readership in the Expanded Field, Jeroen Peeters explores such a dramaturgical approach to artistic methods and looks into the modes of attention it affords. ‘Conceptual landscapes’ seek to prepare the ground for sense-making and unfolding guiding images into a shared world. Which specific ways of doing, speaking, imagining arise in there? Or, if we’d look at a creative process as an ‘ecology of attention’, then how do we inhabit it? Documenting these practices opens up an expanded sense of readership that acknowledges corporeal and material forms of thinking. To speak from practice, in his dissertation Jeroen Peeters embraces hybrid forms of experimental writing, in particular essay, artist’s book and lecture-performance. The dissertation consists of six individual volumes (held in an A4-size cardboard box) and one performance work.National depot number: D/2025/2451/2

    Introduction

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    The political attention for ECEC quality is reflected in several initiatives from the Directorate General for Education and Culture of the European Commission. It was clearly present in the 2011 statement on the importance of early childhood education (European Commission, 2011), as well as in a comprehensive study on competence requirements for the early childhood workforce, commissioned in 2010 to a consortium of the University of East London and Ghent University (Urban, Vandenbroeck, Van Laere, Lazzari & Peeters, 2012). The study consisted of a literature study, a survey on curricula for the different early years professions in fifteen countries and a series of seven in-depth case studies on how these recent challenges are met in diverse contexts. Projects like CoRE, as reported in this book, are exercises in interrogating complex contexts of public policy and professional practice

    Conceptual Landscapes: Readership in the Expanded Field

    No full text
    Artistic research, collaboration and creation require a specific environment, each time adapted to a particular question or guiding image. It is a matter of crafting conditions and staging the workspace, of articulating process so it may become a conscious method, of reading the emerging work. In his PhD in the arts, Conceptual Landscapes: Readership in the Expanded Field, Jeroen Peeters explores such a dramaturgical approach to artistic methods and looks into the modes of attention it affords. ‘Conceptual landscapes’ seek to prepare the ground for sense-making and unfolding guiding images into a shared world. Which specific ways of doing, speaking, imagining arise in there? Or, if we’d look at a creative process as an ‘ecology of attention’, then how do we inhabit it? Documenting these practices opens up an expanded sense of readership that acknowledges corporeal and material forms of thinking. To speak from practice, in his dissertation Jeroen Peeters embraces hybrid forms of experimental writing, in particular essay, artist’s book and lecture-performance. The dissertation consists of six individual volumes (held in an A4-size cardboard box) and one performance work.National depot number: D/2025/2451/2

    Datafile Peeters et al. (2020) - Separate effects of BoNT-A and casting.xlsx

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    This data was collected for the investigation of Peeters et al (2020) - Joint and Muscle Assessments of the Separate Effects of Botulinum NeuroToxin-A and Lower-Leg Casting in Children With Cerebral Palsy.This data file contains baseline characteristics, muscle morphology and joint hyper-resistance parameters.</div

    Peeters Online Journals: Unicode Implementation and the Meaning for Online Publishing

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    Peeters Online Journals offer an online access to the complete contents and texts of scientific journals. A simple, but well structured interface gives access to the journals covered by the system. A MySQL-database and a HTML-based administration module are the sources of this site. Visitors can access the data by ip-recognition or a 24h personal login. The articles are presented in portable data file (PDF) format, a file type which focuses on the presentation of the text. In order to make the full text searchable, Peeters did a optical character recognition of the files of 'tijdschrift voor geneeskunde'. This rose new issues. Implementing a Unicode-based SQL database with XML-data could solve these problems and simplify the workflow severely

    A two-variable approach to solve the polynomial Lyapunov equation

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    A two-variable polynomial approach to solve the one-variable polynomial Lyapunov equation is proposed. Lifting the problem from the one-variable to the two-variable context allows to use Faddeev-type recursions in order to solve the polynomial Lyapunov equation in an iterative fashion. The method is especially suitable for applications requiring exact or symbolic computation
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