1,130 research outputs found
Patrick Pound: Brought to Book at Hamish McKay Gallery
No full textPatrick Pound: Brought to Book at Hamish McKay Galler
Book review: Hamish MacCunn (1868-1916): a musical life, by Jennifer L. Oates
No full textBook review of: Hamish MacCunn (1868-1916): a musical life (Music in 19th-Century Britain) by Jennifer L. Oates. Farnham: Ashgate, 2013; ISBN 9780754661832 (£60.00)Publisher PD
The music of Hamish MacCunn (1868-1916): a critical study
No full textApart from a single study of Jeanie Deans, MacCunn's music has, to date, never received a detailed examination. This thesis aims to provide a contextual basis for, and a stylistic analysis of, his major works, and so establish informed criteria by which a truer assessment of MacCunn's significance may be made, challenging the sovereignty of Land of the Mountain and the Flood in the public's reckoning of his compositions and hence revealing it to be not an isolated peak but one summit among many. Hamish MacCunn (1868-1916) grew up in Greenock on the west coast of Scotland before removing to London at the tender age of 15 to further his musical studies at the Royal College of Music. His assimilation of a robust orchestral technique was rapid and before he reached his twentieth birthday he had already tasted the pleasures of public approbation. Thereafter, a sequence of orchestral works, cantatas, songs and two grand operas with a pronounced Scottish character appeared in the late eighties and nineties. It is this period which is the focus of the study, but later works dating from MacCunn's time conducting West End shows are also discussed. Through a generic survey of his output, the thesis locates the composer's works within a historical and biographical framework, isolating characteristic traits both novel and derived from the earlier Nineteenth Century inheritance, and evaluating his position as a composer of his time and afterwards. In particular his strengths and penchants as a composer have been identified with special emphasis on the composer’s bias for dramatic or narrative music, amply demonstrated in his overtures, cantatas and, above all, his two operas Jeanie Deans and Diarmid. To complement the chapters on MacCunn's musical works, an opening biographical chapter, a comprehensive catalogue, a family tree, iconography and bibliography have been provided. Throughout the thesis, reference has been made to primary sources held in Glasgow and other libraries throughout Britain and the United States, in an attempt to arrive at as complete a picture of MacCunn as possible
Evidence: A Canadian Casebook, 4th ed.
No full textAvailable at Evidence : a Canadian casebook : Stewart, Hamish, author : Free Download, Borrow, and Streaming : Internet Archivehttps://commons.allard.ubc.ca/books/1055/thumbnail.jp
Hamish Henderson: The Desert War, Italy, and Scottish poetry
No full textCatalogue of library exhibition about the Scottish poet and folk musicologist Hamish Henderson (1919-2002), covering Henderson\u27s career during World War II, with the 51st Highland Division in the Western Desert and with the Italian resistance, and after the war as prize-winning poet, as political theorist and translator of Gramsci, as a champion and collector of Scottish traditional song, and as folk performer and composer. Includes information on the Henderson manuscripts in the G. Ross Roy Collection at the University of South Carolina, including drafts of his poem Elegies for the Dead in Cyrenaica (1948)
Hamish Henderson and Nelson Mandela: Notes for “Rivonia”
No full textDescribes and reproduces manuscript notesin the G. Ross Roy Collection University of South Carolina Libraries, for the protest song Rivonia ( Free Mandela ), written by the Scottish poet, folklorist and folksinger Hamish Henderson (1919-2002) in 1963-64 in response to the trial of Nelson Mandela and other leaders of the African National Congress who had been arrested at Rivonia, South Africa and sentenced to life imprisonment on Robben Island; assesses the influence of Henderson\u27s song, which was recorded in 1964 by the Corries Trio, and sung at the anti-apartheid protests at Murrayfield, Edinburgh, against the visit of the Springboks rugby team in 1969; and comments briefly on the relation between Henderson\u27s support for Mandela and the ANC and his commitment to Scottish nationalism
Author in waiting : self-portrait of Peter Goldsworthy as a boy
No full textReview of His Stupid Boyhood by Peter Goldsworthy (Hamish Hamilton, 2013)
Environmental influences during development and their later consequences for health and disease: implications for the interpretation of empirical studies
No full textEarly experience has a particularly great effect on most organisms. Normal development may be disrupted by early environmental influences; individuals that survive have to cope with the damaging consequences. Additionally, the responses required to cope with environmental challenges in early life may have long-term effects on the adult organism. A further set of processes, those of developmental plasticity, may induce a phenotype that is adapted to the adult environment predicted by the conditions of early life. A mismatch between prediction and subsequent reality can cause severe health problems in those human societies where economic circumstances and nutrition are rapidly improving. Understanding the underlying mechanisms of plasticity is, therefore, clinically important. However, to conduct research in this area, developmental plasticity must be disentangled from disruption and the adverse long-term effects of coping. The paper reviews these concepts and explores ways in which such distinctions may be made in practice
Late Quaternary vegetation history of North Stradbroke Island, Queensland, eastern Australia
No full textCurrently there is a paucity of records of late Quaternary palaeoenvironmental variability available from the subtropics of Australia. The three continuous palaeoecological records presented here, from North Stradbroke Island, subtropical Queensland, assist in bridging this large spatial gap in the current state of knowledge. The dominance of arboreal taxa in the pollen records throughout the past >40,000 years is in contrast with the majority of records from temperate Australia, and indicates a positive moisture balance for North Stradbroke Island. The charcoal records show considerable inter-site variability indicating the importance of local-scale events on individual records, and highlighting the caution that needs to be applied when interpreting a single site as a regional record. The variability in the burning regimes is interpreted as being influenced by both climatic and human factors. Despite this inter-site variability, broad environmental trends are identifiable, with changes in the three records comparable with the OZ-INTIMATE climate synthesis for the last 35,000 years. © 2013 Elsevier Ltd.Patrick T. Moss, John Tibby, Lynda Petherick, Hamish McGowan, Cameron Bar
The Voice of the People: Hamish Henderson and Scottish Cultural Politics
No full textExamining Hamish Henderson’s search for the radical voice of the people in modern Scotland.
How might the alienation of the artist in modern Scotland be overcome? How do you incite a popular folk revival? Can a poet truly speak with the ‘voice of the people’? And what happens to the writer who rejects print culture in favour of becoming Anon.? The life and times of polymath, scholar, author and folk-hero, Hamish Henderson (1919-2002), poses, and helps us to answer, these questions. This book examines his life-long commitment to finding a form of artistic expression suitable for post-war Europe. Though Henderson is a major figure in Scottish cultural history, his reputation is largely maintained through anecdotes and radical folk songs. This study explores his ideas in their intellectual, cultural and political contexts. It describes how all of his works – in war poetry, song collection, folklore scholarship, folksong revivalism, literary translation, and vicious public debates – reflect this desire to see the artist fully reintegrated in society
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