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[Selfie of Patrick Voss]
Photograph of Patrick Voss in a bathroom the day he returned to UNT 31 years after completing his first Master's program, year 2022, exact date unknown
[Selfie of Patrick Voss]
Photograph of Patrick Voss in a bathroom the day he returned to UNT 31 years after completing his first Master's program, year 2022, exact date unknown
David Patrick Civil War letter
This collection contains a letter written by Private David Patrick of the 40th Iowa Infantry to his mother
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
This critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
D'un lent voyage vers l'équateur. Patrick Amstutz: «s'attendre»
Compte-rendu du recueil «s'attendre» de Patrick Amstutz, paru chez Empreintes
Entretien avec Mireille Calle-Gruber et Patrick Suter
Entretien réalisé par l'Archipel Butor à l'occasion de la publication du Cahiers Butor. 2. Michel Butor et les peintres, sous la direction de Mireille Calle-Gruber & Patrick Suter, Cahiers Butor, no 2, Paris, Hermann, 2022
Patrick Califia Mothers Day Post
Text document Post on facebook by Patrick (Pat) Califia about his relationship with his mother and how being Homosexual and Transgender affect their relationshipConverted from .docx to .pdf for compatibilit
Patrick Chamoiseau Recovering Memory
This timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Title Page -- Contents -- Introduction -- 1: Beginnings: The Enigma of Origin -- 2: 'Une tracée de survie': Autobiographical Memory -- 3: Memory Re-collected: Witnesses and Words -- 4: Memory Materialized: Traces of the Past -- 5: Flesh Made Word: Traumatic Memory in Biblique des derniers gestes -- Afterword -- Notes -- Bibliography -- IndexThis timely new book skillfully examines the work of the award-winning writer Patrick Chamoiseau. Considered by many as one of the most innovative writers to hit the French literary scene in over 40 years, Chamoiseau made his name with his book Texaco (published in 1992 and winner of the highest literary prize in France, the Prix Goncourt). His books have gone on to sell millions and his work has been translated by a number of academic presses. McCusker sets the author in context, providing a valuable contribution to 'memory studies' by looking at literary representation of memory in Martinique, a society founded on slavery but now politically assimilated to the metropolitan centre, France.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Patrick Family Papers
Postcard with image of the Fitzsimons Golf Course. Several people stand on the fairway with trees and sand pits behind them. The roof of the Fitzsimons General Hospital building can be seen behind the trees. On the back of the card is a message from James Walter Patrick to Mary Jean Ross informing her that he is leaving for Camp Claiborne, Louisiana and that he will send her a picture in case he is unable to send her a Christmas present
Patrick Family Papers
Postcard with image of the Dallas Power & Light Company Building at night. The building is in art-deco style and is light by colored spotlights. There is a row of rounded windows near the top of the building. People and cars line the street below. On the back of the card is a message from James Walter Patrick to Mary Jean Ross regarding missing the train to Louisiana and spending the night in Dallas, Texas
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