284 research outputs found
Replication Data for: US Media Coverage of CRISPR
No full textDataset from study on media coverage of CRISPR from January 2012 through March 2019 in US online sources and television news outlets
Replication Data for: Disbanding the Old Boys’ Club
No full textAs the #MeToo movement gained momentum in 2018, a collective formed among
political scientists to examine the discipline's issues with the same lens. This
#MeTooPoliSci collective, together with the American Political Science Association
(APSA), distributed a survey to APSA members that asked respondents to identify
obstacles that hinder the success of womxn and to share effective solutions. The
results are consistent with previous studies: explicit bias and structural discrimination
are major obstacles to womxn's advancement, and departments must evolve in order
to effect meaningful changes. Specifically, womxn are disproportionately burdened with
service commitments and experience bias in student evaluations of teaching (SETs)
when compared to their male colleagues, which can have negative consequences for
promotion. In addition, the lack of transparency in decisionmaking and resource
distribution hinder the ability of womxn to effectively perform their professional
responsibilities. As such, the #MeTooPoliSci survey confirmed the lived experiences of
womxn in Political Science and informed the recommendations that we present here
for male political scientists to mitigate these obstacles in support of womxn in their
departments
sj-docx-1-pus-10.1177_09636625221138953 – Supplemental material for Playing God? Media coverage of CRISPR in the United States
No full textSupplemental material, sj-docx-1-pus-10.1177_09636625221138953 for Playing God? Media coverage of CRISPR in the United States by Patricia Stapleton and Alessandra Torres Yabar in Public Understanding of Science</p
Down but Not Out: Reforming Social Assistance Rules that Punish the Poor for Saving
No full textReform is required for social program rules that prevent the poor from saving in Registered Retirement Savings Plans (RRSPs) and Tax Free Savings Accounts (TFSAs), according to this study. The author says that encouraging asset accumulation, even in small amounts, is crucial in helping to lift people out of poverty. Yet most Canadian welfare, disability and social service programs deny or cancel benefits if applicants or recipients place a modest level of savings in an RRSP or TFSA. Barring a province-led effort at reform, says Stapleton, the federal government should take the lead by calling on provinces and territories to exempt meaningful RRSP and TFSA amounts from their welfare asset rules, leaving individual jurisdictions to decide the appropriate levels.Social Policy, Registered Retirement Savings Plan (RRSP), Tax Free Savings Account (TFSA), social assistance
Thomas Stapleton
No full textIn 1620, twenty-two years after his death, Thomas Stapleton received the tribute hoped for, I suppose, by many, if not all professors. Four of his friends collected together his works and published them. His Opera Omnia fill four folio volumes: translation, controversy, the fruit of his years of lecturing worked over and set out in lengthy, ordered dissertations, history, biography, moral instruction, panegyric, speeches made on academic occasions, commentaries on the Sunday, feast-day and Lenten gospels. The whole was prefaced by a life of the author written in Latin verse by Henry Holland. The best preserved and best cared-for copy is to be found in Lambeth Palace library.</jats:p
Review of 'Britishness Abroad' ed. Kate Darian-Smith, Patricia Grimshaw and Stuart Macintyre..
No full textReview of 'Britishness Abroad: Transnational Movements and Imperial Culture' ed. Kate Darian-Smith, Patricia Grimshaw and Stuart Macintyre
Marlowe\u27s Ovid: The \u22Elegies\u22 in the Marlowe Canon
No full textThe first book of its kind, Marlowe’s Ovid explores and analyzes in depth the relationship between the Elegies-Marlowe’s translation of Ovid’s Amores-and Marlowe’s own dramatic and poetic works. Stapleton carefully considers Marlowe’s Elegies in the context of his seven known dramatic works and his epyllion, Hero and Leander, and offers a different way to read Marlowe. Stapleton employs Marlowe’s rendition of the Amores as a way to read his seven dramatic productions and his narrative poetry while engaging with previous scholarship devoted to the accuracy of the translation and to bibliographical issues. The author focuses on four main principles: the intertextual relationship of the Elegies to the rest of the author’s canon; its reflection of the influence of Erasmian humanist pedagogy, imitatio and aemulatio; its status as the standard English Amores until the Glorious Revolution, part of the larger phenomenon of pan-European Renaissance Ovidianism; its participation in the genre of the sonnet sequence. He explores how translating the Amores into the Elegies profited Marlowe as a writer, a kind of literary archaeology that explains why he may have commenced such an undertaking. Marlowe’s Ovid adds to the body of scholarly work in a number of subfields, including classical influences in English literature, translation, sexuality in literature, early modern poetry and drama, and Marlowe and his milieu
Kristin Stapleton, Fact in Fiction : 1920s China and Ba Jin’s Family
No full textThere are few resources amongst contemporary Chinese literary criticism that manage to weave such insightful literary readings and incisive historical research as Kristin Stapleton’s Fact in Fiction: 1920s China and Ba Jin’s Family. The book accomplishes three feats, as set out by Stapleton in her introductory chapter, simultaneously incorporating a history of twentieth-century Chengdu (and its relevance to the developments in China during this period, more broadly) alongside the author’s biography of Ba Jin’s formative years in the city and the historiographical context of his novel Family. Such an undertaking by a less skilled author would have, perhaps, produced a work which simplifies the rich historical underpinnings of Ba Jin’s Family to supplementary readings of the novel, coupled with incidental evidence of the political and social machinations of the city in which its author grew up. Not so under Stapleton’s careful guidance. By reading the social and economic development of early twentiethcentury Chengdu as much as its fictional counterpart in Ba Jin’s Turbulent Stream trilogy, Stapleton provides a perceptive reading of Family which invites the reader to consider how fiction can enrich and enliven our understanding of history
Christianity, Patriotism and Nationhood: The England of G.K. Chesterton
No full textThis book links the concepts of patriotism, Christianity, and nationhood in the journalistic writings of G.K. Chesterton and emphasizes their roots within the English attachments that were central to his political and spiritual persona. It further connects Chesterton to the vibrant debate about English national identity in the early years of the twentieth century, which was instrumental in shaping not only his political convictions, but also his religious convictions. Christianity, Patriotism and Nationhood explores his changing conception of the English people from an early, menacing account of their revolutionary potential in the face of plutocracy to the more complex portraits he drew of their character on recognizing their political passivity after the First World War. As Chesterton was above all a journalist, the study considers some of the varied outlets in which he expressed his ideas as a distinctly Edwardian man of letters of a strongly patriotic persuasion. His connection with The Illustrated London News over more than three decades proved pivotal in strengthening his patriotism and discourse of nationhood vilified elsewhere, not least in advanced Liberal organs such asThe Nation. Julia Stapleton shows that he was increasingly distanced by fellow Liberals before 1918, on account of the priority he gave nationhood over the state, and patriotism over citizenship. But she argues that his English loyalties were the last echo of an aspect of Victorian Liberalism that had been progressively eroded by loss of confidence among elites in the democratic aptitude of the English people. Christianity, Patriotism and Nationhood emphasizes that Chesterton upheld a cultural rather than racial conception of national homogeneity, in keeping with the Victorian sources of his thought and the popular patriotism of Edwardian England. It argues that his anti-semitism was ancillary, rather than integral to his understanding of England, and that it was matched by a similar conception of the antithesis between Islam and the patriotic ideal. Stapleton relates his abiding concern for national 'authenticity' to global imperialism, enhanced international co-ordination of states and civil society after 1918, and the increasing role of the British state in defining the nation. This book will be valuable to intellectual and political historians of early-twentieth-century England, as well as to scholars and students of English national identity in the twenty-first century. The author gratefully acknowledges the permission of A.P. Watt Ltd on behalf of the Royal Literary Fund to quote unpublished material in the Chesterton Papers, British Library
Self-consciousness and the image of self in the poetry of Stephen Spender, 1928 to 1934
No full textThe purpose of this thesis is twofold. First, to demonstrate the value and significance of Spender's early poetry in terms of its vision and technique. Through a series of close readings the thesis traces the ways in which Spender's early poetry not only shows itself to be self-conscious but also manipulates images of self. Presenting images of self, Spender achieves a balance between engagement with and distance from the self, and the reader shares in the process of poetic self-awareness. Secondly, to demonstrate the broader value of the poetry. Spender's poetry presents a distinctive exploration of the possibilities of self in relation to the external world. The resolution of Spender’s questioning and selection of both personal and public values, rooted in his contemporary situation and private circumstances, in his poetry takes the form less of historical document than of human record. The period on which I focus, 1928 to 1934, represents Spender’s first, and arguably most significant, poetic phase. The thesis is specifically concerned with four texts: Nine Experiments. Spender's contributions to Oxford Poetry (1929 and 1930), Twenty Poems and Poems (1933 and 1934). Nine Experiments marks the beginning of a particular approach and lyric style which finds its culmination in Poems (1933 and 1934). The earliest poetry is interesting largely insofar as it looks forward to later themes and techniques. In Nine Experiments and Oxford Poetry (1929 and 1930) we see Spender's often successful struggle to achieve effective forms in which to explore issues of self and value. Twenty Poems and Poems (1933 and 1934) concentrate on themes of love and friendship and the pressure on the poet of the contemporary political scene. The poetry does not reconcile the demands of the external, public world with his inner desires and aspirations, but presents a series of fascinatingly unresolved tensions. The thesis explores the way these poems strive for certainty. This striving stems from the tension between Spender's desire to politicize poetry and his tendency to the lyrical, personal statement
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